ALBUM REVIEW: Altar of Oblivion – In The Cesspit Of Divine Decay


 

Of all the sub-genres journalists tend to get blamed for flourishing, Doom is one of the most easily defined. Its tempo is the most distinguishing feature that separates it from the other metal genres that tend to play at more aggressive speeds. Even Doom has now been divided into other sub-genres, one of these being Traditional  Doom, to which bands like Candlemass, Trouble, and Cathedral are assigned.  Continue reading →


ALBUM REVIEW: Portrait – The Host


 

For their sixth full-length studio release, Swedish metallers Portrait journey to the land of the concept album in order to conjure up a tale of sword and sorcery set in the seventeenth century. Their first full-blown conceptual release, The Host (Metal Blade) is not an entirely fictional piece but also inspired partly by historic events, with the band imparting the tale of an unnamed protagonist seeking strength after encountering injustice and hypocrisy.
Continue reading →


ALBUM REVIEW: Gatecreeper – Dark Superstition


After a five-year gap between albums, Arizonan quintet Gatecreeper are back with Dark Superstition (Nuclear Blast). Their third album sees their heavy, Death Metal roar wed to more melodic and concise metal. A heavy band embracing melody like this might raise some metalheads’ hackles, afraid their band going soft, but fear not. Their heft and aggression is still alive and kicking, but just married to more accessible metal.   Continue reading →