Wovenwar- Wovenwar


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Wovenwar is a band that should not exist, but they do. I was excited to hear what the guys from As I Lay Dying were going to do next. They have a clean slate now and can go anywhere and with this album, and they did. Their new band are a blend of the heaviness that you know from them, plus an extremely melodic commercial side not really seen before. IF you were expecting Part 2 of their old band, look elsewhere.

 

Once again they guys teamed up with producer Bill Stevenson and mixed by Colin Richardson, who did the last AILD album. It’s another sonic juggernaut. This album is full of catchiness, it feels like any given song could be one of those radio hits from back in the day. From the opening track ‘All Rise’, singer Shane Blay of Oh, Sleeper fame, shows you that he’s a different voice than you’d expect to hear with these guys. He has a great vocal attack that fits perfect with this ‘Profane’ and ‘Sight of Shore’. There’s a few banging vocal sections spread over this album that just crush. Jordan Mancino’s drums are really solid here on ‘Tempest’. He has this great Meshuggah flavored ending that I just love. Bassist Josh Gilbert is heard playing effortlessly on everything. He just stands out, and when he gets to toss in his vocals on tracks like ‘Matter of Time’ and ‘Prophets’ it just adds so much more dimension to Shane’s sound. There’s some mighty fine solo work all through out thanks to the guitar team of Nick Hipa and Phil Sgrosso. ‘Death to Rights’ & ‘Ruined Ends’ show off some pretty bad ass riffs.

 

I think this record is a grower. A few spins, and it all sinks in. Except ‘Moving On’ that one gets stuck in the head from first listen. I don’t know if they were purposely trying to distance themselves from their past or just organically branching out. Either way it’s a solid record that I think could have been just a little more edgey.

 

8.0/10

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OMAR CORDY


Machine Head to Release Bloodstone and Diamonds This Fall


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In what has already been a banner year from Nuclear Blast Entertainment, the label has announced that Machine Head’s highly-anticipated new album will be called Bloodstone & Diamonds and release this fall. Produced by Robb Flynn and the band’s house co-producer Juan Urteaga, will be mixed by perennial MH cohort Colin Richardson (Carcass, Fear Factory, Slipknot,Behemoth, Devildriver). Additional tracking, editing, and mixing was done with heavy metal legend Andy Sneap (Exodus,Testament, Arch Enemy, Accept, Megadeth) and Steve Lagudi.

 

Heirs to the throne of Bay Area Thrash and arguably the best modern American metal band right now, Bloodstone & Diamonds is the follow-up to the commerical success of Unto The Locust (2011), and landmarks of modern metal The Blackening (2007) and Through The Ashes of Empires (2003). Flynn is the sole remaining founding member of the band he formed in 1992, after he left third-wave Bay Area thrash rebels Vio-lence, after early turns in the formation of Forbidden (then known as Forbidden Evil) and Defiance.

 

 

Never short on words, Robb Flynn comments:


“I cannot even begin to tell you how proud we are of this album,” comments frontman Robb Flynn. “It’s been a heck of a ride. It looked like it might not ever happen again at one point, but man, this album is a milestone for us. You’re going to love it HeadCases.”

 

“Without getting too philosophical on ya, bloodstone and diamonds represent two of the hardest materials on earth, it is also a lyric from the opening track of the album ‘Now We Die’. In many cultures the bloodstone has been used as an amulet to protect against evil, and is the symbol of justice. Diamonds and are hardest natural material on earth (which is how we feel about our music), and it also represents the diamond logo I drew 22 years ago (in my wife’s apartment on Dover St. in Oakland) that has become the symbol for the band.”

 

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Bloodstone & Diamonds track listing:

1. Now We Die
2. Killers & Kings
3. Ghosts Will Haunt My Bones
4. Night Of Long Knives
5. Sail Into The Black
6. Eyes Of The Dead
7. Beneath The Silt
8. In Comes The Flood
9. Damage Inside
10. Game Over
11. Imaginal Cells (instrumental)
12. Take Me Through The Fire

Adds Flynn:
“10 songs, an interlude, and an instrumental with an audio collage of spoken word snippets (think ‘Real Eyes, Realize, Real Lies’) by Dr. Bruce Lipton and Steve Bhaerman, taken from their (incredibly inspiring) audiobook Spontaneous Evolution.

“Guest musicians include 2 different string quartets featuring the original Quartet Rouge that appeared on our last album Unto The Locust. And a new all-male quartet which we featured on the song ‘In Comes The Flood’.”

 

“String arrangements for 2 of the songs ‘Now We Die’ and ‘Sail Into The Black’ came courtesy of myself and Rhys Fulber who has worked with everyone from Sarah McLachlan, to Fear Factory, and the string arrangement for ‘In Comes The Flood’ came courtesy of myself and ex-Worship and current-Bring Me The Horizon keyboardist Jordan Fish, who is a producer in his own right.”

 

“We worked with several artists to complete the 28 page (!) ‘standard’ CD booklet, as well as the 48 page (!) hardcover leather-bound Media-book that will serve as the special edition, including Rafal Wechterowicz, Marcelo Vasco, and long-time Machine Head art-collaborator Strephon Taylor. The theme was to have both CD and hardcover Mediabook look like an old Alchemy book from the 1800’s, with weathered edges, sepia toned pages, and magic / masonic / alchemy themed woodcarvings throughout.”

 

 

 

Bloodstone & Diamonds mediabook edition:

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Lyric Sheet Sample:

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Make sure to catch Machine Head on the road this fall with Children of Bodom, Epica, and Battlecross.

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