Don’t Look Back – Marta Demmel of Bleeding Through


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Photo by Meg Loyal Photography

 

Bleeding Through announced over a year ago that the band would be coming to an end after a 15 year run, which they concluded things with a West Coast run of weekend dates with a semi-reunited Scars of Tomorrow and Winds of Plague. “Fuck yeah! We used to play with them when they were called Bleak December,” shared keyboardist Marta Demmel, about the old days.

The band publicly announced that they were ending Bleeding Through with a tour of the East Coast and the Midwest, including an appearance at the New England Hardcore and Metal Festival.

We started talking about it over a year ago. Maybe a year and a half ago?,” “I think it was a lot of circumstances but just not wanting to be part time. Just having Bleeding Through being full time and full on and not just fade into the sunset…end with a bang.”

 

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As for why the band would be ending, she explained what led to their decision. “I think there were some circumstances – slowing down in general as a band, pursuing other things in life, families, careers, etc. Brendan [Schieppati] wanted to be fully dedicated to his gym, as well as not doing Bleeding Through part time. I think he saw it as all or nothing.”

The decision to end the band temporarily did phase the various members of the band, but the reality did quickly dawn on them as to why their decision was the best solution.

I’m sure it has, but you still have to do what you want to do. You still have to take the path you want to take. There would be no Bleeding Through without Brendan or any of us, for the most part. We’re so much a family and a unit at this point there would be no moving on with someone else I think.”

 

Photo by Meg Loyal Photography

Photo by Meg Loyal Photography

Demmel spoke about what she is to since the announcement. “I’m a full time step mom. I bartend – it’s fun and I enjoy it. Life is pretty easy going. I hope to enjoy making music. I’m not exactly sure what. I haven’t been in a hurry to jump into something else. I really would like to continue to make music.”

As for the rest of the band, no set plans were announced, but one member has already got things rolling in a new band. “Ryan [Wombacher], our bass player, is now with The Devil You Know. I’m sure some other dudes with play with some other groups. I’m sure we will keep making music, but not sure what avenue yet.”

One of their final shows took place at the Glass House in Pomona, CA, a venue where Bleeding Through regularly played and once filmed their infamous The Show Must Go On DVD.

Demmel: “We’re standing in an alley that Bleeding Through took pictures like ten years ago I think, for Outburn Magazine. It was on the cover. It was cool. It’s kind of wild being back here again and playing the Glass House. There’s a lot of memories of this place. I didn’t start thinking back on these things until we slowed down. So for the last few years, I’ve cherished some of the places we’ve gone and some of the things we’ve done more than I did, maybe along the way. I’m very grateful and realize we’ve done a lot. We’ve done a lot of cool things.”

 

Photo by Meg Loyal Photography

Photo by Meg Loyal Photography

Coming out of Orange County, CA’s infamous scene with such bands as 18 Visions, Throwdown, and Adamantium, Bleeding Through made its mark within a scene that attracted fans of all sorts and were passionate about the music. Demmel joined in 2003, but understood what was happening when she joined.

I joined the band after it has been started [in 2003]. I moved down to Orange County. They already had an Orange County following, but the national following was starting to develop. I was just happy and stoked. I was a teenager and was just excited to play music. I couldn’t believe it.”

Another aspect of Bleeding Through’s history is adding the symphonic keyboard element to their aggressive metallic hardcore sound, more commonly heard in extreme European metal than in hardcore or punk rock. But Bleeding Through fused that element into Orange County hardcore and punk rock, and gradually found themselves creating a new sound that became influential within the metallic hardcore genre at the time.

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Photo by Meg Loyal Photography

 

 

As for being a forerunner in the genre, Demmel is proud of the band’s accomplishments. “I sure hope so. I hope that’s recognized. We always wanted to make the music we did and not compromise the sound we had, give our influences. If we influenced other people to take their own path, that’s awesome.”

She is also one of the few women who were part of that scene, which opened up doors for others to take part. “I didn’t think about that very much when I was younger. I think I was so in it. I was hindsight 20/20 kind of a thing where I didn’t realize…I was just in it. Moving forward you don’t look back. You just keep going. But now having had lots of time off and growing up a bit, I realize there really are, and now there’s more females coming along in the metal and hardcore scene. It’s nice to see. I obviously want anybody’s who’s talented to succeed, but I’m all the curious now sometimes when I hear about females in bands and what they’re doing and how they might be influencing people as well. It’s very exciting. I’m very proud to have been a female in this scene. I hope I represented females well, and I hope to continue to.”

