Die Toten Hosen, Slipknot, Motley Crue Confirmed For Nova Rock Festival


nova rock festival 2015

Nova Rock Festival is confirmed for June 12-14, 2015 at Pannonia Fields II in Nickelsdorf, Austria. The confirmed acts for the festival include:

Die Toten Hosen
Slipknot
Mötley Crüe
Die Fantastischen Vier
Beatsteaks
Rise Against
Nightwish
Deichkind
Farin Urlaub Racing Team
In Flames
Kraftklub
Five Finger Death Punch
The Gaslight Anthem
Lamb Of God
Godsmack
Papa Roach
Hollywood Undead
In Extremo
Eagles Of Death Metal
Life Of Agony
Frank Turner and The Sleeping Souls
Jennifer Rostock
Lagwagon
All Time Low
Asking Alexandria
Eluveitie
Yellowcard
Fiva
Powerwolf
Callejon
Backyard Babies
Blues Pills
Architects
Feine Sahne Fischfilet
Moop Mama
The Answer
The Sword
King 810

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Slipknot, Lamb Of God, Epica, Godsmack, etc Confirmed For Forta Rock Festival


fortarock 2015

Forta Rock 2015 has been confirmed for June 6, 2015 at Goffertpark Nijmegen, Netherlands. The confirmed lineup includes:

Slipknot
Lamb Of God
Epica
Godsmack
Exodus
Converge
Clutch
Red Fang
Dying Fetus
King 810

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King 810 – Memoirs Of A Murderer


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Maybe it is due to having seen “the next big thing” come and go several times over with very few of the chosen ones having the ability, longevity or musicality to either make it or deserve it, but us metallers past our mid-teens (Ok, some way past!) are extremely suspicious about any band with even a whiff of hype about them. Roadrunner’s latest push King 810 have a whole perfume empire of propaganda behind their debut full-length Memoirs Of A Murderer. It is evident that King 810 are well on their way to becoming an established and successful name in the world of mainstream metal, but whether they deserve to succeed where others are by-passed is a whole other issue.

From the outset it is clear that the quartet, who have put Flint, Michigan well and truly on the metal map, have progressed immeasurably since 2012’s leaden and monotone EP Midwest Monsters (Independent). They have not only found their niche, a distinctive one flecked with violence and diversity, but vocalist David Gunn has found his voice with his already infamous tales of life in the poverty-striken, violence and bloodshed blocks of his home town. He says he is holding up a mirror to reflect his environment, an unwelcoming town of violence and murder, and in ‘Write About Us’, an interesting percussive poetry piece, explains the people he grew up with asked him to tell their story on the album.

Whether the urban myths of King 810 are truth, fabrication or exaggeration (probably a mixture of all three), and the Roadrunner push is “justified” or not, the band will, as most bands do, stand or fall on its songs. Image, controversy or mystique will only get you so far, and for so long, but mix those three elements, calculated or otherwise, with good songs and the doors to success open wide.

For the uninitiated, King 810 create dark, bruising nu-metal, sitting somewhere between Korn and Slipknot with a touch of American Headcharge and Hollywood Undead, creating big songs, backed up by fat guitars and slum-levelling hate-anthem choruses. Gunn’s vocals sit part way between narration and gravelled shouts, while the guitars, heavy, remain simple but weighty, like human carcasses hanging on meathooks, fattened by the excellent sonic work of producer Josh Schroeder.

It only takes a few listens for the tales of knives, guns, urban survival and murder to earworm their way in, and you can already see in the minds’ eye whole festival fields slamming and hollering to ‘Killem All’, moshing to ‘Best Night Of My Life’; a belting tune with an uptempo Hardcore vibe that strains against the leash, or pit-stomping and posturing to ‘Fat Around The Heart’, while ‘Desperate Lovers’ is pure catchy, down-tuned modern neck metal.

This isn’t a perfect album. It’s not as innovative as Korn (Immortal/Epic), it doesn’t have the songs or blow-you-the-fuck-away wildness of Slipknot (Roadrunner), has a few too many tracks (two spoken word pieces, the non-song ‘Carve My Name’ and the stock ‘War Outside’) and the running order isn’t right, as ‘Devil Don’t Cry’ is the highlight and natural showstopper yet appears two-thirds of the way through. Nor is this Neanderthal groove-metalling, more a metal Wu Tang Clan (with tip of the hat to @M1kecollins for the description) and these tracks slit the throat and pour concrete down the neck of ‘Big Truck’. This is a modern release based around a winning formula while embracing diversity. ‘Eyes’ is a delicate electronic-led track that wouldn’t be out of place on Marilyn Manson’s underrated Holy Wood (Nothing/Interscope), while ‘Devil Don’t Cry’ and ‘State of Nature’ are bare, exposed tunes stark with piano and strings leading their Dark Country take, as if Nick Cave was crooning a Johnny Cash tune. Elsewhere, the mix of thick, simple riffs and bellowed choruses works exceptionally well. These are street-anthems, made to be yelled back, whose simplicity and hooks work into the brain. Memoirs Of A Murderer is an album of quality controversial, mainstream metal.

