Tuska Festival 2015 Part I: Suvilahti, Helsinki FI


tuska festival 2015 poster

 

Contrary to every possible weather forecast promising rain, Tuska Festival 2015 in Suvilahti, Helsinki was held during a scorching hot weekend of festivities. So hot, that the debut of the Finnish Sauna tent at the Tuska Libre bar area seemed a bit uncalled for.

Fans a Tuska Festival, photo by Tuska Festival

Fans a Tuska Festival, photo by Tuska Festival

Do people come to festivals like Tuska for the bands or just for the occasion? It seemed like this would be put to the test with some of the least star power of the lineups from Tuska the last few years, but with an increased amount of investments in the food stands and other attractions. The biggest worries of not enough people showing up faded quite quickly. Already by the time of Ghost Brigade, still during office hours, the area was getting filled up fast. A quick math exercise at the bar would set the course for the weekend – large, 1L beers would come off quite a bit cheaper than the smaller cans only third of the size – a dangerous realization a lot of people seemed to be making while queuing up on their first cold ones at the bar area fittingly named “Heavy Drinker’s Corner”. Ghost Brigade’s “Elämä on tulta” is an impressive track that when delivered with the band’s fierce intensity would get people on the right mood.

Fans headbanging, by Tuska Festival

Fans headbanging, by Tuska Festival

Lamb of God tore open one of the biggest pits of Tuska’s 18 year history, perhaps only second to Slayer in 2008. Hence it was questionable if Sabaton’s headliner slot – despite all their excessive and impressive pyrotechnics, and their drumset set up atop a gigantic tank – was really in place. The Helsinki crowd was certainly more hungry for Lamb of God after their 2013 cancellation due to vocalist Randy Blythe’s unexpected imprisonment in Czech Republic, whereas Sabaton is a more common visitor to Finland.

Lamb of God played two tracks from their upcoming album VII: Sturm und Drang, namely ‘512’ and ‘Still Echoes’, which seem to be continuing their well known sound that truthfully hasn’t changed much apart from Randy Blythe’s expanded use of various vocal techniques. LOG was as active on stage as ever, but Randy’s voice seemed a bit worn out – a small detail that didn’t take away from the intensity of the show. While Sabaton’s performance seemed more polished and rehearsed, LOG’s was just pure murder with no fancy extra toppings. The band dedicated the track ‘Ruin’ to their Finnish friends from Children Of Bodom, and ‘Now You’ve Got Something to Die For’ in particular to Roope Latvala, who’s departure from the Finnish melometal band was announced a month ago.

Sabaton, by Aku Axel Muukka

Sabaton, by Aku Axel Muukka

Sabaton, by Aku Axel Muukka

Sabaton, by Aku Axel Muukka

 

The bands at Tuska need to stop their shows already at 10pm, but the festival has also its official afterparty club gigs at various Helsinki venues, and there’s plenty of competing events trying to grab their share of the long haired crowd, too. Good advice is just to follow the buzzing crowd into the decadent Helsinki night.

 

WORDS BY LH

PHOTOS COURTESY OF TUSKA FESTIVAL/Timo Asoaho/Aku Axel Muukka


FESTIVAL PREVIEW: Tuska Open Air


tuska festival 2015 poster

The 18th edition of Tuska Open Air continues the legacy of one of the most iconic metal festivals on the planet. Held in Suvilahti, Helsinki, Finland, the festival boasts 2 large main stages, and a third club stage for shorter sets by up-and-coming acts.

Friday’s main attractions are the headliners Sabaton, and Lamb of God’s first Tuska appearance, making up for the band’s cancellation in 2013 due to singer Randy Blythe’s imprisonment in Czech Republic. On Saturday and Sunday all eyes will be on headliners In Flames and Alice Cooper, while domestic legends Amorphis and Stratovarius will play special theme shows to celebrate their classic albums Tales from the Thousand Lakes and Visions by playing them in their entirety. Opeth, Exodus and altogether more than 50 acts will play the festival and its official afterparty clubs in the Helsinki clubs Tavastia, Virgin Oil Co. and On The Rocks.