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Photo by Meg Loyal Photography

In terms of their popularity, she clarified how Bleeding Through’s rise to fame was viewed and whether they ever viewed it as the band had blown up at any time.

I think even if people recognize you or things like that, I don’t think we thought of it as blowing up. It’s not like we received a huge paycheck. We still had to fight. We still had to work. You still had to scrape money together. I think even though it was really cool, it wasn’t like it came with a check. So we never lost sight of having to work, even if people knew who you are. It’s not a given.”

Demmel concluded the interview by summing up Bleeding Through’s career. “I think we’re grateful we got to do this as long as we did. I don’t think we expected this. I know the dudes that started this didn’t expect this to go this long.”

They started this as a side project and just wanted to play for fun. So we feel very lucky or blessed…however you want to put it. We got to do this as long as we did and we acquired so many fans and friends along the way. It’s really cool. We went through a lot individually and as a band. We’re really happy that we’re getting to play these last shows with some friends, who we’ve known for a long time, and we get to do things our way.”

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Photo by Meg Loyal Photography

 

 

 

Bleeding Through on Facebook

WORDS: REI NISHIMOTO

CONCERT PHOTOS: MEG LOYAL PHOTOGRAPHY

 

 


New England Metal & Hardcore Festival Day 1: The Palladium, Worcester MA


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It’s that time of year once again, New England Metalfest graced our state as the Northeast’s best bang for your buck metal experienced, matched by none. I was particularly excited because for me personally, having lived in Massachusetts for almost a decade and being a fan and attendee of the fest even before that, this is the real hallmark of the spring concert season for us. Now in its 16th year, it is an institution here to stay, and led by co-founder/scene Svengali Scott Lee of Massconcerts, it’s always a good time. The venue was packed with all kinds of different bands on two stages, cool vendors and band merch, and tons of fun people from the business, and our scene to mingle with. A special shout out to my friends Liz and Dave from Earsplit PR, who handled all the press these past few years, and as always do a bang up job. Extra props go to Meg Loyal who handled photography for Ghost Cult the entire weekend, freeing up yours truly to focus on coverage.

At times the fest has flirted with getting as big as four days including a pre-fest party, but this year we got down to a much more sensible, shorter kickoff night, followed by two long days. Since festivals like this are more like a marathon than a sprint in terms of staying fresh, this was a lot more manageable.

 

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We got to the Palladium a little bit after doors opened and after getting our credentials handled, we made it down to the main stage in time to catch the last few songs from local boys Death Rattle. Playing a modern metal/power groove style akin to Lamb of God, early Sepultura, or Pantera, the early crowd was certainly digging them, especially when they closed with Pantera’s ‘A New Level’. Afterward, I hit up the upstairs, smaller stage for a while. Early in the fest I tend to run around between the two stages more and so on Thursday I tried to see as many bands as I could. Catching Cop Problem and Enabler back to back. For the initiated, Cop Problem hail from Philly a.k.a. Killadelphia. They are not here to party, as much as they are here to kick your brain in with passionate, intelligent crust punk for the discerning fan. Front woman Deb is about as accomplished a screamer as anyone on either stage this weekend, and the band may take themselves seriously, but they are fun live. Enabler is one of my favorite crusty bands of the last few years too. Easily at home with hardcore crowds as they are black vest wearing kids who d-beat-off at a mere mention of them. Legit and well deserved hype aside, Enabler crushes and their new album Flies (Compound Records) is an early year favorite of mine. It was over all too quick. Ugh.

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After catching a bit of Scars of Tomorrow, and filling up on a heavenly fig and cheese pannini’s that I ate all weekend and an double espresso (I shit you not) next door at the little cafe next to the venue I am now in love with, I headed back in to check out Oceano. Having just seen them at the same venue a few months earlier, you know what this band brings to the table live. There are better bands doing death core and at their best, tech death inspired music, it really is just beatdown core at its heart. However, led by front man Adam Warren, they bring the chaos live and always put on a great show. Their new album Contagion (Earache) has been overlooked this year. Next up was Darkest Hour, who is just beginning another album cycle with new music to be released soon. DH is always killer live and they seemed to have their own crowd in the house. I have seen them many times over the years and they never disappoint me.

