2021 has not been a good year for Power Metal. Whether that is genre-leaders Gloryhammer undertaking significant acts of self-sabotage and unforgivable prickery, or just the product itself – only Beast In Black‘s Eurovision bops came anywhere near denting our Album of the Year chart, causing a light scratch in the outer realms, with perhaps a dead cat bouncing Rhapsody of Fire with any legitimate claim to unfair treatment. Continue reading →