Amplifier is streaming their brand new music video “Black Rainbow,” off of Mystoria, out now via Superball Music. Watch it below.
They are in the midst of a UK tour with Black Moth. Dates are below.
Apr 23:, Slade Rooms – Wolverhampton (UK)
Apr 24: Gorilla – Manchester (UK)
Apr 25: Jazz Café (Desert Fest) – London (UK)
Apr 26: Talking Heads – Southampton (UK)
Apr 27: The Haunt – Brighton (UK)
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With Roadburn having just ended last weekend, the season for European music festivals is here Joining the ranks of it’s better known sister festival in Germany, Desertfest UK is fast becoming one of the best events in the world. The event will take place from April 24th-26th at stellar venues in London such as: The Electric Ballroom, Koko, The Underworld, The Black Heart, The Jazz Cafe and the Purple Turtle Especially if you pray to at the altar of the riff almighty, the subsonic tones of sludge and just a rocking good time in general, this fest is for you. The weekend passes are already sold-out, further proving the attraction these line-ups will bring.
Friday kicks things off in the early afternoon with up and comers Torpor leading off. Likely the best afternoon band of any day of the fest will be Floor at the Electric Ballroom. Following them will be The Atomic Bitchwax, and headliners Electric Wizard and the mighty Red Fang. The Underworld is host to grimmer acts such as Dopethrone, Agrimonia, Black Cobra, Minsk, and Noothgrush. Also not to be missed on Friday are comeback kings End of Level Boss. They are always super fun live!
Saturday has a super doom and sludge infection in the form of Vintage Caravan, Sex Swing, Pale Horse, Black Pyramid, Lo Pan, Anthromorph, Obake, Ten Foot Wizard, Hang the Bastard plus Brant Bjork And Low Desert Punks. EyeHateGod continues their return to Europe, promising another brutal set.
Adding to the awesomeness of Saturday is the fests first prog stage, led by Amplifier, Sweet Billy Pilgrim, I am The Morning, Landskap and others. This is really momentous for the fest and hopefully it becomes a regular thing in years to come.
Sunday will bring things to a boil with more underground bands Amulet, Quartz Cancer, Sallie, Witch Hazel, SSS, The Wounded Kings, and Angel Witch amongst many others. Of course the headliner Sleep might be half the draw for the weekend, as well as Ufomammut, Karma To Burn, and Acid King. With official after show every night of the fest, this promised to be a non-stop jamming party the whole time.
When they come round to writing the definitive history of progressive rock music in the UK I hope they can find a nice spot, lovingly curated, for Mancunians Amplifier. Not that we should be consigning them to the annals of history anytime soon – anything but – but Amplifier seem to be one of those acts that are held dear to the heart of the already converted, but have yet to make the crossover to broader appeal. It’s hard to understand why as they have already delivered, from the sprawling masterpiece The Octopus (Independent) to the more introspective yet equally worthy Echo Street (KScope), some sublime, intelligent and inventive music.
Mystoria (Superball) doesn’t eschew all of the idea-conjuring that they are renowned for but it has a determined sense of purpose and an effervescent undercurrent that will certainly cement their reputation and should, if there is anything like justice in this tribal, social media dominated world of ours, see them reach audiences and corners of the globe yet to be converted to Mr Balamir and co.
Kicking off with the none-more-prog-rock instrumental of ‘Magic Carpet’, a blend of Focus meets Muse, it’s a gauntlet throwing statement of intent. Amplifier have rediscovered ROCK, kids, and we should all be grateful. ‘Black Rainbow’ continues in similar vein, all hard driven rhythms and evocative lyrics and you can feel yourself air drumming from about 28 seconds in (perhaps that was just me, then). ‘Named After Rocky’ sounds a bit what might happen if early Genesis had met Led Zep for a proper drink. This, for the avoidance of any doubt, is a very good thing.
‘Open Up’ is a seriously moody buzzy riffathon, akin to what would happen if Josh Homme had gotten his stoner rock hands on Matt Bellamy’s muse and, if you will, Matt Bellamy’s Muse. Highlight of the album is the brilliant ‘OMG’. It has a signature riff that Rush would kill for and a deep groove which echoes Led Zeppelin just at the point where they became their most stately and imperious. There’s a swirling pot of ideas being thrown around here, too. This is what Amplifier excel at, the musical plate spinning, often at precarious rates but with not one piece of porcelain being dropped.
Less obviously ambitious than The Octopus, Mystoria appears to be Amplifier’s attempt to distil their essence into manageable slices of aural pie. As Oliver Twist, would surely have said, please Mr Balamir , sir, can I have some more? Satisfying then, culinary friends.
7.5/10
MAT DAVIES