The night began in Brooklyn, at The Kingsland with Invicta, a Canadian band with some killer technical prowess and a Melodic Thrash sound. They are new to my ears and definitely a good find and worth your time. As the opening act, they immediately set the tone for the evening with their energetic performance. Their set was a perfect blend of aggression and melody, getting the crowd pumped up and ready for more.
Ghost Cult is bringing you the furiously savage and melodic Thrash Metal of Kill Ritual today, and their anthemic new lyric video for ‘Touch The Dark’. The track comes from their upcoming third full-length album The Opaque and the Divine, and the Bay Area-based group are not only looking to follow their forbearers’ footsteps but also chat their own path. T/he new album is due out The album is scheduled for release on March 27th, 2020 via “POS illegal torrent file sharing and old school metal head tape trading”. For the uninitiated, Kill Ritual will find fans in modern bands, but also old school heads that love Forbidden and Kreator. Check out the ‘Touch the Dark’ lyric video right now! Continue reading
Coming from the melodic end of thrash, and with eight high-topped feet planted in speed metal, Helsinki’s Ranger impress with their (rising) force, and don’t mistake the proliferation of melody for any indication that there is to be any let up in intensity or intent. With nods to pre-pirate Running Wild, and ploughing a similar furrow to Enforcer, albeit with a less rocky overtone and more of a heads-down-see-you-at-the-end vibe, Where Evil Dwells (Spinefarm) may be the band’s debut full-length, but this is an album forged in furnaces that have been burning for 35 years.
Using Dark Angel’s Darkness Descends (Combat) as a template (7 songs, sub 40 minutes, track 6 being a lengthy 8 minute plus thrashepic, track one being a lesson in extended thrash and the second longest track) is not the worst prototype any band could use, and musically the band pull from the melting pot some nice Di’anno era Maiden twin leads, especially in ‘Defcon1’, amongst the thrashing Sodom-y. Elsewhere there are enough variance of thrash and speed metal and melodic refrains to maintain the interest; ‘Phantom Soldier’ along with a nice Eastern-tinged solo and good movement between solid chugging, and riffing and all out thrashing, borrows very heavily from Kill ‘em All (Megaforce) and in particular ‘Seek & Destroy’ (as well as lifting more than a lyric from ‘Disposable Heroes’), while closer ‘Storm of Power’ is a relentless 3 minute thrash battery to bring things home. Dimi Pontiac provides yelps and squawks as if possessed at random intervals by John Connolly – a “thing” that bands do that personally grates a touch, but are a staple trope of the speed metal oeuvre – but otherwise delivers with confidence, reminiscent of So Far, So Good… So What (Capitol) era Dave Mustaine, sneer and all.
All in, though, a very solid first outing for Ranger that will do more than satisfy those whose tastes are this way inclined. It is nothing new, but here’s where I have to leave my retro-hang ups at the door and buckle my bullet belt on instead, cos it doesn’t just do what it says on the tin. Ranger, with their melodic breaks and mid-tempo deviations, do go some way to standing out and honing their own identity.
And who can argue with a hand-drawn logo and an album cover with big fucking skulls on it!
7.5/10
STEVE TOVEY