Workaholic Rockers – Wolf Hoffmman of Accept


 accept_-_album_cover_-_blind_rage_500px-72dpi

In Part 2 of Victoria Anderson’s interview with Wolf Hoffman of Accept, the legendary rocker discusses the bands first foray into making a live concert DVD, more details about the making of Blind Rage (Nuclear Blast), Wolf’s signature guitar, the challenges of touring and travel as a veteran band and detail about the next Accept album due n 2017. The band plays The Badlands Club, in Sioux Falls SD on March 3rd as part of their “Blind Rage World Tour”.

 

You are extremely busy because you have your very first live DVD and CD coming out. Why have you waited so long for Accept to put out a live DVD?

When we first started we didn’t want to come out with one right away. We felt we didn’t have enough new material. We didn’t want to do something where we had five new songs on the DVD and the rest of it is old material. We wanted to wait until we had at least two new albums under out belts, so that’s kind of what we did. For Blind Rage there is a bonus edition with a complete live DVD available. So we actually did release a complete live show. It was filmed in Chile two or three years ago and that is part of the bonus, deluxe packaging of Blind Rage. So it is available, but we’ve never really had a stand alone DVD of just DVD concert footage. That is correct. And we have something in the can that might be released later on this year. We’re actually looking at the material right now and waiting for it to be edited. Then we’ll see whether or not we like it enough so that it is going to get released. But, in all likelihood, yeah, something is going to happen here.”

Accept 02

Accept, photo by Susanne A. Maathuis

And then you have the documentary as well.

Yeah, that’s been a long on-going project that still might be going for a few years. It’s really a, not so much documentary that’s going to be filmed, it’s more of a holding pen for everybody who has memorabilia, or any footage, or live tapes from whatever time. We’re just collecting that and one day we will release something; a history of Accept. I don’t know, something. It’s just because people always send us stuff and we never really knew what to do with it. Well all have a certain amount of stuff individually, but we wanted one central location where all this gets collected for all eternity.”

 

Speaking of eternity, your first album came out way back in that mythical time of 1979. How has recording and playing changed in thirty odd years?

Well the technology has changed dramatically. The business, of course, has changed as we all know dramatically from the days of vinyl and cassettes and now it’s download and god knows what else next. But one thing really never has changed, the song writing aspect of it. It’s identical. A good song is still a good song. You can’t really ever change that with the technology. You can’t make that part any easier. The other part is the touring aspect is exactly like it was thirty years ago. You still have to go from A to B. You’re on a tour bus or on a plane. Set up your gear and play a show, just like you did back then. There are a few things that make life more easy but others get more difficult. Like traveling gets harder and harder. Air travel is not as much fun as it used to be.”

 

Really? Why is that?

It’s a hassle with all the security checks. You can’t do this. You can’t do that. The room on the plane gets smaller and smaller. They don’t allow you to take your gear. Just ten, fifteen years ago you could take road cases or anything on a plane. Now a days you can’t. It was a lot easier to ship gear around the world and take your instruments and all your stuff. Now it’s harder and harder with all the security threats. Touring doesn’t get any easier. But the core principal is exactly as it was thirty years ago. You want to entertain people. You want to have fun on stage. You want to put on a good show.”

Accept Blind Rage US tour 2016 ghostcultmag

Part of a good Accept show is your guitar playing. I read you have a signature guitar through Framus. This guitar has a carbon fiber finish. What made you go with a carbon fiber finish?

It’s just another cool idea that we worked on together. You know Framus is a German company. They not only make amazing instruments but they are really really good at finishing. The first one they made for me is reminiscent of a WWII bomber. It has an aluminum finish with rivets. It looks pretty authentic. They put one of those lady decals on there like the WWII bombers had. It’s mind blowing. It’s really really well done. This time around they just thought what else can we do. They came up with this idea to do a carbon fiber look. It looks amazing. You should see it up close. Way, way cool. So I’m very excited to work with Framus. They are the best guitar company I know.”

