Crystal Viper – Possession


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Crystal Viper may not be new to the heavy metal scene as they have played multiple European festivals and extensive touring but they are a welcome addition. Fans of heavy metal fashion will recognize that Marta Gabriel is also involved with heavy metal through her popular clothing line, Thunderball Clothing. The band has created an engaging album that also features vocalists from other bands such as Jag Panzer and Desaster.

Possession (AFM Records) begins with a very dramatic and operatic opening, ‘Zeta Reticuli’. While it is only 55 seconds long, it prepares the listener for a diverse and fun musical journey. It instantly leads into the crushing riff of ‘Voices in My Head’. The track sounds much like an Iron Maiden one and Gabriel sings it like a female version of Bruce Dickinson. It is a trend that holds throughout the album.

Fight Evil With Evil’ is the track which features Harry Conklin known for his work with Jag Panzer among other bands. His presence only makes the song better and assists Gabriel and the band in the story they are trying to tell rather than overshadowing them. This is a lot easier in theory than in practice and indicates that Crystal Viper are capable of holding their own in the world of heavy metal.

Why Can’t You Listen’ is where the theme of the album seems to come through the clearest. Much like the album suggests, the album is based around a concept that there is a young girl going on journey filled with struggles against evil. I won’t give too much away, but it is less cheesy than it sounds. It is at this part that the main character finds her voice.

Prophet of the End’ is a great closer where guitarist Andy Wave shows that he can do more than just shred. Up until this point, his riffs were slowly getting more repetitive. Thankfully he has a few tricks up his sleeve that make for an ending that neatly ties the story and leaves the album on a similarly epic note that it started on.

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7.0/10

Crystal Viper on Facebook

Melissa Campbell

 


Stone Sour – Pop Evil – Stolen Babies: Live at The House of Blues, Boston, MA


_DSC1408Although it has nearly been a year since their last album release, Stone Sour visited fans in Boston on January 22nd. They brought the post-grunge Pop Evil, and eccentric Stolen Babies with them. The diverse lineup worked well and the audience was in for a night of great music.

 

 

 

Many fans braved single digit temperatures to be at the House of Blues when the doors opened. This allowed openers Stolen Babiesplayed to a large audience. Their latest album was 2012’s Naught and they are currently working on a follow up. The group has recently become a three piece, but the loss did not hinder their performance. Their usual strangeness was present in songs such as ‘Spill’. Lead singer and accordion player Dominique Persei commanded attention with her surprising vocal range and sense of style. Their set may have flown by but viewers were left with either feelings of awe or confusion long after the members left the stage. Presumably not many had seen a band with an accordion playing such a large role at a rock show before.

 

Rockers Pop Eviltook to the stage with the place nearly packed. They seemed a bit out of place since many of their songs are played in _DSC1726arena and sports related settings, but the audience was enthusiastic nonetheless. The band’s overall sound is best described by their own name: mostly a radio friendly pop sound but with a tinge of heaviness. Their latest album was 2013’s Onyx. Singer Leigh Kakaty’s vocals are comparable to that of Scott Stapp or Chad Kroeger, for the uninitiated. The group kept the energy going throughout their set by playing anthems such as ‘Last Man Standing’. At one point they even did a brief and cheesy cover of Survivor’s ‘Eye of the Tiger’.

 

 

 

 

The venue was finally full and waiting in anticipation before Stone Sour hit the stage. Fans went crazy as soon as Corey Taylor came out. The band began by playing ‘The House of Gold & Bones’, appropriate since it is the name of their two part release, double-album which they completed last April. A wide range of their material was played including some of their biggest songs: ‘Inhale’, ‘Through Glass’, and ‘Bother’. The only cover they did was Alice in Chains ‘Nutshell’.

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Anyone who has ever seen Taylor’s other and more recognized band, Slipknot, can tell Stone Sour’s live presence is far more toned down. The show focuses mostly on Taylor which is a shame since the band is comprised of talented musicians including James Root, who is also from Slipknot. For some songs, it was just Taylor on an acoustic guitar. The encore consisted of two songs, ‘Gone Sovereign’ and ‘Absolute Zero’. Although the show may have left something to be desired in terms of presentation, it was nice to see a different side of Taylor. Here’s hoping he will come back to Boston after the next Slipknot album is released.

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Stone Sour on Facebook

Pop Evil on Facebook

Stolen Babies on Facebook

 

Words by Melissa Campbell

Photos by Evil Robb Photograpy


Kill Devil Hill – Revolution Rise


KILL-DEVIL-HILL-REVOLUTION-RISE-COVER-300x298 (1)Although Revolution Rise (Century Media Records) is only Kill Devil Hill’s sophomore album, nearly all metalheads have heard of them. The band is a bit of a super group considering they have Vinny Appice (Black Sabbath, Dio) on drums and Rex Brown (Pantera, Down) on bass. Some may expect the band to market themselves based on name value only, but the album shows that they can play quality music too.

