Tag Archives: Burning World

Wolf Blood- Wolf Blood

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The idea that metal has lost it’s roots is nothing new. I’m sure you’ve heard it too. The complaints that metal has become way too polished and stylized these days. A sound which no layer of grit on your latest vinyl can compete with. I understand why bands do it too, but if these people would just quit their whining, they’ll realize there are plenty of talented bands out there that strive for the same dirty ascetic of their predecessors, who just happened to have limiting recording options. Take the first release from psych doom stoners, Wolf Blood from Burning World/Roadburn Records for instance.

 

Recorded at Sacred Heart by Jake Larson in Duluth MN, the band seems to be making waves in a cross section of scene, calling on the interest of outsiders from other niches. Result of hipster culture holding Wolf Blood in their filthy grasp? In this case, I say let them have it and hop on the Wolf Blood train with them. 

I was in their neighboring Wisconsin recently, and trust me, the festivals that go through there and how it’s supposedly the origin of Thrash Metal in America according to some stoner dude I met on the street (not true at all,) Minnesota they can handle a lot more metal culture inside the scene and out. 

A powerful portrait is constructed in the first track ‘Witch,’ of a vengeful woman, tied to a cross and set a blaze. Lighting the precedent for this psychedelic, pagan blend of doom, Wolf Blood let the bass groves hang low and heavy, keeping the vocals to a happy medium. The solitary instrumental track, ‘Ochro Ologo’s’ menacing force pummels it’s way forward, paving the way for ‘Black Moon,’ which contains my favourite riff of the album. When you hear it, you’ll know. That driving force is relentless. If played to a different tuning, it could have been a Razor riff. 

‘Dancing On Your Grave’ was catchy as hell and remains my favourite on the album. Brian’s bass is prominent and playful. Jake’s wavering vocals sound semi-submerged as he handles the kit masterfully. Each guitar break leaves just enough space for the the next verse to flow or your head to bang in perfect rhythmic balance.

6 tracks long and an athame blade deep, Wolf Blood’s self-titled debut will fulfill your every need for raw, honest riffage, bass heavy mystery and properly recorded drums that don’t sound like plastic over everything else. For fans of Electric Wizard, Uzala, Mala Suerte, Acid King, Dopethrone and Demon Lung, check this band out! I have high hopes for them. 

 

9/10

Wolf Blood on Facebook

 

CHRISTINE HAGER


Bast – Spectres

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 Bast-Spectres album cover

 

With a sense of longing Bast’s debut Spectres (Burning World) eases itself into the speakers, as ‘In The Beginning’ whispers a post-Black Metal (minus the shoegaze) prelude to what is to come, a Wolves In The Throne Room vibe permeating the waves of the first 5 minutes, before seguing into a heavier, doomier latter section. Excellently crafted, for an opening track it serves to not only introduce you to the melancholy of the band, but also their versatility and diversity, a bonus in an age of bands defining themselves within and of a singular sub-genre.

‘Denizens’ picks up the doomier mantle, stretching epic darkness reminiscent of Anathema’s Pentecost III that lurches into faster, eloquent post-Black Metal before bringing things back to the Peaceville doom via some tremolo picked guitar. Vocalist Craig Bryant showcases adaptability, gruff in the darker sections, and with a Winterfylleth tone to his black metal throat-rips.

Title-track ‘Spectres’ is up next, with a more traditional, upbeat flavour to its doom-tinged blackened metal, like My Dying Bride playing Darkthrone before hitting an unexpected head-nodding stoner groove. Sprawling closing pair ‘Psychonauts’ and ‘Outside The Circles Of Time’ build with post-Metal excellence, the former creating genuine tension and a feeling of building and foreboding without release, while ‘Outside…’ is a bleak downer that calls to mind Neurosis and with its 11 minute frame stretching, uncoiling, brooding, closes the album as we began, but this time with the gruff vocals juxtaposing with the Deafheaven melodic black metal beauty underneath.

Far from being schizophrenic, despite moving between three distinct genres, the quality of the writing makes this a seamless and thoroughly rewarding listen. For a debut that throws up comparisons to Altar of Plagues and ISIS, and much in between, this is a highly accomplished set of compositions that belies their early stage of development.

Spectres is dissonant, brave and intelligent, displaying a great album dynamic, as Bast take the listener with them through an expertly sound-scaped journey of post-Black Metal, UK doom and out the other side into the cold, harsh world of post-Metal. Continue down this path, and the follow-up should be some album.

 

8.5/10

Bast on Facebook

 

STEVE TOVEY