Welcome, my friends to the album you know. These are Broadway musical-level compositions. Everything about Edward Reekers’ The Liberty Project (Music Theories Recordings / Mascot Label Group), a prog-opera bedecked with an ensemble cast is big, bombastic, colourful, and expansive.
To say that Brighton’s King Goat set themselves a high bar with début album Conduit (self-released) is like saying that Donald Trump is a wee bit controversial. To merely label them a Doom band is, similarly, doing the quintet a severe disservice: that début was laced with emotional vocals, choirs overlaying evocative bridges, and light, textured instrumentalism. It was a tour de force precious few expected.Continue reading