DOOM METAL ROUNDUP: Mourn The Light, Bottomless, Lucifer’s Fall, and Purification


Mourn the Light – Suffer, Then We’re Gone

Mourn The Light offers Traditional Doom Metal with a few twists on their first full-length album. It doesn’t quite hit the full operatic scope of Epic Doom or reach the speeds of Classic Metal, but influences from both at work throughout Suffer, Then We’re Gone (Argonauta Records). The riffs and song structures are in line with the busy nature of Psalm 9-era Trouble while the vocals offer a husky but theatrical bellow, drawing further comparisons to groups like Altar Of Oblivion and Argus. Continue reading →


ALBUM REVIEW: Spiral Grave – Legacy Of The Anointed


While Legacy Of The Anointed (Argonauta Records) may be Spiral Grave’s full-length debut, it’s easy to also think of it as the sixth Iron Man album under a different name. After all, the musicians involved were part of that band’s last active lineup with guitarist Willy Rivera in place of the tragically passed on bandmate, Al Morris III. The style also bares a superficial resemblance to the Doom Metal approach last seen on 2013’s South Of The Earth. However, there’s a distinction between the two entities and Spiral Grave uses that connection as a springboard for their own identity.

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ALBUM REVIEW: Grief Collector – En Delirium


In contrast to the darker doom path that Grief Collector established with 2019’s From Dissension To Avowal, their first proper full-length shows more direct connections to singer Robert Lowe’s past projects. ‘Corridors’ opens En Delirium (Petrichor Records) in a similar fashion that ‘Falling’ started off Solitude Aeturnus’s Through The Darkest Hour, featuring a catchy Grunge groove and lofty vocal lines. There are even some Classic Metal touches comparable to the most recent Tyrant album on ‘Our Poisonous Ways’ and ‘The Letting Go.’

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