Occult 45 – Human Abhorrence


Occult-45-Human-Abhorrence

Seven tracks on a 7”?! It is, of course, Grindcore, and a brutal pummel it is too. Human Abhorrence (Broken Limbs), the latest release from Philadelphia quartet Occult 45, shows very little let-up in its procession of psychotic battery; and perfectly displays the “hell is other people” ideology to which their Facebook page, in a blunt yet entertaining fashion, would have you believe they ascribe.

There are variations in sound here, however, perfectly exhibited in the frequent switches of direction and slight groove conclusion of the early ‘Tyranny Stomp’. Opening and closing tracks ‘Plaster Saint’ and ‘Death With Dignity’ evince the Doom-inflected, Hardcore-Death pounding of Xibalba, the latter track’s venomous bass and lead coda a glorious finale. This feel is assisted by the ferocious bark of John Hauser, bearing striking similarities to the Californians’ frontman Nate Robelledo and absolutely throat-ripping in the high velocity sections such as those of ‘PPFO’, which slows to a delightfully spooky, buzzing, 50s B-movie-guitar line groove. It’s a joyous carve-up, dictated by the near-perfect timing of breakdowns led by the technical savagery of drummer Jay Dost. His rolls and fills at the head of ‘Succubi’ highlight the complex fluctuations: dropping from a frenetic battery to a gloomy pensiveness and back again, all the while retaining phenomenal power.

Despite the aural violence and barely-controlled explosions of energy it’s often tough to remain enthralled by the unflinching ire of the genre; some special souls contravene the norm to follow the Napalm Death / Pig Destroyer route of showing enough invention to hold the attention. This is one to possibly add to that canon, being a varied and largely exciting offering, and suggesting that there’s plenty more to look forward to from this nasty little corner of Pennsylvania.

 

7.5/10

Occult 45 on Facebook

 

PAUL QUINN


Mortals / Repellers – Mortals / Repellers


Brooklyn trio Mortals garnered much-deserved attention with the visceral Sludge of last year’s second full-length Cursed to See the Future (Relapse Records), and hot on its heels comes the dark horror of their single-track contribution to this ‘split’ with Philly nasties Repellers (Broken Limbs). Led in by the sound of a rabid werewolf coming in for the kill and terrifying the shit out of the listener, ’10 Years of Filth’ is nevertheless a cleaner sound than one would imagine, but that and the quickened, Occult Doom-style pace still fails to lift the omen of the terrifying vocal scour.

There’s a melodic, NWOBHM sound to the riff at times, yet, when the defiling power of Caryn Havlik’s drums kicks in at the two-third mark, the resonance is electrifying. With leadwork and closing riffs possessing elements of Blackened Punk, this is a pulverising yet complex and occasionally emotional rollercoaster which further enhances the ladies’ collective reputation.

Every aspect of the Low End seems present in the sound of Crusty trio Repellers: from the morose, ‘spaghetti western’ feel of the intro to opener ‘Descend’, through the rampaging Stoner-Death intensity of its riff and rhythms, to the downright filthy croak which is as evil as it gets and the most hoarse rasp you’ll hear this side of hell’s frozen wastes. At times the speed of ‘Descend’ clean rips by, the band right on the edge of keeping time, the scything riff and pounding drums of the coda vicious and seething. A sinister opening to ‘From Jericho to Ai’ sees a terrifying, ponderous pace given a fulminating power by flashing, savage breaks and the expiring roars of the track’s second half. The initial melancholy of ‘False Solace’, rising to the band’s more familiar Blackened Thrash crush, closes an intriguing, mauling set with a paradoxical twist of emotion.

An interesting tussle then, full of twists and turns. Overall the spoils must go to Mortals, but their lesser-known partners offer up plenty of atmospheric brutality and many talking points.

 

7.0/10

Mortals on Facebook

Repellers on Facebook

 

PAUL QUINN


Wolvhammer/Krieg – Split 7”


 

wolvhammer krieg cover

 

Hailz to Broken Limbs for putting out this split release! Krieg hail not from the frozen vasts of Finland or Norway, as their sound may suggest, but Somers Point, New Jersey, though they’re just about as evil as allowable. Since 1995, Krieg has just not given a damn, only being concerned with bringing forth musical gloom, dispensing with the usual occultist/Satanic rhetoric. ‘Eternal Victim’ does just what a band called Krieg should, and creates atmospheres both slow and doomy and warlike. The alternations of tempos, and the use of blistering rawness coupled with a sense of melody, hearkens to Finland’s notorious Satanic Warmaster, and that’s certainly no bad thing. Those looking for a good headbang section will get plenty, as Darkthrone’s early days definitely left their impression on this crew.

 

2008 brought us Minneapolis’ Wolvhammer, and being more modern, are unsurprisingly in league with the blackened sludge/crust end of the cauldron, bringing to mind acts like nearby Chicagoans Welkin Dusk, with the dirgey sludge influence of Japan’s Coffins. “Slaves To The Grime” struts with a swaggering rock-tempo verse like a wolf slathered in petrol, and also boasts whirlwind tremolo picking sections like an avalanche sending ice daggers. The vocals are a pure stormy howl, of which any fan of the genre will find at least palatable. Think Lightning Swords Of Death but with less cosmic echo. Again, the production is raw-ish, but it is used to benefit the aura rather than create static for kvlt sake. If anything, you could say this is quite ‘well-produced’, but that’s because you can even hear the rumbling of what appear to be some low-end frequencies. Shocking?

 

While this may seem a glowing review, bear in mind that both Krieg and Wolvhammer are certainly not re-inventing the formulæ they play; rather, they have done well in their arts, but it’s been done, is being done, and will continue to be done as long as people like it. But that being said, a worthwhile release, with slight favour going to the Krieg side, as I feel it’s just more… well… krieg. USBM in all its glorious despair has a light of hope.

 

Krieg NImperial

 

Wolvhammer band photos

8.0/10

 

Wolvhammer on Facebook

Krieg on Facebook

Broken Limbs on Facebook

 

SEAN PIERRE-ANTOINE