 

Singer Dewey Bragg gets right down to it with a take no prisoners style scream on ‘No Way Out’. One can hear a bit of Phil Anselmo’s style in his vocals. Maybe it is the kind of vocals Brown likes to base his riffs off of, or the style he likes in his bands, but then again it could be a coincidence.

 

‘Crown of Thorns’ is a track where Bragg sounds particularly haunted. The album’s theme after all seems to be of a religious nature with allusions to Jesus Christ and lyrics about struggling with sin. The “oooo”s coming in the background give it an ominous yet beautiful and poignant feel.

 

A little past the half-way point comes ‘Long Way From Home’. It is a slightly slower jam with more of a Dirt or Jar of Flies era Alice In Chains feel to it. It is also the most heartfelt track on the album. ‘Stained Glass Sadness’ sees Brown’s bass skills really coming out. Guitarist Mark Zavon also really lets loose at this point and it is for the better.

 

Things get a little more theatrical at the end with ‘Life Goes On’. It serves as the perfect ending to the album in terms of both sound and message. The hidden track after this one is even softer to the point where it may not seem to fit the metal genre, but that is not Kill Devil Hill’s goal. Thank God for them looking to break the stale reputation of super groups.

 

7.0/10

 

Melissa Campbell

 

 


Slayer – Gojira – 4ARM: Live At The Tsongas Center, Lowell, MA


 

 

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Although Slayer has gone through a lot in the past year, they went on tour to prove that they still got it. The tour was pitched as being a bit of a throwback tour where classic tracks off of their first few albums would be played. Supporting Slayer were the French prog/death metallers Gorjia and the Australians 4ARM.

 

 

 

HillarieJason1-24ARM were the newest band on the bill and one that not many attendees knew of. The unsuspecting crowd was fairly blown away by them. They are the kind of band that is nothing, but pure metal. 4ARM crushed all with songs like ‘Submission for Liberty’ and ‘Raise a Fist’. At this point in time, the Tsongas Center was mostly empty but those on the floor were right against the stage and rocking out. Their set only lasted six songs; just enough to give the audience a taste of their potential and to make them interested.

 

 

 

 

Gojira is a name that has grown bigger over the past few years. Those who are not familiar with the music are at least familiar with the name and reputation HillarieJason1-3as a solid metal band. Although different in nature from 4ARM, Gojira much more powerful. They are less thrash and more technical. This showed in the audience’s slow headbanging to songs such as ‘L’Enfant Sauvage’ and ‘The Axe’. People continued to trickle in but no one seemed in a rush to hear them which was a bit of a disappointment for such a great and talented band.

By the time Slayer came on stage, everyone was going wild. It was disheartening to see that much of the arena was still empty. The venue had trouble selling tickets but none could seem to pinpoint whether it had to do with the venue’s location, high ticket prices, or the band lineup changes. No matter. Those faithful fans who still believe in Slayer and their music despite all that had happened over the past year found a way to be there that night.

As promised, Slayer reached back into their history and started off their set by playing the title track off of 1985’s Hell Awaits. Gary Holt and Paul Bostaph fit right in with Tom Araya and Kerry King, which comes as no surprise considering both have played with the band in the past. They had no problem playing the material they had not been a part of. Such classic tracks included: ‘Necrophiliac’, ‘The Antichrist’, ‘Die by the Sword’, ‘Seasons in the Abyss’, and of course ‘Raining Blood’. The only cover they played was Exodus’s ‘Strike of the Beast’, a nod to Holt being a member of the band. Their encore consisted of ‘South of Heaven’ and ‘Angel of Death’, where a banner commemorating Jeff Hanneman was displayed. The audience showed their love for the old music through the set by going as wildly as they could. There were even multiple instances of wheel chair bound crowd surfers! It just goes to show that true Slayer fans will always find a way to have a great time.

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Slayer on Facebook

Gojira on Facebook

4ARM on Facebook

Words: Melissa Campbell

Photos: Hillarie Jason Photography

 


Scorpion Child – Scorpion Child


Scorpion Child cdIt’s not a Led Zeppelin reunion, but it’s the next best thing in terms of modern music: Texas hard rockers Scorpion Child. Although the band has been around for seven years, they have started to garner most of their attention within the past year. They’ve played sets at some of the biggest festivals out there including South by Southwest, Rock on the Range, Rocklahoma, and Mayhem Festival. Their debut album Scorpion Child (Nuclear Blast) is a solid start to say the least.Continue reading


Diamond Plate – Pulse


Diamond Plate - PulseDiamond Plate might be one of the more recent additions to the revivalist thrash metal scene but they do not sound like amateurs. They are also younger than some of their counterparts; lead singer Matt Ares is only nineteen years old. With their second album, Pulse (Earache Records), they separate themselves from other thrash revivalists such as Violator and Skeletonwitch while still remaining true to the genre’s roots. Diamond Plate is able to turn back the clocks, but keep it fresh.Continue reading