CLASSIC ALBUMS REVISITED: Nevermore’s This Godless Endeavor Turns 15

While Nevermore never quite broke into the mainstream, they always seemed to be just under the radar ready to make an impression. The band’s signature combination of proggy rhythms, gothic vocals, groovy chugs, extreme drums, and shredding solos seemed to have something for everyone in the Metal sphere, but their eccentric execution also meant they never found belonging in any single demographic. That all seemed like it was poised to change with their sixth album, 2005’s This Godless Endeavor (Century Media Records), which saw them gain greater exposure compared to their earlier efforts and more unanimous acclaim.

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One Machine – The Final Cull

One Machine The Final Cull album cover 2015

It’s no secret that metal music seems to be getting tamer recently, especially due to the influx of metalcore bands dominating the scene. However, there is no need to lose hope yet. If you are craving a dose of proper metal then you definitely need to check out what One Machine have been up to. Their latest album, The Final Cull (self-release), serves as testament (no pun intended) that traditional metal music will never die.

Opening track ‘Forewarning’ opens with a killer guitar riff: it is almost as if Steve Smyth (Nevermore, Forbidden, Dragonlord, Vicious Rumors) and co. are warning the listener that there will be no gimmicks or frills used on The Final Cull, just pure metal music. Chris Hawkins’ vocals are as powerful as ever, allowing the listener to fully engage with the lyrical content.

Title track ‘The Final Cull’ is about the captain of a ship on the stormy seas carrying human cargo, and he is unsure of whether the humans are alive or dead. The morbid theme of the song is not only apparent from the lyrics, but it is also emphasised by the gloomy orchestral opening of the song. This progresses into a heavy and unforgettable song which will send shivers down your spine.

‘New Motive Power’ is a four-minute thrill-ride of a song. The shredding guitar riffs make it almost impossible to sit still through and it will be interesting to see how this song would sound live. It is powerful, passionate and heavy: everything that metal music should be.

Ashes In The Sky’ begins as a beautiful and melodic song, completely different to all of the other songs on The Final Cull. Chris’ voice is soothing and relaxing, which could easily make you think that you are listening to the wrong album. However, around the two and a half minute mark the song progresses into a heavier dimension with chugging guitar riffs.

Both old and new fans will find something to love about this incredible offering from One Machine. It is hard to be disappointed with an album which will make you want to either smash things up or drive full-speed down the motorway.