The day before Easter Sunday we set out to see the Norwegian Satyricon open their latest European tour, the only one of this year they announced. Supporting their recent Live At The Opera (Napalm) DVD, the band have decided to do things in their own time and their own way this time around.
When we arrive just before the time the show is about to start we’re met with closed room doors and a susurrus of rumors in the waiting crowd. Satyricon arrived later than expected, and now the stage still has to be set and soundchecks done. The time is pushed back half an hour, and both supporting acts, Oslo Faenskap and Vredehammer, were reduced to 15 minute sets.
Oslo Faenskap, Photo by Susanne A. Maathuis
Oslo Faenskap take the stage first with fire and verve, determined to show us 15 minutes can be convincing. The crowd however doesn’t agree and no matter how much the band try to be brutal, badass and ‘fucking” make us move, most people stare at them in polite patience. The fact the band play a mix of more modern metal styles, best characterized by metalcore and nu metal influences, and their overblown stage presence as an opener just don’t strike the right chord today, while their effort is praiseworthy.
Vredehammer, Photo by Susanne A. Maathuis
After a quick changeover we get Vredehammer who are clearly unhappy about the unexpected shortening of their set. It means the band only play two songs, as quipped at by their vocalist Per Valla; “this is the shortest set in history”. The crowd responds to the Norwegian black metal outfit better than they did to Oslo Faenskap, and start to warm up. Both bassist and guitarist of the band give a valiant effort, but less than optimal sound on the drums and general mix mean some of the more delicate atmospheres of the band disappear into tinny drums and a general feeling of potential but too little time.
Satyricon, Photo by Susanne A. Maathuis.
And then for the main course of this musical meal: Satyricon. The crowd who had stayed mostly in the back of the room slowly mill forward, finally giving the venue a cozily full feeling. The anticipation in the front few rows can be felt on your skin as an almost electric shiver passes through the crowd when finally the iconic mic-stand, covered in horns, is brought on stage. The band arrives to the tones of ‘Voice of Shadows’ to loud cheers from the audience and a forest of raised fists and horns. The bar is immediately set incredibly high as the band launch into their two hour long set full speed, playing new and old tunes alike, though favoring their post-Vulcano repertoire. The crowd seamlessly answers front man Satyr’s every suggestion, as they shout on command and are coaxed to throw horns and even form a moshpit. Satyr explains that the few tours the band will do from now on will be special, and tonight they would like to share with us some work in progress ideas for songs, as they launch into three instrumental pieces. Sadly in the second of these jams Satyr’s guitar gives out and it takes half the tune to get it set again, but even that cannot ruin the performance as the fans happily listen to what might become new material. Ending the set on the classic ‘Mother North’, to which the full crowd sing along, the band leave the stage. The crowd waits in eager anticipation for their encore, consisting of hit songs ‘Fuel For Hatred’ and ‘K.I.N.G.’, after which a glowing band thank their fans with one of many bows. We leave the venue at the respectable hour of midnight, to the gentle tones of ‘Natt’ as the outro, happily satisfied that a gig that seemed plagued by Murphy’s Law at first persevered and after a rough start soared to heights only a veteran band and like Satyricon can deliver.
Satyricon, Photo by Susanne A. Maathuis.
Satyricon, Photo by Susanne A. Maathuis.
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WRITTEN AND PHOTOGRAPHED BY SUSANNE MAATHUIS