Mikey Doling of Snot – Getting Some More


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It has been over a decade since Southern California alt-punk-metallers Snot made noise within the heavy music world with their highly energetic punk driven alt metal sound and caught the LA scene by storm. Led by their charismatic frontman Lynn Strait, the world got their first taste of their music through their 1997 debut Get Some and they charged towards the world head on and made a name for them immediately.

Knotfest 2015 was the band’s first high profile show since several attempts at restarting the band in 2008 and again in 2014 since the tragic 1998 death of Strait in an auto accident. This time with new vocalist Carl Bensley, the band played their hearts out in front of their semi-hometown crowd and paying tribute to Strait, who was tragically killed in an auto accident in 1998.

Guitarist Mikey Doling shared his thoughts on their set. “Intense set. My guitar rig wasn’t working for a lot of the show. I played half the set. I figured I would play it out and then smash the guitar at the end and threw it away.”

So did he enjoy Knotfest? “This reminds me exactly of what we were doing. This is Ozzfest. This is the same thing. It feels exactly the same. It’s really fun.”

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He also talked about their return and how much the band has changed since those days.

“Back in the day we were so young. We were so reckless. We were playing music just to have a good time and party [with] girls and drugs. Nowadays we play because we really love playing music together. I love playing music with Jamie Miller and John [Fahnestock] aka Tumor. Mike Smith is great. Sometimes Sonny [Mayo] is around. You know what I mean? We’re all family. That’s what’s different is that we appreciate it so much.”

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Being away from the scene, the members of Snot spent time in other bands over the years to hone their craft and tour the globe. He also shared how different the band’s mentality was back then as well.

“Snot back then? We were young music fans. We loved punk rock music. We loved funk. I loved heavy metal. We were fans and we all picked up initially and mushed it all together and made Snot. It turned out we were good at it. Good enough to have a career. It turned into a passion. That’s it. It still is that way. It’s 20 year now. We’re still just as aggressive about touring and playing music as ever.”

Speaking of Mayo, he clarified his status in the fold, and where he stands within the band today.

“He has a non-profit thing for sobriety style rehab. He’s real busy with that and he doesn’t really tour as much. Mike Smith did a lot of touring with us back in the day. He wants to tour so whoever’s available…let’s go.”

Doling recalled the old days and leading up to the making of Get Some. Fans from that era were drawn to the record through songs such as “Snooze Button,” “Joyride” and “I Jus Lie.” While much of their songs gave listeners a taste of their chaotic lifestyle, he admitted that a lot of that reflected on the way they wrote their songs.

“Shit dude it was so fun. When we were writing it in our rehearsal space, it was right next door to a strip club. We all lived in the same house together right up the street. We’d right music, take strippers back to our house, party with them, bang them and that leaked into our music, which turned into our record Get Some. You can listen to that record and literally hear it – strippers and rock n roll and drugs. That’s what it was like making that record. We were just wild! It was fun.”

 

Was he surprised the record got done with all of the debauchery happening around them?

“Not really because we were very serious about writing. I like the way the record came out,” said Doling.

The shows they are doing now pay tribute to their fallen singer. Doling talked about Strait and the kind of person he was, considering many people discovering the band now never had a chance to see him person live or even meet him in person.

“I’m proud to say Lynn was my best friend. We were roommates. Lynn had a ton of charisma. If you ever watched Happy Days, he was the Fonz. That’s all I could say. I’ve never met anybody like him….James Dean you know. He was a cool motherfucker – that’s all I could say. I’ve never saw him get turned down by one girl. He was like ‘I’m gonna pick up that chick…’ and he did.”

“As an artist, he was always writing. He always had his book with him and his pen. He’s a unique, badass rockstar.”

In 2000, a record called Strait Up was released, based on incomplete songs originally aimed to become their never completed second album. What was released were songs with guest vocals by a number of their peers from the scene at the time, including Serj Tankian of System of a Down, Lajon Witherspoon of Sevendust, Corey Taylor of Slipknot and Dez Fafara of Coal Chamber and Devildriver.

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While the record was well received at the time, Doling had different feelings about the release since then and was never in favor of including those tunes in the current set list.

“Not really. I produced that record and honestly, if I could do it again I wouldn’t do it. At the time I thought I was doing something cool for Lynn. It turned into some bullshit record company thing. I don’t know. I think it lost its focus. Yeah it was about Lynn and it’s cool but I don’t think it was a necessity. I think we vented on that and…I don’t know…I wouldn’t do it again if I had a chance. With all due respect to Lynn, of course, but it turned into something I didn’t want it to be,” he said.

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In terms of a much spoken about new Snot album, Doling admitted to writing new songs towards their upcoming second album. While material was written back in 2008 with then-vocalist Tommy Vext, he said those songs would not be included because they are not where the band stands today.

“We didn’t really attempt to write a record with Tommy. We just wanted to record a couple of songs. Those songs don’t count. We weren’t happy with those songs. I’m still not happy with those songs. Tommy did a great job but as the band Snot, I think we lost our identity at that point. I think we know where we’re at now.”