 

So when you aren’t doing music, and videos, and touring around the world, what do you do to occupy your time?

I don’t really have any free time. As shitty as it sounds, it’s actually true. We work on this stuff pretty much nonstop. I either work on this classical stuff or work on Accept’s new songs. Now we’re writing songs for the new album everyday when we’re are not touring. I don’t have time for any hobbies or anything. I’m a photographer. If I had to name something, I still do quite a bit of photography. Even that I don’t have that much time for any more.”

 

CHECKOUT PART 1 OF OUR INTERVIEW HERE:

 

VICTORIA ANDERSON

[amazon asin=B00KZMBK2&template=iframe image1]


Grand Masters – Wolf Hoffmman of Accept


Accept Blind Rage US tour 2016 ghostcultmag

I had the pleasure of sitting down with Wolf Hoffman, the guitar legend behind long running metal band Accept. After taking a sabbatical, they reemerged with three heavy hitting albums. The last of which was Blind Rage (Nuclear Blast) for which they are still on tour. The band starts a brief leg of US tour dates at the legendary Badlands Club, in Sioux Falls SD this week, on March 3rd.

Wolf, you are on part 5 of the Blind Rage tour. Why so many parts?

Just because that’s just how life goes sometimes. We came to an end just before Christmas and everybody took a little break. It’s sort of dictated by the world we live in I guess. Nobody really tours through Christmas. We surely didn’t, so we all went home and here we go again.”

 

Are you playing any cities for the first time this tour?

No, we did some dates when we first started the tour for Blind Rage about a year and a half ago we did a few shows in California and New York.”

 Wolf Hoffman of Accept, photo credit by Alan Hess

Wolf Hoffman of Accept, photo credit by Alan Hess

For you, what is the appeal of touring so much?

That’s what it’s all about at the end of the day, you know. You make records for people to enjoy them. But, at the end of the day you want to go out there and play those songs and get the experience of being in front of people. That’s really the end goal always you know. If you want to take this a step further, the record is just a necessary thing we have to do to make this happen. It’s just a means. It’s never the end goal to me, anyhow. Really, just make records to go on tour.”

 

Would you prefer being on tour all the time to making records?

No, that would be a little too extreme I think. There are artists that do that. They only make a record every, I don’t know, five or ten years. But that’s a little extreme. I enjoy making records; don’t get me wrong. It’s just at the end of the day the fun is always on the road.”

 

You are touring on Blind Rage but you also have a new solo album out this year. Tell us about that.

This has been in the works forever and ever. I’ve always been busy with Accept I always go into the studio for a week here or there for years and years that I’ve been working on this. It’s finally now over Christmas I had the time to put it all together and put it in the can, so to say, to get it out of my system. It’s a follow up album to one I did in 1987 where I took some classical pieces and metalled them up for guitar. I did the same thing again. This time I took well- known classical pieces and rearranged them completely for rock instruments. This time around I worked with an orchestra from Prague, the Czech Republic. That was an amazing experience just to go over there and work with these guys. It’s going to come out soon, late spring.”

accept_-_album_cover_-_blind_rage_500px-72dpi

How has writing and rearranging a classical album expanded your writing for Accept?

“I think it all helps. It’s actually quite mind blowing to see the details of what these grand masters from two hundred years ago what they’ve actually written. You see how timeless the melodies and pieces. They are so good, so well written. They are mind blowing. You think, hopefully a little bit of that rubs off on you. At the end of the day you can’t compete with that at all. I’m a metal guitar player doing my thing. It pales in comparison to what Beethoven or Mozart did before. But, I do it for fun because I love it. It’s a passion.”

 

Was the arranging and writing on your own easier or harder than the process writing with Peter (Baltes, Accept bass player)?

