Tag Archives: Seventies metal

ALBUM REVIEW: Scarecrow – Scarecrow II

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As with their 2019 full-length debut, Scarecrow’s second full-length album sees the Russian quartet deepen their commitment to a distinctly off-the-cuff, kitchen sink Occult Metal. Scarecrow II (Wise Blood Records) sits on the arcane line between Hard Rock and Heavy Metal best demonstrated by groups like Seventies-era Scorpions and Judas Priest. There are menacing riffs and banshee vocals galore indicative of Classic Metal but also experimental eccentricities that play like holdovers from the Psych Rock era.

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Kadavar – Abra Kadavar (Special Edition)

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Kadavar - Abra Kadavar - Special Edition

 

Berlin’s most bearded gents Kadavar have brought their fuzzed up seventies sounds to the attention of many with their thrift store chic and retro sensibilities being en vogue right now due to the appearance of acts like labelmates Witchcraft and Graveyard. Gaining momentum having been recruited to the Nuclear Blast roster after their debut on Tee Pee Records, these German rockers keep it traditional and no less live sounding than the first time around.

 

Clearly the synergy between the band members is a very natural one as evidenced by their to-the-bone approach, favouring fuzz and a Led Zep swagger mixed with the gutter blues. That and a slight Krautrock influence is what sets them apart from the legion of retro acts right now. Neither as metal orientated as the former nor blues as the latter, Kadavar occupy a comfortable middle ground, but that is not to say that Abra Kadavar (Nuclear Blast) does not possess its own potency and indeed magic.

 

Beginning with the raunchy one two of ‘Come Back Life’ and ‘Doomsday Machine’ the magic carpet ride begins with some groovy riffs and plenty of soul. Bubbling bass and fluid guitars inject a passion into the likes of ‘Fire’. Sure the band has a formula from which they seldom deviate yet the crisp sound of Abra Kadavar puts it a cut above the stuffy musty old Blue Cheer obsessives who feel that aping the work of the seventies masters is sufficient reason for their existence.

 

There may be little deviation in texture or tone but the synth-embellished title track hints on where the next album could go. The up tempo rocker of ‘Dust’ is the height of their achievements thus far. Hanging on a soaring chorus backed with a humdinger of a riff, Christoph Lindemann also gives a great performance at the mic. Kadavar may not differ radically from their peers but that is neither here nor there. The impact of three musicians gelling to create that intangible magic which only happens when artists seek to create something invigorating and close to their hearts rather than searching blindly for that elusive spark of originality.

 

7 / 10

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