Tuska also continues its series of experiments with new concepts like Black Dining, a specialty restaurant for those with a darker taste, and Play Tuska – a contest that brings a rising German band to play the Club Stage on Friday.

 

Tuska Open Air online

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Never Ending Journey: Jan Rechberger of Amorphis


Amorphis. Photo Credit: Ville Juurikkala

Amorphis. Photo Credit: Ville Juurikkala

With many bands out in the world of metal today playing full albums on a live setting, it was only a matter of time for Tales from the Thousand Lakes (Relapse) to be played by death metal legends, Amorphis. We were lucky enough to speak to drummer, Jan Rechberger, at Maryland Deathfest this year to understand why is now the right time.

“Well we had the idea because of the anniversary, it was pretty clear to us to play the whole album because it is considered a classic in the scene. It seemed like a good idea to play it in between the process of writing a new album. We’ve been playing a few shows, 1 tour through Germany and Switzerland along with a lot of festivals this summer, like here in Maryland. It’s been going really nice, only a few shows yet, maybe 12 or so but so far it’s been real good. Meeting a lot of nice people and getting good feedback from the audience, it’s been a blast.”

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Prior to the classic Tales record, Amorphis was known for a more traditional death metal sound but then they revolutionized death metal by evolving the sound to one of the pioneering folk metal sounds popular today. Jan reminded us that musical directions just kind of happen naturally.

“It’s a long process basically. We were basically metal heads at the time before Tales and just listening to metal really. After that we started listening to progressive music like progressive music in general and getting into bands like Pink Floyd, and Jethro Tull, and all those classic bands and we had a keyboard player so that probably changed the game a whole lot. It just started to happen when we jammed out playing our influences and coming up with a unique package. Like most things in music, these things happen accidentally at the end of the day. So it’s really a mix of our influences through the years and it’s a never ending journey really with more to come.”

Kalevala is a Finnish national epic poem of which Tales is heavily based upon. During the writing process of Tales, Kalevala strongly resonated within their creative minds. Over two decades later, is this story still as meaningful to them as it was back then?

“It does, but it’s something we learn in school as kids. It’s a huge thing in Finland, it’s like a national treasure in a way. And back then no metal band used it. Some Finish jazz bands did but it was mostly instrumental anyways and a lot of Finish composers used it as an influence. It’s been a major influence for artists in Finland. A lot of nice stories and unique stuff. I guess it was right after recording Karelian (Editor’s Note: The Karelin Isthmus- for Relapse Records) that I had the idea of maybe using Kalevala on maybe the next album and we did! We’ve been using it on new material too since Eclipse is basically based on Kalevala stories and characters. The new one and Circle are not straight from Kalevala but influenced strongly by it in some ways. I find it to be an original thing for us and feels natural for us to use as it’s something we already have. There were times where we didn’t use Kalevala in our music as we had other lyrical influences at the time on different subjects. I find it fits in our music well.”

Nowadays, folk and pagan metal as some call it is quite popular in the metal world and flourishing quite well. Many of these bands have cited Amorphis as a major influence to their sound and it is clearly heard in their own work. We were wondering if this comes off to Jan as a band “ripping off” the Amorphis sound and got a response after a few seconds of laughter that shows what kind of legacy they have created.

“Sometimes, but I do not see it as a rip off but more of a compliment. Like if I were to do hip hop or some other kind of music and some hip hop guy sampled my music I would be honored! Mainly because we were influenced by a lot of other bands. So if some younger bands take influences from us, I see that we actually created something that matters somehow. But yes, as you said, there’s been some bands like Ensiferum and bands like them that are friends with us in the first place and how we are a big influence on them. There’s lots of bands that remind me of our older stuff, but I find it to be cool. So I encourage the younger bands to keep doing what they like.”

TIM LEDIN