Watch More Pro-Shot Video of Metallica Covering Elton John’s “Funeral For A Friend” and “Love Lies Bleeding” at The Gershwin Prize Awards Ceremony


Photo 24705234 | Metallica © Yakub88 | Dreamstime.com

Photo 24705234 | Metallica © Yakub88 | Dreamstime.com

Metallica joined Garth Brooks, Annie Lennox, Brandi Carlile, Maren Morris, and others for the at the Library of Congress Gershwin Prize tribute concert and award presentation to Elton John And Bernie Taupin on March 20. PBS stations nationwide will premiere the concert on Monday, April 8, at 8 PM ET (check local listings), available via broadcast and streaming on PBS.org and the PBS App. In an interview with Howard Stern in 2023, Metallica’s James Hetfield called “Candle In The Wind” by John and Taupin was one of the “greatest songs ever.” Watch new pro-shot footage of the band performing “Funeral For A Friend” and “Love Lies Bleeding!” Continue reading


Watch Metallica Cover Elton John’s “Funeral For A Friend” and “Love Lies Bleeding” at The Gershwin Prize Awards Ceremony


Photo 24705234 | Metallica © Yakub88 | Dreamstime.com

Photo 24705234 | Metallica © Yakub88 | Dreamstime.com

Metallica joined Garth Brooks, Annie Lennox, Brandi Carlile, Maren Morris, and others for the at the Library of Congress Gershwin Prize tribute concert and award presentation to Elton John And Bernie Taupin on March 20. PBS stations nationwide will premiere the concert on Monday, April 8, at 8 PM ET (check local listings), available via broadcast and streaming on PBS.org and the PBS App. In an interview with Howard Stern in 2023, Metallica’s James Hetfield called “Candle In The Wind” by John and Taupin was one of the “greatest songs ever.”Watch the band perform “Funeral For A Friend” and “Love Lies Bleeding!” Continue reading


FESTIVAL REVIEW: Download Festival 2022 Part II


My Saturday at Download began over at the main stage where I caught the retro new wave of classic rock act Those Damn Crows, a band who have amassed a significant following in Wales thanks to appearances at the likes of Steelhouse Festival and other rock-oriented affairs. Possibly one of the smallest acts to perform on the main stage this year, the band spared no expense offering a fantastic wake-up call with some unremarkable if solid hard rock tunes. The day’s proceedings then continued firmly in the rocky territory with a southern, slightly heavier twang with Black Label Society, in their first festival appearance on UK soil since 2015, and with less of Zakk Wylde’s expectedly lengthy and tiresome soloing. Don’t get me wrong, Zakk was still doing his usual thing, but with a much-needed addition of percussion, making the moments of instrumental wankery much more palatable than usual.

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