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I caught the first half of the set for Bleeding Through and they were pretty damn amazing. The band is on a farewell tour of the east coast, before heading into retirement later in the year, and they left everything on that stage. There was a weird energy in the venue the entire set, and basically everyone losing their minds. Brandan Schiapatti brought his legendary A-game live. I will miss these guys a lot. They stole the show on this first day of the fest. I made it back to the side stage to see some of the evildoers in Rivers of Nihil last few songs. They were the first true death metal band of the weekend and accordingly, there was a nice crowd in to see them. They are just straight out brutal and technical with zero cheese factor. I wonder how big they will be in 3-5 years. Not caring much about the main stage for the rest of the day, I chilled out and saw Wilson and Broken Hope to close out the upstairs stage. Wilson was one of the most fun bands of the weekend. Their weird blend of proto-metal, thrash, doom, psychedelia and other stuff was spot on. I looked around the room and saw them minting new fans by the second. It was a reminder that from the underground comes tomorrow’s headliners, no doubt. Broken Hope followed after a bit of a long change over to their own gear from the standard back line. It was worth the wait because the death metal fans hung around and were rewarded. The band just slayed with their classic, second-wave death metal material and new songs off of Omen of Disease (Century Media). It was all made worth it by seeing Jeremy Wagner and Chuck Wepfer. It was like going to class at shred university. I felt bad for all the kids watching Emmure, who didn’t know any better, but should have.

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Finally the first day was coming to a close and locals All That Remains readied to take the stage. They are a band I championed to people in the early days, and have seen many times on this very stage. However, the last third of their career, while seeing them scale the heights of popularity, I feel like their musical quality has taken a big hit. I’m happy for their success, but I long for the days of This Darkened Heart and even The Fall of Ideals. I just feel the catchier rock based songs the make now have no balls anymore. They always put on lively show, and you can’t deny they are entertaining, and despite the presence of fan favorites ‘Six’ and ‘This Darkened Heart’ in the set tonight, it was a pretty weak showing. I was even surprised the band didn’t pull out anything special for the metal fest crowd, owing to the bands local roots and many times playing the fest, but they didn’t. It was an anti-climactic end to a good day of fun and music. I headed home to sleep.

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New England  Metal And Hardcore Festival on Facebook

Words: KEITH CHACHKES

Photos: MEG LOYAL PHOTOGRAPHY 

 


Haters Gonna Hate – Scott Lee of Mass Concerts & NEMHF


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Once again it is time for the New England Metal and Hardcore Festival. The sixteenth edition of the fest looks to be a great group of the finest death metal, black metal, hardcore, grindcore, crust punk, thrash (although less of it this year), metalcore, tech death, prog and power metal like few weekend long events in America can match. Held at the Worcester Palladium on two stages, it’s always a fun time and a great place to discover new bands and meet your heroes. Among the headline acts this year are Behemoth, Iced Earth, Nile, All That Remains, Goatwhore, Nails, Whitechapel, Bleeding Through, Darkest Hour, Broken Hope, Carnifex, Unearth, 1349, Inquisition, Sam Black Church, and many more. We caught up with the festival co-founder Scott Lee to discuss the 2014 incarnation of the fest.

We jumped into our conversation touching on the history of the fest and some of the surprising names on the bill:

Sweet Sixteen! I think it’s pretty cool. I’m really excited about it! Thursday is going to be a regular door, so it’s going to feel like a regular show, just earlier doors. Doors are at five, so we just want to ease people into the madness! I’m really proud of this lineup with All That Remains, Emmure, the last east coast appearance of Bleeding Through, Gideon, Kublai Khan, and Oceano. Darkest Hour was just added. Broken Hope and Wilson were just added. It’s a bunch of cool bands. It’s kind of like you go out to drink: you have little base, and some snacks, and then you start chugging!”

