En Minor is a project that had been rattling around in Philip H. Anselmo“s head since he was a child; they are an unexpectedly emotional and deeply serious sound that freefalls out of the genres most of the band members are associated with, including Anselmo himself, and into uncharted territory. Unconventional and, in many ways, experimental, their 2020 release, When the Cold Truth Has Worn Its Miserable Welcome Out (Housecore Records) is steeped in reverence to the Jazz tradition in New Orleans, and maybe more markedly serves as a morose interpretation of a Jazz Funeral March with hints of Vaudeville; an unironic gothic twist on Tom Waits that Anselmo has since self-described as Depression Core.
As of this writing, the music world continues to be in a state of suspended animation as the Coronavirus outbreak – particularly in North America – dashes any hopes of returning to music venues anytime soon. We’ve bungled the pandemic so poorly here in the states that our moron President and many of his colleagues have been diagnosed with the disease due to failure to follow social distancing measures. Having fans in attendance is starting to seem like a thing of the past, so more and more artists will start turning to live-streamed performances.