Tag Archives: Diversity

Chon – Grow

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In modern progressive metal there is an all too common tendency to flesh things out far too much, concentrating on writing the most overly complicated and difficult to decipher pieces possible. Many a band now chooses to write full album’s worth of long, drawn out songs, which cram so many ideas and virtuosity into without actually writing songs that you can latch on to and fully enjoy. On their full length début Grow (Sumerian Records), prog upcomers CHON show that sometimes, less really is more.

As typical for a progressive metal album, CHON pool from a huge range, and Grow has a great diversity at work, with signs of jazz and fusion, math-rock and contemporary prog metal to name just a few. But rather than thrown into overly long treks, Grow is built on short, bite size nuggets no more than the 4 minute mark. Yet despite these short durations it never feels overly cramped and proves comparatively accessible and easy to digest for bands of this ilk. A fair few hooks and catchy segments give this an inclusive and welcoming feel.  The likes of ‘Can’t Wait’ with vocals prove the easiest to latch on to.

That being said it still has an abundance of complexity and layers for ardent fans to get drawn into and discover. For the most part an instrumental album, this has significant dynamic shifts and turns throughout which will take time to fully grasp. The task of making something that appeals to both newbies to prog and the most battle hardened is a very bold and almost nonsensical task, but it was a feat that CHON have managed with aplomb.

A fantastic début album from a band that are clearly a new shining light for the genre and a suitable gateway for new fans to prog.

 

8.0/10

 

CHRIS TIPPELL


Subterranean Masquerade – The Great Bazaar

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The emphasis on metal music emanating from outside of the Western world has become an increased focus in recent years, and is rightfully celebrated as highlighting our music world’s inclusiveness to all forms of society and regions. Israel as one such example has shown in the last few years a plethora of prog-minded metal acts, from homegrown titans Orphaned Land to lesser known but equally special acts like Distorted Harmony.

Having actually been existent since 1997, Subterranean Masquerade are hardly a new band to add to the list, but their not so prolific back catalogue means they will be an unearthed gem for many; a notion which will hopefully change with their latest album.

The Great Bazaar (Taklit) is the band’s first full length release in 10 years (their second in total) and sees a new singer in Kjetil Nordhus, and a new feeling of energy, being described by guitarist Tomer Pink as finally feeling like a band and not a project; and it is noticeable.

Their sense of diversity on record is still present but it all feels all the more cohesive than before, like they have really found their feet. At its core this takes influence from the 70’s greats of Prog, intertwined with Eastern instrumental elements and modern death metal; with a major Opeth vibe present in style and how it flows, vocally and sonically through cleaner melodies to visceral heaviness without warning. Look a little deeper and there are even more traits slightly hidden away, for example opening track “Early Morning Mantra” has an underlying Ska current, but without sounding daunting or out of place; whilst instrumental piece “Nigen” sees the flute taking the spotlight.

It is very easy to pick out their influences throughout, and at times it does sit very closely to other band’s formulas so is far from being completely revolutionary; but Subterranean Masquerade certainly execute it all very well, and with tremendous fluidity which makes it all seem wholesome. It may have been a long time coming but The Great Bazaar is a strong effort which further highlights the progressive mindset is present further afield.

 

7.0/10

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CHRIS TIPPELL