“I don’t think we didn’t know what we’re doing. Now I know. The record we’re going to write – it’s going to be funky, it’s going to be punk rock. I think we lost that edge when we tried to record before. We kind of got sucked into the whole, almost metalcore thing. I don’t know why we’re doing it [or] what was influencing us. We lost the recipe for what Snot does and we took a hard look at ourselves and know what we need to do now to sound like Snot.”

Aside from Snot, the various members of Snot had kept busy with various projects and Doling had kept himself busy also playing guitar with Belgian metallers Channel Zero and producing other bands.

“Producing records is going well. I just did a record with a band called Sunflower Dead. It’s getting really strong reviews. It’s getting a lot of radio play. I did the new Hemlock record. I’m getting ready to do a band from Japan called Gunship 666. I’m busy with that. That is fun. I love being in the studio.”

By Rei Nishimoto


Heart Of A Coward – Carcer City – Red Enemy: Live at The Fighting Cocks, Kingston (UK)


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“Welcome home” is the opening lyric of for Heart Of A Coward‘s monstrous new album (my pick for Album of the Year, by the way), Deliverance (Century Media). And it’s properly apt for tonight’s gig at The Fighting Cocks in Kingston. Seeing bands of tonight’s calibre in a space smaller than many toilets redefines the concept of an intimate gig. The close quarters with the bands coupled with virtually flawless sound have made this place my new favourite venue.

Starting tonight’s proceedings are a hardcore crew from Dublin by the name of Red Enemy, and very nice they are too. Space limitations in the open cupboard that passes for a stage exiled vocalist Kevin “Lefty” Letford to the pit, a state of affairs that can intimidate some frontmen, but this fellow was more than up to the task, spitting his venom directly into the faces of an eager crowd. Classic hardcore.

Next up was (for me) the surprise of the evening, a group of Scouse djentlemen going by the name of Carcer City. With a rare mix of endearing humility and huge sackfuls of charisma, these chaps delivered a headline-worthy set of precise, atmospheric and above all meaty djent metalcore played with delightful abandon. Comfortably one of the best support acts I’ve ever seen, these guys are ideal tour buddies for HOAC, being similar enough to sell to the same crowd, yet different enough to stand alongside rather than in the shadow. Their 2011 album – The Road Diaries – is available on their website for free. Get it, love it and buy merch.

Changeover consolidated the sense of intimacy, with band members threading back and forth through the crowd (backstage is effectively outside, and no space for a crew of roadies) that let them get about it, rather than hassling for selfies. This didn’t feel like a roomful of punters watching transcendent idols – it had the community spirit of a tight group of local bands playing in a room full of their mates.

All comparisons with “local bands” are off, however, once HOAC take the stage. Opening with a pitch-perfect rendition of ‘Hollow’, the headliners delivered a world-class performance that equals anything I’ve seen from the likes of Lamb of God, Devildriver, Machine Head or Killswitch et al.

Jamie Graham‘s vocals are absolutely (almost Randy Blythe levels of) brutal live. His growls are throatier than on record, losing no power through the course of the hour-long set, whilst his clean and semi-clean notes were on the money and lost none of their expression and impact. The frankly astonishing PA preserved more sound clarity of Carl & Steve‘s guitars than is decent, whilst Vishal‘s bass sound must’ve been felt in Surbiton. By rights, Chris‘ drums should have sounded like biscuit tins with the kit being in what’s effectively a sound box, but it seems The Fighting Cocks sourced their PA in Daigon Alley, as there was no sound engineering going on this evening – this was pure sonic sorcery.

A titanic Deliverance-heavy set (‘Turmoil’ I & II, ‘Anti-Life’, ‘Mouth of Madness’ and ‘Skeletal I’ all made an appearance) left an ecstatic crowd stunned, sweaty and in no doubt they’d seen one of the best gigs of their lives. It certainly was one of mine.

Go and see all three of these bands as soon and as often as possible.

 

WORDS BY PHILIP PAGE

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Brotherhood By Metal – Whitechapel


Whitechapel. Photo Credit: Kevin Estrada

Whitechapel. Photo Credit: Kevin Estrada

The past year saw a significant growth in demand for the members of Whitechapel, as touring behind their latest album Our Endless War helped them to become one of the fastest rising new faces in the extreme music scene.

They spent this past summer on the Rockstar Energy Drink Mayhem Festival, and just completed their second day of the tour. Band guitarist Zach Householder shared his thoughts on their performance.

“It’s the second day. It’s insane! We played here for Knotfest – it was just as crazy. Every time we’re here it’s absolutely nuts. It will probably be one of the best sets on the whole tour. I don’t want to be jinxing the tour, but it’ll be the ones that’ll stick out.”

Phil Bozeman of Whitechapel.

Phil Bozeman of Whitechapel, by Brent B Photos.

Their rise in popularity since the release of their latest album has taken them to new heights, including a co-headlining North American tour with Devildriver and an appearance on the Knotfest in 2014.

He shares his thoughts on his band’s success and what motivates audiences towards them.

