The King Is Blind Sign With Cacophonous Records, Debut Album Next Month

The King Is Blind band photo 2015

Cacophonous Records has announced they have relaunched their label, and that their first new signing are UK brutal death metal upstarts The King Is Blind. The band is releasing their debut full-length album next month entitled Our Father. This is the follow-up to their acclaimed EP The Deficiencies of Man (Mordgrimm) released in 2014 and has seen the band perform such high-profile gigs as Damnation Festival and Bloodstock Open Air.

Neil Harding, label head of Cacophonous, which famously launched the careers of Cradle of Filth and Bal-Sagoth in 1990s, comments about the signing of The King Is Blind

Listening to TKIB was like stepping back into the halcyon days of the death metal scene. When the opportunity arose to relaunch Cacophonous they were the first band I thought of in terms of a release; they’re angry, visceral and brutal, everything you’d want in a death metal band”

The King Is blind recently streamed their new single, ‘Fragility Becomes Wrath’:


The band has booked a record release show at Camden’s Black Heart venue, on 31 of January. Support on the bill will come from Obscene Entity and Shrines.

The King Is Blind album release admat


Obscene Entity – Lamentia


By this point, it shouldn’t surprise too many people to hear that Death Metal is stronger right now than it’s been since the 90’s. The renaissance – for want of a better word – has been going on for years now, and the renewed quality and focus has spread to most pre-existing subgenres as well as made some new ones. Among the slew of Old School-, Post-, Blackened-, Progressive- and Abstract Art Tentacles-Death Metal, however, the 90’s American style of DM characterised by bands like Cannibal Corpse has been largely absent.

On their debut Lamentia (Tridroid), Obscene Entity combine this currently underrepresented style with a touch of Ulcerate’s atmospheric, ambient approach. The combination of crushing, rhythmic Death Metal with more progressive passages is reminiscent of fellow Brits Ageless Oblivion, but much tighter and more focussed. Unlike some of their peers, OE understand that a short and concise album is often preferable to a longer one, and Lamentia makes it points quickly and effectively. Some thought has also gone into the structure, with an instrumental separating the more progressive tracks at the end from the more straightforwardly brutal first half.

Lamentia may not offer anything particularly original in terms of its musical elements, but they’ve been combined effectively to make an album with both instant catchiness and lasting depth. Another example that the current health of Death Metal is not entirely linked to the success of a couple of “big name” bands, and another name to add to the list of bands to watch out for.





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