Outer Heaven – Diabolus Vobiscum


outerheaven

Taking a Latin phrase of religious meaning such as “Domins vobiscum” and adding a satanic connotation may rank as a rather unoriginal and even a little juvenile manner to release naming, yet it is the approach that Douglassville’s own Outer Heaven have adopted for their debut release (excluding their 2013 demo available for download). Not that EP release Diabolus Vobiscum (Melotov) is a laughing matter; far from it.

It is clear that Outer Heaven are not setting out to reinvent the wheel by any stretch but their sound does draw upon several of metal’s poles of extremity. A huge overriding element sees them draw upon the sludgy, rawness of the early death metal greats with in its guttural tone and primal production values. EP opener ‘Lord Of The Void’ highlights their doom streak however with its bluesy, Sabbath like opening bars (even the title sounds like a tribute to the fathers of heavy metal) and continued droning pace, abruptly interjected by a brief blastbeat segment. This sets the tone throughout as the rest of the EP takes on a dark, brooding crawl of a pace with a huge sense of ferocity.

Diabolus Vobiscum may show some signs of cliché and formulas tried and tested by the greats, but this is far from mere aping and hero worship. Outer Heaven on their debut have delivered a very nasty slice of vintage death metal with plenty of replay value, and surely putting them on the map in the underground.

 

7.0/10

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CHRIS TIPPELL


Vices – New Breed


 vices new breed

 

They say that variety is the spice of life and when it comes to music fans. Some choose to roll with this, while others completely ignore it. For musicians, the former is usually the case with new bands often looking to distinguish themselves from the crowd and older ones going in search of fresh directions. Vices are a four-piece from Jacksonville who certainly abide by the above sentiments with their latest LP, New Breed (Melatov), mixing some interesting flavours together.

 

Hailing from the place that spawned both The Allman Brothers Band and Lynyrd Skynyrd, non-listeners may be able to guess what genre some of their influences are taken from, and they’d be right – Southern Blues Rock. On their 2012 EP, ‘The Out Crowd Blues’ this influence is more prominent, but there are a few twangs of it here as well. The other side of the mixing pot is Hardcore Punk, and while the combination may sound odd on paper, it works surprisingly well in the flesh.

 

Merging slow grooves with angry screams, opener ‘The Sabbath’ is our first glimpse into the albums two opposing styles, and it is also one of the best of the bunch. Trumped only by the smooth angst of the title-track, the first two songs really set the bar high for the rest of the record, and thankfully the band keep on delivering. Bringing a more fast-paced way of music with songs such as the Gallows-esque ‘Slum Wolves’ and ‘Devil’s Advocate,’ it is the middle of the album where things hit more of a hardcore punk vibe but this is no bad thing as Vices execute this style of music with great vigour. The influences of before are not completely forgotten with ‘No One Rules’ bringing together slow jams and hectic overtones, while ‘Swan Song’ closes the album with an impressive, albeit short, solo of the classic rock variety.

New Breed is a refreshing album to listen to, neither boring nor repetitive, only the ‘Instrumental’ track is worth turning off, while the rest are defiantly worth turning up. Extending a more Hardcore feel than their EP, fans of the band’s previous effort will still have plenty to love here, and the same rings true for anyone looking for melodious yet heated passion, both in musical style and lyrical content. New Breed is the kind of vice that you won’t be sorry you have and it won’t kill you either, which is always a bonus.

 

9.0/10.0

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EMMA QUINLAN