ALBUM REVIEW: Duff McKagan – Lighthouse


 

Duff McKagan is an interesting character. Having released his first solo album in 1993, a big gap followed till 2019’s Tenderness, with Lighthouse (BFD Records /Orchard/Sony) his third. This of course is but a fraction of McKagan’s musical story. Consistently coming across as the most likeable out of the classic Guns N’ Roses lineup (in which he played bass and for his part was inducted into the Rock and Roll Hall of Fame), such a rock pedigree is already more than most mere mortals would ever get a sniff at. 

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ALBUM REVIEW: Tony Reed – Funeral Suit


Tony Reed has certainly kept busy in 2020. In addition to putting out new releases with Big Scenic Nowhere and Mos Generator and unearthing old material with Constance Tomb, he’s also found the time to issue the first proper album under his own name. The second release in Ripple Music’s Blood And Strings series, Funeral Suit is a decidedly stripped-down affair with often minimalist instrumentation and a Folk backdrop. It’s already a well-worn set up with so many musicians trying their hand at it these days, but Reed always finds a way to apply his signature stamp to a given style.

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Ancient VVisdom – Sacrificial


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It has only been a couple of years since occult inspired Swedish heavy metal band Ghost BC rocketed out of obscurity and cast their shadow over any similarly aspiring band in occult rock.  It seems that Ancient VVisdom have also found themselves under the influence of the Swedish titans with their latest LP, Sacrificial (Magic Bullet). While the music remains largely unaltered from previous work, it’s Nathan Opposition’s vocals that have a distinct twist of Papa Emeritus to them in this release. The harsher edges and ominous harmonies have been replaced by soft reverb-doused phrasing and while the difference may be subtle, it’s unmistakable.

Opening up with an acoustic intro, Ancient VVisdom carry through the distinctly organic sound from older work. Contrasting this, the distorted guitars in Sacrificial lean heavily on chugging for many of the riffs, which although not entirely well integrated does add a satisfying drive that previous albums lacked. Many of the riffs and choruses retain a similar format, however the songs themselves do still seem to offer some surprises with ‘Blood Offering’ and ‘Devils Work’ throwing the listener into some mid-tempo riffing, while ‘I am your Sacrifice’ presents a Megadeth-esque bass intro.

Both enticing and enchanting Sacrificial captures the listener with its satisfying mixture of heaviness and melody. While the sound has certainly taken a stronger step towards the most traditional occult metal style, this record has proved it is certainly not a bad move from the band. With strong riffs, a great mix and catchy vocal melodies, Sacrificial would have the Devil himself tapping away to the odd track.

While it could never be described as a masterpiece, it is a very welcome addition to any car stereo or downtime playlist.

 

8.0/10

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CAITLIN SMITH