Wardruna Debuts the Title Track from Their Forthcoming Album – “Birna”


Norwegian collective Wardruna unveil “Birna,” the title track from their upcoming album, as the final preview ahead of its January 24 release via Sony Music and By Norse Music. “Birna,” Old Norse for “she-bear,” pays tribute to the forest’s warden and nature’s caretaker. Watch the video and pre-order the album now.

 

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https://bio.to/Wardruna

 

Einar Selvik explains: “The song illustrates a dialogue between man and bear, exemplifying the various traits and abilities we humans have sought to borrow from these significant totemic animals throughout history.”

The music video for “Birna” was filmed in Norway’s Rondane National Park, directed by Wardruna´s longtime collaborator Tuukka Koski, and produced by Breakfast Helsinki and Ragnarok Film.

 

The bear has long been a central figure in northern hemisphere myths, with many indigenous cultures honoring it as a totem through rites and songs. Despite its historical threat to human lives and livestock, the bear has also inspired identification and reverence, its physique even resembling humans beneath its fur. For some cultures, “treading the path of the bear” symbolizes following one’s true calling.

Selvik adds: “The bear doesn’t need my help or any human traditional ornamentation to be its own powerful self. It is quite the opposite if one looks to past bear-traditions worth remembering. We learn, we dream of borrowing its traits and abilities. We fear, revere, and try to walk alongside but on separate paths. Respectfully, claim space and give space. However inconvenient it may be, further taming of the wild can never be the fruitful way forward. For me, it profoundly felt like the right time to give voice to the Birna, mother and shepherd of the vanishing woods.”

Wardruna will also release the concert film “Live at the Acropolis” on Jan. 24, featuring their September 2023 performance at the UNESCO World Heritage Site. The film includes the full show, along with interviews and behind-the-scenes footage.

Pre-orders for Birna and “Live at the Acropolis” are available now (https://bio.to/Wardruna) with the new album offered on limited-edition vinyl, CD and digitally.

 

Wardruna tour dates:

January 23 Melbourne, AU Palais Theatre

January 25 Sydney, AU Enmore Theatre

January 27 Brisbane, AU Fortitude Music Hall

January 30 Auckland, NZ Kiri Te Kanawa Theatre

Special guest Jo Quail on March UK and IE dates

March 17 Liverpool, UK Philharmonic

March 18 Birmingham, UK Symphony Hall

March 19 London, UK Royal Albert Hall

March 21 Bristol, UK Beacon

March 22 York, UK Barbican

March 23 Dublin, IE Olympia Theatre

March 25 Glasgow, UK SEC Armadillo

April 26 Oslo, NO Operaen SOLD OUT

April 27 Oslo, NO Operaen SOLD OUT

April 29 Trondheim, NO Olavshallen

May 2 Kristiansand, NO Kilden

May 3 Stavanger, NO Konserthuset

May 4 Bergen, NO Grieghallen

June 7 Reykjavik, IS Harpa

July 25 to 27 Red Eagle Campground (Cut Bank), MT Fire In The Mountains

July 30 to August 30 Rasnov, RO Rockstadt Extreme Fest

 

Birna cover, photo by Tuukka Koski with artwork by Øivind A. Myksvoll

 

Birna tracklisting:

Hertan

Birna

Ljos til Jord

Dvaledraumar

Jord til Ljos

Himinndotter

Hibjørnen

Skuggehesten

Tretale

Lyfjaberg

 

Photo credit: Morten Munthe

 

From the Runaljod album trilogy (2009, 2013, 2016), exploring old Norse myths, traditions, and language through the 24 proto-Norse runes, the sound of Wardruna evolved and blended into the stripped down, acoustic compositions on Skald (2018). The group’s most recent album, Kvitravn (White-Raven) (2021), explored Northern sorcery, spirit-animals, animism, and the act of creation – the ever-interchanging prolific relationship between the skaldic poet and nature itself. The record charted in 13 countries, including #1 in Canada and Austria, and #2 in Germany. Wardruna has performed at multiple manmade historical locations including Odeon of Herodes Atticus, the Acropolis, Bulgaria’s Ancient Theater of Philipoppolis, as well as locations set amidst natural wonders such as Red Rocks Amphitheatre in Colorado. Alongside his work with Wardruna, Einar Selvik has composed music for large tv and game productions such as “Vikings” and “Assassin’s Creed – Valhalla,” he gives tutorials and lectures on Old Norse literature, musicology, instruments and philosophy, and he has worked with renowned artists such as Mari Boine, Tina Guo, Matoma and Eivør, including appearances on Norwegian, Danish and Polish national television.

 

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