Following the ending of The Mars Volta, it seemed the long time working relationship and friendship between Cedric Bixler-Zavala and Omar Rodriguez-Lopez had sadly soured and it did seem that tensions were high and this dynamic duo was gone for good. Then, out of the blue arrived Antemasque, with both of them at the helm once again.

After the visceral post-hardcore of At The Drive-In and the explorative and unpredictable prog journeys of the The Mars Volta, Antemasque (Nadie Sound) sees them in new territory. This is a much more straightforward album than they have been accustomed to producing, part blues rock, part indie rock (think NME fodder) with shades of punk. Aside from Bixler-Zavala’s instantly recognisable voice this has little in common with their previous works, and even then this suitably lacks the vocal spite in At The Drive-In.

This is the most simplistic album of the duo’s career; song structures are a stock verse-chorus formula, only 3-4 minute average durations and focused on catchiness and tune rather than tangents and thought provoking routes. The indie vibes may put off many people especially those who discovered them from a progressive background, but otherwise this should make a great summer soundtrack, especially in a festival setting.

7.0/10

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CHRIS TIPPELL