I was lucky enough to work with a guy from Italy. He’s a good friend. He plays piano. He’s really good at string arrangements. He and I pretty much work together like I work with Peter. Where the two of us sit in a room and we just hash out these ideas and bounce the ball back and forth. It was kind of similar in that respect. Only obviously the medium was way different because he was the guy writing all the string arrangements. I would just sort of tell him how I was hearing things in my mind and he was translating it to orchestra speak. To me it’s interesting to see how not so different it is even though it is a totally different medium. There’s an orchestra and nobody is singing obviously. And these are old time compositions but at the same time, a lot of times there are segments that sounds like Accept somehow just because of the guitars and drums and all that.”

 

VICTORIA ANDERSON

[amazon asin=B00KZMBK2A&template=iframe image1]


On The Road…. Accept


ACCEPT_-_Blind_Rage_2014_Poster_WEB_w420

 

Heavy Metal legends Accept are criss-crossing Europe on a huge headline tour. They are out on the road supporting their acclaimed, Andy Sneap produced Blind Rage (Nuclear Blast) and back to putting on the high energy performances that made them a major draw in the 1980s. In his review of Blind Rage, Ghost Cult’s Mat Davies opined that Accept have rarely sounded as fresh, vibrant or exciting. Well, not since they invited us to place our balls to the proverbial wall, anyway.” TJ Fowler (Fowler Photo/Skullbanger Media) caught their recent concert in Tampere, FI and provided us with these exciting photos of the big rock show.

web51

 

web48

web37

 

web22

 

[slideshow_deploy id=’9492′]

Accept on Facebook

Fowler Photo on Facebook


Accept – Blind Rage


accept_-_album_cover_-_blind_rage_500px-72dpi

They say that you can’t keep a good man down. In the case of German Heavy Metal outfit Accept, that should probably read “you can’t keep good men down”, as their latest record, the considerably more metal than you, Blind Rage (Nuclear Blast) ably proves.

Accept seem to have been going since Henry VIII was a toddler but these last few years have seen this teutonic power unit find themselves in what can only be described as something of a purple patch. The return of Mark Turnillo on lead vocals has doubtless helped because over the last couple of years, and on this latest record, Accept have rarely sounded as fresh, vibrant or exciting. Well, not since they invited us to place our balls to the proverbial wall, anyway.

Blind Rage is completely and utterly heavy metal. It is, in many ways, hugely traditional and charmingly so. The addition of Andy Sneap on some of the production duties might encourage you to think that they had gone all modern. Don’t believe a word of it. As he did with the spectacular revival of NWOBHM stalwarts Hell, Sneap’s work here is to give a sheen and a modern gloss to a song structure that is immediate, familiar and inviting.

Take the opening track ‘Stampede’, which arrives completely cocksure, carefree and ready to box your ears. Likewise, the gnarly title track which does that twin guitar part thing so beloved of metal bands and wherein our favourite Germanic cousins suggest that they are the last flag bearers for this thing called heavy metal. There are even lyric checks to “Sabbaths, black” “denim and leather” and “purple hazes” so you know exactly which side this team are backing. It is both fist pumping and grin inducing. As this is Accept, there are riffs and solos aplenty and you really cannot go far wrong with the surprisingly catchy ‘Bloodbath Mastermind’ nor the infectious ‘The Ashes’.

Given that this is unreconstructed heavy metal, you don’t get any breakdowns, rap middle-eights or anything approaching a complex time signature. These absences are, of course, entirely in the record’s favour as it is packed, sardine-like, with heavy tune after heavy tune. It is defiant, melodious and full of the lyrical flourishes that heavy metal fans know and love- falls of empires, battles for freedom and being hell bent on destruction.

Blind Rage is an enjoyable romp of an album. It won’t be winning any awards but it’s more than just a “will this do?” contractual sojourn. It might not boil the heavy metal ocean,  but it probably deserves to at least turn on the kettle. Ausgezeichnet, as they might say in Germany.

 

7.5/10

Accept on Facebook

 

MAT DAVIES