8/10

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STEVE TOVEY


Korn To Play Their Entire Debut Album On Upcoming Tours


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In an interview recently Korn announced over the weekend that they intend to play all of their debut album to celebrate the 20th Anniversary of its release. In the time since that ground-breaking hey have become one of the biggest bands in the world, transcending the genre of Nu-Metal they created. Although maligned by metal purists, the band helped reshape the musical landscape of metal, with seminal metal bands such as Sepultura and Slayer changing their sound to imitate Korn. The self-titled album has many classic tracks of the genre the band doesn’t play often anymore, beyond hits such as ‘Blind’ and ‘Shoots And Ladders’.

As reported by blabbermouth.net:

Sara of Philadelphia’s 93.3 WMMR radio station recently conducted an interview with KORN frontman Jonathan Davis. You can now listen to the chat using the audio player below. A couple of excerpts follow (transcribed by BLABBERMOUTH.NET).

On KORN‘s upcoming “Prepare For Hell Tour” with SLIPKNOT and KING 810:

Davis: “I think we’re gonna probably do a little bit heavier set list and just prepare fans for a big ol’ party. It’s gonna be the exact opposite of what SLIPKNOT brings, which is just really heavy, heavy, heavy, fast metal. We do more of a party-type vibe. I think it’s gonna be a good show, ’cause nobody wants to see that twice, you know what I mean? It’ll be something for everyone. Something different.”

On the musical direction of KORN‘s next album:

Davis: “We never can tell until we get in a room together. It goes all over the place. When the band gets together and writes… ‘Cause we write together as a band, and I write on my own, Head [guitarist Brian Welch] writes stuff on his own. So it just depends. Once we get into a room and go through all that stuff, that’s when we know what direction we’re gonna go… I’m always [writing and recording music]. [Laughs] I’ve got a music problem; I’m addicted to music, so I’ve got a ton of stuff. But we’ve gotta get all the guys together, ’cause we all live in different places, so when everybody gets in one spot, we start writing actually as a band. We record where we grew up, in Bakersfield. We’ve got Buck Owens‘ old studio, which a lot of huge records were recorded out of there, so we really like it there. It’s a got a good vibe there.”

On how KORN plans to celebrate — both personally and as a band — the 20th anniversary of the release of its debut album:

Davis: “Personally, I don’t know how I’m gonna celebrate. But as a release, I know we’re gonna start doing, on festivals, we’re gonna play the first album in its entirety. We’re gonna start doing that. We’re even gonna play [the song] ‘Daddy’ [which Jonathan wrote about his painful experience of being molested as a child and not being believed]. And I said I would never do it, but I’m gonna do it anyway. So we’re gonna do the complete album in its entirety and then tag on some songs at the end of the show. So it should be pretty cool. But it’s gonna be very stripped down. I think we will recapture what we were doing at that time, when we were coming up. It was our first album, we didn’t have any production, it was just one backdrop. So I think it’ll be kind of like that down-and-dirty, cool, old-school vibe, and we’ll do the first record… [We’ll start doing that later] this year. Once the 20th anniversary hits [on October 11], we’ll start doing it.”

On whether he still rejects the “nu metal” label in reference to KORN, which is widely credited for pioneering the genre (encompassing metal bands that came out in the ’90s that incorporated different styles into their music, mostly funk and hip-hop):

Davis: “I’ve always rejected the fact that us getting pigeonholed into some kind of genre that we helped create, they said. It seems like when a band comes out and we do something new and something different, that’s all great. When a whole bunch of bands jump on the bandwagon and start copying what that one band did, then it gets called something. And those bands are cheap knockoffs of what the original thing was. So, to me, that’s why I never liked the ‘nu metal’ term. You don’t call the RED HOT CHILI PEPPERS a funk band. You don’t call METALLICA just a thrash band. These are bands that have been around over 20 years that have paid their dues and have made amazing music that lots of people have ripped off and they get pigeonholed into these little genres [people] make up. But, to me, that’s why I’ve always… I never liked it. But that’s my personal opinion, I mean, if people want to call us that, go ahead — I don’t care. That’s just for me, that’s just the way I look at it. So take my opinion with a grain of salt, I guess.”

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