Live Nation /Ticketmaster have come under fire in recent years for what many concertgoers and bands decry as price fixing and artificially inflating ticket pricing, and scalping/reselling. The brand has been under investigation by the US Government after a major public outrage by fans after ticket fiascos such as Taylor Swift, Bruce Springsteen, Paul McCartney, and recently Blink-182. The United States Department of Justice and several states have officially filed a lawsuit against Live Nation Inc, citing alleged antitrust violations at least in part due to the market dominance of the company’s Ticketmaster unit.
“We allege that Live Nation relies on unlawful, anticompetitive conduct to exercise its monopolistic control over the live events industry in the United States at the cost of fans, artists, smaller promoters, and venue operators,” U.S. Attorney General Merrick Garland said in a statement. “The result is that fans pay more in fees, artists have fewer opportunities to play concerts, smaller promoters get squeezed out, and venues have fewer real choices for ticketing services. It is time to break up Live Nation-Ticketmaster.”

Although it sounds more like some kind of horrifying children’s book from in the 1970s, Nog and the Hospital of Death is actually the origin story of UK act Terrible Claw. Introduced to each other by a mutual bandmate in Birmingham over ten years ago, guitarist Paul Harrington (Nog, Anaal Nathrakh, Fukpig, Kroh) struck up a friendship with fellow guitarist Stuart Pendergast (H.O.D., Neanderthal), and shortly after formed Danmaku along with vocalist Mike Pilat (Bad Precedent, Collusion), releasing their debut Turn Up the Gas (Thrash Lizard) in 2011. Unfortunately, personnel problems became an issue and Danmaku disappointingly only managed to play one single show, disbanding shortly after.