Folk Metal is a curious genre. Oftentimes it can be undeservingly treated with ridicule; when a pair of violins and a flute appear onstage alongside a BC Rich plenty of jeers can come the way of the performers. Sometimes the ridicule is fully deserved as the folk influence can become painfully twee affair: see Eluveitie or Turisas at times. On rare occasions, however, a traditional sway can produce truly beautiful results; see, in this case, SAOR.Continue reading →