I just try to put on the best festival I can. I try to make the fans happy. I try to make everybody happy, but you can’t please everybody. The haters are gonna hate, but probably about 50% of the haters are still going to come. It’s going to be great.”
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Scott took out the time to single out how proud he is to have Behemoth on this year’s lineup, as part of the inclusion of the Metal Alliance tour:

Behemoth is one of the best bands in extreme heavy music today. They are on a huge comeback. He (Adam “Nergal” Darski) beat leukemia and that is hard as shit! Back in the early days of the earth they would build monuments to to a guy like that and I think somebody should today. That band is incredible, and they are great people too. They tried to take him out and he said “Fuck no! I gonna keep making music.” That band is sick! I think people are just jealous of him because he is trying to make something of himself. Back the guy, you know what I mean? Just because his lyrics or beliefs are of some nature, people are still human. He’s not hurting anyone. He is not committing murder, he’s not committing hate crimes. He’s making a name for himself and he’s repping Poland hard man, so back the motherfucker!”

 

All though a lot of spring tours in the US now plan their routing around Metalfest weekend, Scott makes sure to stay true to his roots and book the second stage, dominated by hardcore bands, first.

I book that first. The second stage gets booked first and everything else comes into play afterwards. I look at other festivals like This Is Hardcore and other hardcore festivals and see what’s going on, and who is doing what. And by the way, did you see that This is Hardcore lineup? Oh my god! That is sick! I saw that and I hit up Joe Hardcore and sent a screen shot of the lineup and wrote “I quit!” (laughs) That is the best lineup I’ve ever seen in my life and I’ve been doing this for 22 years. But for our second stage we take the best of the best for hardcore, grindcore, that type of style. Nails, All Out War, Twitching Tongues, Ramallah, Reign Supreme, and you put them all on one show it’s gonna be sick! It’s gonna be a party.”

 

Having been long time supporters and attendees of the fest, we have seen the sponsors and partners list grow over time.

Tama and Ibanez are our big sponsors. Tama is actually going to give away the back-line drum-set to a lucky fan that buys a ticket. You buy a ticket for the fest, your name goes into a raffle to win the drum-set that has been played by all of these bands. It’s like a $5000 drum-set You could go home with this on Saturday! All from Tama.”

Since Scott, and the company he works for, Mass Concerts books major acts, we asked his opinion of the recent Mayhem Festival lineup announcement.

Mayhem fest is a different animal than we are. It’s a larger animal than we are. We are like a pitbull and they are like a fucking lion. That’s different. That’s the best analogy I can come up with. Looking at everything, their lineup has to put butts in the seats. That lineup has to get people out of the parking lot. Do I think that lineup sucks? No I don’t. I’m gonna to attend. You are not going to make everybody happy. Do I think it’s the strongest lineup ever? It’s a good lineup. I think it’s pretty cool personally. More people want to see death metal, and some people want to see Asking Alexandria, and some people want to see Killswitch Engage. You are not going to make everybody happy. But they are going to get thousands and thousands of people to go.”

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The Fest also puts on a showcase at the annual South By Southwest (SXSW) music festival in Austin, TX as a way to bring up and coming bands to a great audience. The event this year was headlined by Veil of Maya and Comeback Kid. Scott gave us an account of the festival, including the harrowing car accident that happened: “I was literally four blocks away from that accident. And I was like “Fuck!” I have to say the Austin Police handled that awesomely, and the people of Austin, what I saw of them, were awesome. It was tragic and sad, but it doesn’t reflect on the festival. I hope it doesn’t leave a bad mark on the festival. I mean I live in Holyoke Massachusetts, and people do stupid shit here all the time. It’s just some fucking asshole who wants to be a rapper, go got in his car and killed people and hurt people. I hope it doesn’t put a black cloud over this. But the police did a great job. And the whole festival kept going strong. There were some memorial services and everything. As far as our showcase, it was there,m it was sold out and it was awesome. Dude, you know something? Where are you going to go where Lady Gaga gets pukes on someone, or gets puked on by someone? It was like a 12 foot burrito machine! It was great! awesome. House shows happen! I love house shows, they are great! I recommend everybody going to it.”

Get tickets to the fest here

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Keith (Keefy) Chahckes


Dagoba- Post Mortem Nihil Est


Dagoba-Post-Mortem-Nihil-EstWhen thinking of France’s metal scene, likelihood is that the bands that spring to mind are on the cusp of originality and innovation; the likes of Gojira and Alcest encompassing a wide spectrum and proving to be groundbreaking acts. But like any country, it of course also has plenty cookie cutter bands who have an all too familiar style and sound. Enter veterans Dagoba with their latest (and awkwardly titled) Post Mortem Nihil Est.Continue reading