It’s been twelve years since composer Arjen Lucassen released 2010’s Victims Of The Modern Age under the Star One banner, which in itself was eight years removed from 2002’s Space Metal. Fortunately, the project’s vision remains intact despite its sporadic output with all the tropes that fans have come to expect out in full force on Revel In Time (InsideOut Music). There’s plenty of cheesy Prog goodness to go around informed by Power Metal tempos, crunchy guitars, bombastic keyboards, and a slew of vocalists delivering pop culture Sci-Fi lyrics in over-the-top fashion.

However, the number of vocalists featured makes this album stand out drastically from its predecessors. The project’s four core vocalists (Russell Allen, Dan Swano, Floor Jansen, and Damien Wilson) are still involved, but the decision to primarily focus on a single singer for each song results in them slipping into a hugely expanded roster of guest performers. There are also alternate versions of these tracks featuring even more vocalists trying their hand at the material, encouraging an almost “choose your own adventure” mindset for the most dedicated listeners.

This altered approach comes with its share of advantages and disadvantages, even if the performances themselves are as strong as one would expect with the sheer talent involved. The lessened focus on repeat singers makes a less uniform experience and I find myself missing the interplay that always gives Lucassen’s projects metaphorical and often literal character. On the other hand, the approach allows for more versatility and deeper exploration into broader styles. It’s the sort of thing that ultimately comes down to listener preference but succeeds in its mission.

Of course, such extravagance is hollow without good songwriting backing it up and Revel In Time delivers on that front regardless of whichever version of a track is at hand. ‘Back From The Past’ may be the biggest highlight; there’s a certain satisfaction in hearing an AOR track detailing the events of Back To The Future, especially the version with Joe Lynn Turner at the helm. Elsewhere, the opening ‘Fate Of Man’ and ‘Today Is Yesterday’ are the most line with the project’s initial vision with their especially crunchy guitar work, ‘The Year of 41’ carries a jovial optimism reminiscent of Queen, and ‘Lost Children Of The Universe’ is a potently atmospheric closer. The latter track is especially noteworthy for featuring Tony Martin (Black Sabbath), ensuring the album’s biggest win-win scenario.

While Revel In Time offers a different presentation of Star One’s Space Metal sound than before, it’s ultimately another endorsement of Lucassen’s proficient songwriting and terrific ear for talent. The musicianship is as vibrant as ever and the Sci-Fi aesthetic continues to be delivered with endless enthusiasm. The expanded dynamic is an adjustment, but any nitpicks I have with this material reflect the strength of the first two albums rather than any of this one’s faults. If you enjoyed the past Star One material or any of the other Ayreon-affiliated ventures out there, this one will still be just as up your alley.

Buy the album here: https://www.merchandise.nu/en/collections/star-one

8 / 10

CHRIS LATTA