Skip to primary content
Skip to secondary content

Ghost Cult Magazine

Music News, Interviews and Reviews that matter.

Ghost Cult Magazine

Main menu

  • NEWS
  • REVIEWS
  • INTERVIEWS
  • PODCASTS
  • MAGAZINE
  • ABOUT
    • WE WHO ARE NOT AS OTHERS
    • ADVERTISE WITH US
    • CONTACT US
    • VALHALLA
    • SUPPORTED EVENTS
    • PRIVACY POLICY

Tag Archives: 2014 End of Year Lists

Ghost Cult Magazine Album Of The Year 2014 Countdown! #15 to #11

Posted on December 9, 2014 by Steve Tovey

…And so we continue with our countdown of the Official Ghost Cult Top 50 Metal releases of 2014 by bringing you Albums 15 to 11. As we get closer the top, the sheer unadulterated quality of the albums covered is astounding, and every one of our Top 20 should proudly sit in your collection already.  And if it doesn’t, you should get investigating immediately…

 

15. GODFLESH – A World Lit Only By Fire (Avalanche)

a2466086538_10

Joining the growing list of bands who have returned from a leave of recording absence in style, Justin Broadrick resumes where he left off thirteen years ago, delivering dissonant, nihilistic, industrial cold post-metal. Innovators and leaders to a previous generation of bands, Godflesh returns with metallic precision and destructive poundings.

https://www.youtube.com/watch?v=3PqXB-u4j04

“The crushing landscapes of Streetcleaner (Earache) are recalled in the merciless dehumanised beats yet the harshness of the eight string guitar has taken this unforgiving creation an even blacker more disturbing feel. The momentum never lags throughout this fearsome monolith feeling urgent and vital throughout. It may be their first full length in thirteen years but every fibre of the bands DNA has mutated into an even more virulent strain of post-Sabbath paranoia whose icy claws cannot be escaped.”

Read ROSS BAKER’s 8/10 review here

 

14. INDIAN – From All Purity (Relapse)

a2108818040_10

Extreme doom has never been in a healthier or more prolific state, and is a scene with a surfeit of reeking repugnancy spread over a growing horde of performers. Oozing themselves to the very peak of the sludge mountain is Chicago’s Indian, with a release that tests the very limits of just how hideous a piece of music can be and still be appreciated. Essential art, manifested as abhorrent compositions.

“Over the course of 39 harrowing minutes, Indian attempt to batter the listener into submission with a ceaseless barrage of spiky sludge riffs that aren’t afraid to repeat themselves to make their point well and truly felt, percussion that hits as hard as a drunken preacher taking his belt to a cowering sinner, horrible harsh droning noises that sound like a possessed radio broadcasting live from Chernobyl, and all topped off with Will Lindsay’s throat-shredding howls and screeches.”

Read JAMES CONWAY’s 8/10 review here

 

13. OPETH – Pale Communion (Roadrunner)

Opeth-Pale-Communion-album-art

On Heritage, Mikael Åkerfeldt led his Swedes away from a technical Death Metal past towards the Prog Rock light. With Pale Communion, transition completed, he perfects the marriage of Opeth and their new slant, constructing a beautiful, reflective, warm and overwhelmingly natural album that speaks in an altered, more progressively refined tongue to the previous voices of Opeth.

“Fast forward three years and Pale Communion is, in many ways a continuation of such a direction, but one that see’s Mikael’s uncompromising view drawing more clearly into focus. Harking back again to the late 60s and early 70s this eleventh studio opus features fluid dexterous drum patterns, moody distorted organ work and another all clean and highly proficient performance in the vocal department. Where Heritage felt somewhat disjointed on occasion Pale Communion is richly woven into a tapestry of ornate and complex elements rather than flitting from one genre to the next.”

Read ROSS BAKER’s 7/10 review here

 

12. YOB – Clearing The Path To Ascend (Neurot)

coverFINAL-400x400

Like one of their own dark, weighty epics, Yob’s career is slowly unfurling, opening out as expansive riffs draw out of the dark, and slab-heavy tones meld Post and Doom Metal. Yob’s previous two albums, in particular, have been preparation for this career defining opus, where the permutations of delicate beauty and unsubtle heavyweight guitars are woven skilfully.

“Clearing the Path to Ascend begins by showing a return to the inventive aspects of …Cessation  with a gently repetitive chords, and mellifluous tones riding a colossal riffs that move with the speed of a tortoise. All four tracks far exceed the ten-minute mark yet none here exceed their welcome. Combining the best aspects of the band’s aforementioned last albums this is a perfect blend of weight, hostility, melody and ecstasy, and will need many plays to yield its full array of splendour.”

Read PAUL QUINN’s 9/10 review here

 

 

11. TOMBS – Savage Gold (Relapse)

Tombs-savage-gold-album-cover-400x400

While predecessor Path of Totality (fortunately not a dub-step album, like Korn’s of the same name)) was a great album in its own right, it is in 2014 that songwriter Mike Hill, backed by a crystalline production by Erik Rutan, has finalised the blueprint of how to merge granite flecked post-Metal with rusted Black Metal, bathing us all in cold, exacting, current, intelligent and hostile extreme music, where the caustic overwhelms.

“Savage Gold, the third album from Brooklyn quartet Tombs, is certainly no easy listen. Since their debut release Winter Hours in 2009, the band have attempted to show just how black and post-metal should go together and once again stand head and shoulders above the competition, for Savage Gold is a triumph in visceral aggression and brooding atmospherics.”

Read JAMES CONWAY’s 9/10 review here

 

 

Compiled and additional words by Steve Tovey


Posted in Album of The Year, News | Tagged 2014 Album of the Year, 2014 End of Year Lists, A World Lit Only By Fire, Album of The Year, Album of the Year lists, Avalanche, black metal, Clearing The Path To Ascend, Countdown, doom metal, Erik Rutan, From All Purity, Ghost Cult Magazine, Godflesh, Indian, Industrial Metal, James Conway, Justin Broadrick, Mikael Akerfeld, Mike Hill, Neurot, Opeth, Pale Communion, Paul Quinn, Post Hardcore, post-metal, prog metal, prog rock, progressive music, Relapse, Roadrunner, Ross Baker, Savage Gold, Sludge Metal, Steve Tovey, Stoner Metal, Tombs, Top 20, Will Lindsey, YOB

Send us your music for review and news

Support us with $Cashapp

Donate to us on PayPal!

donations

$3.00

Donate to us on Ko-fi

Money Hacks for Metalheads and Old Millennials

Get Custom Pins and Patches Made!

Sludgework For All of You Logo Needs

HiBNB! Play Hi! Stay Hi! Get Hi!

Shop The Hunter’s Moon Collective

UNDERGROUND SPOTLIGHT- Casket Robbery

Metal For Nepal Benefit Compilation

All Proceeds Go To Charity

Metal For Nepal Benefit Compilation

RSS Activate This Pit!


Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
Proudly powered by WordPress