Matt and Curtis discuss why the K.I.S.S. method for your social media ads works the best. Dumb and Dumbest #480 is live and it’s all about Keep Your Ads Simple! The podcast is hosted by Matt Bacon (Dropout Media, Ripple Music, Prophecy Productions), Music Publicist Curtis Dewar (Dewar PR), and Social Media expert and Ghost Cult Owner, Keith Chachkes (BDWE Media).
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Dumb and Dumbest Episode #479: The Streaming Challenge!
Matt and Curtis discuss the Streaming Challenge, kicking off today. Learn to master streaming platforms, break through the fog, and earn some money. Dumb and Dumbest #479 is live and it’s all about The Streaming Challenge! The podcast is hosted by Matt Bacon (Dropout Media, Ripple Music, Prophecy Productions), Music Publicist Curtis Dewar (Dewar PR), and Social Media expert and Ghost Cult Owner, Keith Chachkes (BDWE Media).
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Dumb and Dumbest Episode #478: Eric Alper on PR and Twitter Mastery
Curtis and Keefy interview industry veteran Eric Alper about his career, how to break an artist, and how to rule at Twitter, just like Eric does. Dumb and Dumbest #478 is live and it’s all about Interviewing Jon Asher on PR. The podcast is hosted by Matt Bacon (Dropout Media, Ripple Music, Prophecy Productions), Music Publicist Curtis Dewar (Dewar PR), and Social Media expert and Ghost Cult Owner, Keith Chachkes (BDWE Media).
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Dumb and Dumbest Episode #477: Interviewing Jon Asher on PR
Curtis and Keefy host a special interview with veteran music publicist Jon Asher of Asher Media Relations to discuss his career, what PR campaigns for metal bands look like during the pandemic, his campaign for Juno Award winners Striker, and much more! Dumb and Dumbest #477 is live and it’s all about Interviewing Jon Asher on PR. The podcast is hosted by Matt Bacon (Dropout Media, Ripple Music, Prophecy Productions), Music Publicist Curtis Dewar (Dewar PR), and Social Media expert and Ghost Cult Owner, Keith Chachkes (BDWE Media).
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Dumb and Dumbest Episode #476: Crowdfunding, Publishing and More With Lindsay Schoolcraft
Matt and Curtis welcomes back the great Lindsay Schoolcraft to the podcast! She details her process for crowdfunding her new album, making money from streaming, and more. Dumb and Dumbest #476 is live and it’s all about Crowdfunding, Publishing and More with Lindsay Schoolcraft! The podcast is hosted by Matt Bacon (Dropout Media, Ripple Music, Prophecy Productions), Music Publicist Curtis Dewar (Dewar PR), and Social Media expert and Ghost Cult Owner, Keith Chachkes (BDWE Media).
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Dumb and Dumbest Episode #475: Optimizing Bandcamp
Matt and Curtis gives some great intel on how to get the most out of Bandcamp, for your band. Dumb and Dumbest #475 is streaming is all about Optimizing Bandcamp. Dumb and Dumbest is hosted by Matt Bacon (Dropout Media, Ripple Music, Prophecy Productions), Music Publicist Curtis Dewar (Dewar PR), and Social Media expert and Ghost Cult Owner, Keith Chachkes (BDWE Media)..
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Dumb and Dumbest Episode #474: Lyle Jensen of MMD Records on African Metal!
Matt and Curtis welcome in Lyle Jensen of MMD Records, to discuss the African Metal scene, touring the continent, and much more. Dumb and Dumbest #474 is streaming is all about Lyle Jensen of MMD Records on African Metal! Dumb and Dumbest is hosted by Matt Bacon (Dropout Media, Ripple Music, Prophecy Productions), Music Publicist Curtis Dewar (Dewar PR), and Social Media expert and Ghost Cult Owner, Keith Chachkes (BDWE Media).
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Dumb and Dumbest Episode #473: Lars Was Right
Matt and Keefy undertake a great debate about streaming, Spotify, revenue for DIY and mainstream bands, and more. Dumb and Dumbest #473 is streaming is all about Lars Was Right! Dumb and Dumbest is hosted by Matt Bacon (Dropout Media, Ripple Music, Prophecy Productions), Music Publicist Curtis Dewar (Dewar PR), and Social Media expert and Ghost Cult Owner, Keith Chachkes (BDWE Media).
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Spotify CEO Daniel EK Thinks Bands Get Paid Enough, Pushes Back On Royalty Debate
It is not bad enough bands barely get paid despite thousands of streams per month. Now the CEO of Spotify, Daniel Ek, says that bands make enough and need to release music more frequently, rather than expect a real living wage from streaming. This is unsurprising that Ek doesn’t value artists or artistry, since he used to be connected o both Utorrent and Bit Torrent and got the idea for Spotify when Napster went out of business. He was a huge fan. Spotify’s average stream pays about $0.006. To earn just above the U.S. poverty line, which is $12,000, an artist would need three million streams (not factoring in payouts to label or management). Other factors for the cut the bands get includes individual record deals and agreements some labels have with Spotify. In a podcast interview with Music Ally, Ek said he would push back on the conversation and instead say the artist needs to reassess their marketing and creative output. Continue reading