Abbath – Outstrider


Say what you will about his corpse paint and his knack for iconic promotional photography posing, but Abbath still has it. Most questions and doubts should’ve been settled by 2016s stellar Abbath, but we metal fans are fickle and panic-prone when it comes to new music. Turns out that after listening Outstrider (Season of Mist), Abbath was no fluke. After decades of working as a professional musician and penning several stone-cold classics with Immortal, Abbath still has plenty left in the tank. Continue reading →


Immortal – Northern Chaos Gods


All good things come to an end, and as of March 2015, the legendary Black Metal double act of Abbath Doom Occulta (real name Olve Eikemo) and Demonaz Doom Occulta (real name Harald Nævdal) reached its disappointing and unfortunate conclusion. For years, Demonaz had acted the straight man, a perfect foil for his gurning, crab-walking, tongue-waggling partner, but since the pair went their separate ways, he has now chosen to step forward and take centre stage in what appears to be a more focused and serious vision of Immortal. Continue reading →


Abbath – Abbath


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Immortal was (or is, depending on its new lineup getting anything off the ground) one of the most intriguing acts in extreme music. A great deal of fans consider them a Norwegian black metal institution with a string of classics under their belts. For others they’re that borderline Spinal Tap band that have some of the most ridiculous promo pictures and music videos ever captured. For real, Norway, the music is great and all, but some of the message can be lost when you willingly pose yielding a plastic axe.

Maybe that’s why some turned have turned to crime? Anything for the arts.

But I digress. It’s not breaking news that in 2015, Immortal was on ice again and a brief legal battle ensued over the band’s trademark. Multi-instrumentalist founding member Olve Eikemo (or as we know him) Abbath walked away and pledged to work on his own music. The result is Abbath (Season of Mist), an eight song exercise in creative freedom and avoiding ugly litigation.

And allow me to immediately answer your query; it’s not as awesome as Battles in the North or Sons of Northern Darkness. And nor does it have to be. Since he is no longer under the weight of the Immortal legacy, Abbath is free to explore other things, namely his love of classic metal sounds. With Abbath’s death croak and drummer Creature peppering songs like ‘Winter Bane’ and ‘To War’ with double bass and the occasional blast beat they fall under extreme metal, but the structures are as traditional as they come. There’s even a sweet cover of Judas Priest’s ‘Riding on the Wind’ added as a bonus track.

But the Kvlt faithful need not worry, it’s not all New Wave of British Heavy Metal worship. ‘Eternal’ has enough blast beats to thaw any frozen heart and ‘Fenrir Hunts’ is highly reminiscent (in the best way) of the blackened death metal that Behemoth has been expertly brewing as of late.

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And even for those who are too stubborn to appreciate Abbath because it doesn’t say Immortal on the cover or isn’t grim enough, they should respect that Abbath decided to step down. Why? Because he dropped the legal horseshit that would’ve jammed all parties involved and likely split the Immortal name into two lesser collectives. Need proof? What do you think about the recent work from Entombed A.D. or Queensryche and whatever Geoff Tate’s project is called?

8.0/10

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HANSEL LOPEZ