It was a chilly night in a quieter than usual Saturday in Cambridge Massachusetts. The Middle East nightclub sits on a welcoming strip of culturally diverse shops and restaurants. A perfect location for Protest the Hero’s Volition (Razor & Tie) tour; a multi-national and eclectic metallic offering.
For all of the shows I’ve been fortunate enough to attend in the New England area, this marked the first time I’ve attended a show downstairs at the Middle East. A basement venue that resembles the ultimate metal mancave or what Rocko’s in Manchester New Hampshire could have been if the staff actually cared. An hour between doors and the opening band afforded me ample time to down some economy brews and admire the not particularly well-lit, but intimate locale.
First up were Protest the Hero’s Canadian brethren in Intervals. For an unsigned band they’ve garnered lots of attention in progressive and tech-metal circles, especially with their latest release, A Voice Within. With the room starving for some live volume, the boys in Intervals were happy to oblige. Heavy 7-string palm muting was underway with tunes like ‘Alchemy’ and ‘Ephemeral’ starting the evening’s first mosh-pits. It was modern tech-metal or djent through and through; Tesseract shirts and Ibanez/Steinberger guitar interplay aplenty. Obviously talented players with a lot of stage energy, the only problem being the repetitive nature of djent. Midway through the set the songs began to feel repetitive. However things livened up again at the end of the performance when they jumped into songs like ‘Automaton’ and ‘Moment Marauder’ which featured some catchy melodies and riffs not unlike Periphery’s.
London England’s The Safety Fire sieged the stage next with their frenetic, noisy art-metal. Since I had missed out on their last North American trek, it was very satisfying to finally catch them tearing into live numbers from last year’s sublime Mouth of Swords (Inside Out). To the best of my knowledge The Safety Fire is considered progressive metal, but to be honest I wouldn’t know what to label them as. As evidenced by live flow of offerings like ‘Red Hatchet’ and ‘Huge Hammers’ their sound is metal one second and sometime that you’d find in Spin magazine the next. And I liked that. A lot, actually. Now that I had gotten a taste of their live sound, I’m ready for a proper headlining turn from these British upstarts.
At this point the Middle East was a sweatbox and I needed some more Pabst Blue Ribbon relief in order to properly enjoy the awesome that is Battlecross live. After refueling at the bar I took a spot front and center to take in Battlecross’ brand of “Blue Collar Thrash Metal” as close and loudly as possible. The bearded Michigan metal warriors did not disappoint. Guitarists Tony Asta and Hiran Deraniyagala traded off blazing riffs and searing leads effortlessly. What I thought would be a very pro-progressive metal audience ate up Battlecross’ savage thrash stylings. Sure the argument can be made that they only have one speed (a very brisk one, thanks to former Black Dahlia Murder drummer Shannon Lucas holding down on drums), but is that really an issue when you’ve got most of the crowd buying what you’re selling? If you weren’t headbanging you were in one of the various circle pits that would break at the drop of a hat or raiding their merchandise booth. Audience reaction to pit-churners like ‘Kaleb’ and ‘Flesh and Bone’ was so raucous that frontman Kyle Gunther declared Cambridge to be the best crowd of the entire tour.
Protest the Hero faced the stiff challenge of following up Battlecross’ assault, but the Torontonians were up to the task. Armed with some truly respectable facial hair, Protest served their Dream Theater by the way of Botch sonic cocktail to a crowd that hung on to every word. The young Canadians burned through 12 songs in the span of an hour and ten minutes, ranging from Kezia era anthems like ‘Blindfolds’ to more recent stompers like ‘Underbite.’ Midway into their effort the many fans had forgotten about the “No Crowd-Surfing” policy and were attempting to join the band onstage. Having the best live-sound on the bill paid dividends as it showcased the band’s technical mastery and vocalist Rody Walker’s pipes. And speaking of Walker, his witty lyrics are only matched by his onstage banter. Walker maintained an easy charm with the crowd even though most in attendance were Bruins fans while he’s partial to his Toronto Maple Leafs. I mean if we can’t agree on how much The Montreal Canadians and Max Pacioretty suck, then what can we agree on really? Conversations on hockey and the integrity of modern Star Trek movies is how you make inroads to great international relations. They capped off their set with crowd favorites ‘Bloodmeat’ and for my money is their best song, ‘C’est La Vie.’
It was good night in Cambridge. Overall we got quality sets from great bands at a good price. If I had my way, Protest the Hero would have played for a little longer than an hour and ten minutes. And maybe I should’ve gotten a couple of more economy suds from the bar before calling it a night. But all things considered, a highly enjoyable time.
[slideshow_deploy id=’5899′]
Words: Hansel Lopez
Photos: Chris Small of CWS Photography