Music Video: Secrets Of The Sky – Eternal Wolves + Angel In Vines


Photo Credit: Ray Ahners

Photo Credit: Ray Ahners

Secrets Of The Sky is streaming their music video for “Eternal Wolves” and the Andrew Nethery (Melvins, Kyuss Lives, Dead Meadow)-directed “Angel In Vines” off of their latest full length release Pathway, out now via Metal Blade Records.

They are currently on their North American tour with dates posted below.

May 25: The Odditorium – Asheville, NC
May 26: TBA – Atlanta, GA
May 27: Vino’s – Little Rock, AR
May 29: The Cave – Santa Fe, NM
May 30: Tempe Tavern – Phoenix, AZ
Jun 06: Golden Bull – Oakland, CA
w/ North:
Jun 12: The Complex – Glendale, CA
Jun 13: Caravan – San Jose, CA (w/ Cold Blue Mountain)
Jun 14: 1078 Gallery – Chico, CA (w/ Cold Blue Mountain)
Jun 15: The Wandering Goat – Eugene, OR (w/ Cold Blue Mountain)
Jun 16: Rotture – Portland, OR (w/ Cold Blue Mountain)
Jun 17: Black Lodge – Bremerton, WA
Jun 18: The Pin – Spokane, WA
Jun 19: The Railyard – Billings, MT
Jun 20: Foot Foot Fest – Fort Collins, CO (w/ Reproacher)
Jun 21: 7th Circle Collective – Denver, CO
Aug 14: The Outer Space & Ballroom (Death To False Metal) – Hamden, CT (w/ Whiplash, Valkyrie, Imperial Triumphant, Nightbitch, Immortal Bird more…)

Secrets Of The Sky on Twitter


Brant Bjork And The Low Desert Punk Band – Black Flower Power


bb and tdpb

Known for his work with Kyuss in the 1990s and more recently with Vista Chino, Brant Bjork, likewise his bandmate John Garcia, will release the solo album Black Power Flower under the flag of Brant Bjork And The Low Desert Punk Band, via Napalm Records.

Without wanting to compare artists and albums, Brant Bjork also wished to create more personal music with this new album, but on the contrary of John Garcia, Bjork goes more stoner and more traditional within the genre than Garcia went on his solo endeavor. ‘Controllers Destroyer’ opens the record in a conventional way with fat riffs accompanied by reminiscences of the doom sound, but ‘Stokely Up Now’ gets a rockier orientation giving the song a wider soundscape not being so muddy and somehow claustrophobic as usual. However, both directions aren’t always kept away from each other since the track ‘Budha Time (Everything Fine)’ is a fusion between stoner rock and rock’n’roll: if the strong guitar is doing its role in a supportive manner, a cleaner one is constantly breathing solos.

The album also has room for experimentation outside the stoner regular sonority as we have twin-guitars in ‘Ain’t No Runnin’’ and some guitar effects like wah-wah in ‘That’s A Fact Jack’ alternating with heavy riffs and a strong drumming work offering more vigor to the chorus. And finally, a shy desert psychedelic passage is delivered in the last song ‘Where You From Man’ because of the repetitive and somehow hypnotic canvas personalized by the well-paced drums and the several effects played in the guitars.

It seems that after a controversial period between the attempt to re-ignite Kyuss and the lawsuit by Josh Homme (QOTSA), the ex-members of that iconic band are at last enjoying the fruits of their work and reaching the success they deserve for the long time career they’ve built with sweat. Now, let’s wait for another Vista Chino album…

 

brant bjork promo photo 2014

7.5/10

Brant Bjork And The Low Desert Punk Band on Facebook

 

DIOGO FERREIRA


Nick Oliveri’s Uncontrollable – Leave Me Alone


nick-oliveri album cover

 

Stoner rock firebrand Nick Oliveri is well versed in the art of reckless abandonment. Since his departure from Queens Of The Stone Age and Kyuss Lives! (Now Vista Chino) Oliveri has terrorised stages the word over playing bass with Cali punks Bl’ast and his raucous one man unplugged show.

‘Leave Me Alone’ see’s Nick in full stoner punk mode working through the full on rawk aspects of repertoire from the bar fight frenzy of ‘Human Cannonball’ to  vicious barrage of ‘Come And You’re Gone’ which recalls the bombast of Turbonegro, Nick O grabs you and does not let go.

At a lean and trim nine songs ‘Uncontrollable’ does not mess around. There are no build up’s, excess jam sections save the somewhat pointless yet pretty acoustic segue way of ‘Leave Me Alone’ itself which soon gives way to the anarcho blast of ‘The Void’. It’s familiar territory but an approach which plays well to Nick’s strengths. Those familiar with his work as Mondo Generator will know what to expect. A pull-no-punches knock down drag out affair which provides plenty of shout along hooks.

Several of Nick’s mates have got it on the act too with Blag Dahlia of The Dwarves, Kyuss Lives! Bruno Fevery and Mötorhead’s Phil Campbell all putting in an appearance to support their good buddy and while the tempos tend to wonder off, this is grass roots punk rock with a true DIY ethos and real character.

Sure there is none of the pop nous of Nick’s work in QOTSA this is a blunt instrument by which stoner rock’s Oliver Reed delivers a sermon of true punk rock zeal.

Tailor-made for the live arena the album remains up-tempo save the mid paced riot of ‘Robot Man’ complete with sirens and lyrics referring to the swat team, perhaps a tongue-in-cheek reference to one of Nick’s more infamous brushes with the law of late when he held police at gunpoint from his home after a neighbour reported a disturbance at his residence.

Oliveri is a true hellraiser in the classic mould, but where his reputation for destruction may proceed him the bloke can pen some good tunes.

 

7/10

Nick Oliveri on Facebook

 

ROSS BAKER