Tag Archives: @slamsight

Tripsitter – The Other Side Of Sadness

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They say you should never judge a book by its cover. If you do you might imagine that Ulysses, by James Joyce, is a novel about Irish architecture rather than a masterpiece of modernist literature / a meritless stream of consciousness depending on whose opinion you ask for. A cursory glance at The Other Side Of Sadness (Prosthetic Records) by Austrian quartet, Tripsitter, would imply nu-Metal with its monstrous, Korn-like depiction of a family portrait. What we get instead is a curious blend of Hardcore, Shoegaze and even the tiniest hint of Black Metal – so intertwined are the latter two thanks to Blackgaze. Continue reading →


The Machinist – Confidimus In Morte

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Hardcore music, and its derivatives, are going through something of a renaissance. With the release of 2017’s Forever (Roadrunner Records), Code Orange astonishingly brought a fresh ideation to a genre already brimming with brilliant bands. It wasn’t so much a reinvigoration as it was a rewriting of the rulebook in a manner that has seen many bands attempting to play catch up or ape the style. Not every Hardcore influenced band is trying to rip off the Pennsylvanians however, and one such example is New York quartet, The Machinist. Continue reading →


Ketzer – Cloud Collider

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Was Thrash a fad? With the indomitable rise of The Big 4 to the point of global phenomenon in the eighties, along with the likes of Exodus and Testament to name but a few, the sub-genre was a world-conquering behemoth with no signs of relinquishing its stranglehold on the zeitgeist. With Metallica’s turn to stadium Rock on their self-titled effort – better known as The Black Album (Elektra) – and the emergence of the Seattle Grunge movement, Thrash was dead in the water, being dropped into obscurity as rapidly as it had become a buzzword. Continue reading →