Tag Archives: Bruce Soord

The Pineapple Thief – Where We Stood (Live/DVD)

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In their long and storied career, The Pineapple Thief have simultaneously proven to offer a consistently excellent catalogue and yet have maintained a mostly, near cult status of being under the radar. Having garnered critical acclaim since their inception in 1999 but never truly hitting commercial peaks of some of their peers, 2016 seemed to be a major step forward for them. The addition of guitarist Darran Charles and iconic drummer Gavin Harrison also seemed to light a greater fire in the band and in part led to career highlight album Your Wilderness (Kscope) and a resulting tour which included their biggest headline show to date at London’s Islington Assembly Hall. Recorded on that very night, Where We Stood shows one of Britain’s premier alternative/progressive bands in their strongest and most vibrant form to date. Continue reading →


The Pineapple Thief- Your Wilderness

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The Pineapple Thief- Your Wilderness album cover ghostcultmag

 

Recent years have seen The Pineapple Thief mastermind Bruce Soord in an experimental and pace changing mindset to say the least. From the electronica driven prog of his Wisdom Of Crowds album, his reflective solo album and PT’s previous, more hard rock and riff focused album Magnolia (Kscope); charting Soord’s course has been an unenviable task. So it isn’t too surprising that, against his own omission previously, that latest album Your Wilderness(Kscope) is somewhat a return to more familiar territory.

To say that this is a return to their roots is a quite a disservice but Your Wilderness definitely fits closer to the mold of the likes of Someone Here Is Missing(Kscope); particularly in its soothing and smooth atmosphere which proves, for the most part, uplifting with hints of melancholy. Ultimately however Your Wilderness performs a happy medium between such albums and the sharper counterpart Magnolia.

There is plenty of evidence of its predecessors more refined and harder edge, such as in the way “Tear You Up” builds into a more metallic territory, or in the majority of the album’s succinct song durations and structures. Not that fans lost on the way won’t find plenty to restore their faith, with plenty of exploration and layers and the near ten minute “The Final Thing On My Mind”. The addition of Gavin Harrison on has also added a much greater dexterity and dimension behind the drum kit.

Your Wilderness has a difficult role to fulfill coming after such a polarising and somewhat unique release in Magnolia, in that it has to appeal to both the fans perhaps lost at that point yet not feel like a backwards step for them; and they do so with seeming ease. Still as accessible as their brand of prog has always been but with enough deep intricacies to offer something new each time. Some will say this is back to form, but this is also a perfect evolutionary step for one of Britain’s greatest prog forces.

8.0/10

CHRIS TIPPELL

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Tim Bowness – Stupid Things That Mean The World

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There is a modest earnestness to much of Tim Bowness’ third solo album Stupid Things That Mean The World (InsideOut), as the singer-songwriter continues to explore the direction and timbre of his more recent works. Openly stating that Stupid Things… is a continuation of its’ predecessor, Abandoned Dancehall Dreams (InsideOut), Bowness confirms the premise that practice makes (near) perfect, with an eclectic and wistful selection of songs whose charm isn’t just in the pleasant ear candy they first appear to be, but in the reflection and layers that unfurl with repeated listens.

With a warm, friendly  production courtesy of The Pineapple Thief’s Bruce Soord, who also adds moments of lilting guitar and acoustic quality much like he did to Katatonia’s Sanctitude (KScope), on the surface Bowness’ solo work is centred around building a song that sounds simple, often flowering out of an acoustic guitar and unpretentious vocal combination, expanding to contain several strata of multiple, and very appropriate, instrumentation, such as the delicate pedal guitar that enhances ‘Know That You Were Loved’, or the swelling strings and keys that dance in and out of several of the tracks.

Bowness conveys honest emotion and reflection in his words throughout, each line delivered with grace and feeling. He doesn’t push the vocals, staying in a comfortable mid-range, but allows the fine touches of the many players (a veritable who’s who of progressive rocks’ illuminati) to add colour to his ideas and push the dynamics of this most excellently and carefully arranged album, with standout song ‘Sing For Me’ the most well-crafted of songs, rising to a fulfilling and emotive conclusion.

While being far from a melancholy album, indeed the overall sense is one that uplifts, most songs display tinges of regret, sorrow and introspective. Yet where Strange Things… is at its best is in the more experimental songs; the burnt caramel to the honeyed touch of the dream pop surroundings. ‘Press Reset’ is dark rock, ‘The Great Teenage Electric Dream’ shows its temper and the title track is slinky pop, all which adds up to show Strange Things That Mean The World is a welcome addition to the canon of a man who is No-Man no more, but stands as a valued solo artist in his own right.

 

7.5/10

 

STEVE TOVEY