“It’s weird because I wasn’t in the band in the very beginning. I took Brandon Cagle’s place and he’s actually doing sound for us now. He’s killer at that. I’m glad it worked out.“

“I was a fan to begin with when they were first coming out in Knoxville,” he said. “There’s something about it. You just knew something was gonna happen with this band. I was friends with many of them but I heard them and thought ‘this is just disgustingly heavy!’ I think it’s the weird alignment of the planets. It’s just something happened, something clicked, the vibe worked…the right time, the right place. What a lot of people don’t get with music, it doesn’t matter how technical you write shit. It matters how you feel about you feel about writing the music. You’ve got to have an image with the music that people can grasp onto. I think that’s what happened to Whitechapel. There’s something there to hang onto and can’t pull it out and say oh yeah…it’s there.”

Ben Harclerode of Whitechapel. Photo Credit: Kevin Estrada

Ben Harclerode of Whitechapel. Photo Credit: Kevin Estrada

Headlining the second stage also placed them further away from the main stage, as on the San Bernadino, CA stop had them atop of the lawn section and many attendees having to walk up a hill to the stage. Despite the minor dilemma, the show must go on.

“A little bit of a walk…whatever. Luckily everybody had no choice but to watch it, whether they wanted to or not,” he said.

Gabe Crisp of Whitechapel. Photo Credit: Brent B Photos

Gabe Crisp of Whitechapel. Photo Credit: Brent B Photos

This year marks the band’s third appearance on this fest and the band has shown their appreciation towards the promoters for bringing them back. “We did it in ’09 with Slayer and [Marilyn] Manson, and in 2012 with Slipknot and Slayer and obviously this year with Slayer headlining and King Diamond. King Diamond’s sick and Slayer is just awesome.”

Being that this is their third time on this tour, the familiarity behind the set up eases the tension of handling everyday business. He shared the benefits of being a veteran on this tour.

Zach Householder of Whitechapel. Photo Credit: Kevin Estrada

Zach Householder of Whitechapel. Photo Credit: Kevin Estrada

“The easier the more fun,” says Householder. “Obviously we partied a little more on our first Mayhem and the second one. We don’t party that much any more and we take it easy. I like the fact that we’re done kind of early and hang out. We can kick back and watch Slayer and King Diamond on the main stage. I think it gets easier for sure. Mayhem takes such good care of us. We’ve always supported this tour. We love it.”

Picking a set list is always a challenge as a band’s career advances, and including songs to please the crowd within the allotted time is something they have to deal with as well. But Householder explained the different factors that goes into choosing songs to perform each night.

“Honestly when an album comes out we experiment a lot of songs from that album and then we go by whatever goes over live and what translates well live. Even an outdoor festival versus an indoor clubs, some songs work better in a club opposed to outdoor festivals. We just know by now what we want when it comes to a set. We pick the bangers off the album and if the hits have different vibes, then we’ll pick and choose from it.”

Whitechapel album cover

Prior to this appearance, Whitechapel had experimented with an appearance on this tour’s sister festival tour, the Vans Warped Tour in 2010. While that audience leans less towards metal audiences, they still caught the attention of curious attendees and gave them a taste of music heavier than their usual playlist consisted of.

“We did Warped Tour once. The shows were killer but it’s a little more crowded than Mayhem is. You’re fighting for food and showers a little more. That was cool too,” he said.

Householder shared his thoughts of playing for non metal crowds like Warped Tour and how much those earlier years factored into their exploding popularity.

“I think it’s a double edged sword. Sometimes the non metal crowds are like ‘holy crap!’ Maybe they’ve never seen anything that heavy before. We all know how judgmental and harsh metal fans can be, so when we play especially on this Mayhem, there are a lot of judgmental eyes on us that have seen us before, but they’re not turning around and leaving, so that’s the good part.”

Following this tour, Whitechapel will begin working on a new album and Householder talked about where they stand on that at the present time.

“As soon as we get home, we will be. Like I said in the past interview, we’re always writing and sending riffs to each other. We’re sitting down and start writing for the next album when we get home, and we’re aiming to record in January.”

“I feel Our Endless War had such a cool vibe to it – a lot of melody and hooks in it. There are still death metal parts but it is not straight bombardment the whole time. You can breathe. I think we’re going to keep doing that. You have a little bit for sometime for everyone. Let the music breathe. Let it be heavy. We’re going to hang out and feel what we’re writing this time around, even more so last time. I think everybody’s heads are in the right place for it. I think it’s going to be, if anything, it won’t be off the wall but it will be even deeper or darker.”

Householder also gave an update on the forthcoming DVD, which has been delayed but is expected out before the end of 2015.

“The DVD is coming out. It’s taking a little longer. I’ve actually seen the whole DVD part of it and the bio part of it and the live show. It’s sick! It turned out great. Now we’re producing the physical copies.”

“Everybody’s upset about it either way I get it. It’s coming and I promise it will be out. I’ve seen it with my own eyes. It won’t let you down. Sorry for the wait on that.”

“We wanted to do this right. There are a lot of issues when it came to some people not having their shit together. I won’t name any names, but it wasn’t anyone in the band. That’s what put us in a scare but we worked it out. Early fall for sure.”

By Rei Nishimoto