Cemetery Skyline (Dark Tranquillity, Insomnium, Amorphis, Dimmu Borgir, Sentenced) Share Their New Single “The Coldest Heart”

With a formidable lineup, including members, past and present, of Dark Tranquillity, Insomnium, Amorphis, Dimmu Borgir, Sentenced, Entombed, The Abbey, and more, Cemetery Skyline have just delivered their latest single. Following two previously released tracks, the “Nordic Gothic” ensemble’s new number, “The Coldest Heart,” is accompanied by a visualizer video created by Metastazis. Watch it below.
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Supergroup Cemetery Skyline (Dark Tranquillity, Insomnium, Amorphis, Dimmu Borgir) Shares a New Single and Video for “Violent Storm”

Photo credit: Sam Jamsen

Supergroup Cemetery Skyline – featuring Melodic Death Metal Royalty Markus Vanhala, Mikael Stanne, Santeri Kallio, Vesa Ranta, Victor Brandt – drops single/video, “Violent Storm!”  While you can check out “Violent Storm” on all digital platforms, make sure to watch the video that was filmed by Patric Ullaeus (rEvolver Film Company), as it documents a very special moment in the band’s history:Continue reading

Lordi – Scare Force One



Eight years on from their Eurovision Song Contest triumph, Lordi are on their seventh album, Scare Force One (Warners) and you’d think the joke would be stretching thinner than the invisible point of Death’s scythe by now. Yet, more than 20 years after Mr Lordi first assembled a troupe of monsters to try and take over the world, no one seems to have told the band.

And a bloody good job that is, too, because Scare Force One is a surprisingly good album. Not surprisingly good as in “ah, it’s a bit shit, but, y’know…”, but surprisingly good, as in it is packed with Alice Cooper meets King Diamond anthems, and spurts fun, stomping hard rocking metal Glasgow-kissed by a splatter of Twisted Sister.

Lordi, for those who, probably quite rightly, pay little or no attention to the Eurovision Song Contest announced themselves by decimating the competition and winning it with their ‘Hard Rock Hallelujah’s and rubber-monster outfits (I have to confess to loving Eurovision – there’s something about a plethora of cheesy EuroPop mixed with a dross of wannabe Nightwish ballads interspersed by patronising stereotypes, national folk outfits and sorely dated ditties) in 2006 with the biggest ever points total and largest winning margin. They are, fact fiends, still the only Rock band to win the contest.

Mr Lordi, with gravelled tones instantly recognisable and reminiscent of Taneli Jarva in his Sentenced days, knows how to write a catchy, hooky pop-metal song, with choruses that dig their claws into your brain and, like Critters, gnaw their way through the cerebral cortex and implant their earworming gnashers into your memory sacks.

With uptempo zombie stomps deep down the order, with only ‘The United Rocking Dead’ taking it’s mammoth foot off the pedal of quality, Scare Force One is littered with bangers that prove Lordi are much more than just a PG-13 version of GWAR, with the riotous ‘Hell Sent In The Clowns and more-infectious-than-ebola ‘She’s A Demon’ vying with ‘House of Ghosts’, a track which could easily have Lordi-ed it up (sorry) on Alice’s Trash (Epic), as pick of a deadly bunch.

Lorks a-Lordi, I can’t believe how enjoyable this is!



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Arcturon – Expect Us

Arcturon - Expect Us - Artwork


A release that serves both as a bridge from 2013’s An Old Storm Brewing and also as a celebration of the tenth anniversary of Arcturon, Expect Us (both Supreme Chaos) sees the Swiss melo-deathsters take a step further into the melodic.

Despite an ascending introductory riff that nods to NWOAHM, Expect Us has at its’ core a celebration of all things mid-90’s Century Media with the groove of Samael (Passages/Eternal era), the uptempo drive of Love and Death Sentenced and the gothic splashes of Irreligious Moonspell.

Opener ‘Treasure’ is the gold off the EP, with its cousins not coming up to the same level, lacking its spunk. Vocalist Aljosha Gasser’s gruff delivery suits the more uptempo kick off, snarling like Taneli Jarva, but is a clashing juxtaposition with the more reflective gothic tracks that follow; the two lines of Jonas Renske-style vocals that appear out of the blue on ‘A Restless Soul’ suit the sound of the rest of the EP much more, and it’s a shame they are only used once.

The other issue with Escape Us is that, while well played and boasting a production that recaptures the gothic warmth that Waldemar Sorychta used to excel at, little sticks in the mind as, ‘Treasure’ aside, this is a fairly lukewarm offering.

Happy 10th birthday, though, Arcturon. Hopefully decade #2 will see them find that missing something.



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