Sonic Syndicate – Sonic Syndicate


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Firmly embedded in the melodic metal camp rubbing shoulders with the likes of All That Remains and Soilwork, Sonic Syndicate have built a career banging out derivative pap which callously lifts ideas from the leading lights of the genre. Opener ‘Day Of The Dead’ sum’s this up perfectly with its overly familiar heavy verse/melodic chorus approach. It’s that tried and tested “scream for the guys, sing for the girls” mantra which has allowed so much dross to masquerade as decent metal in the post-Killswitch Engage era.

 

Previous platter, 2010’s shambolic We Rule The Night was a step too far for many fans, abandoning the heavier elements for soulless sounds drenched in synthesisers and bad Nu Metal riffs. This fifth opus shows the Swedes trying desperately to claw back some credibility but they do so by aping their influences in so earnest a manner. Sonic Syndicate (Nuclear Blast) is at once a highly calculated release which is delivered in a lackadaisical “will this do?” fashion. 

“I crave you but I fuckin’ hate you too” Nathan J. Biggs whines insincerely on the sickly sweet opener. Harking back to the “woe is me” self-pitying crap that should be left back in the 90s, such trite lyrics make Biggs sound like a frustrated school boy and only further diminish the quality of the songwriting.

 

An exception to this rule is ‘Before You Finally Break’ which greatly benefits from the appearance of Soilwork front man Björn “Speed” Strid although you have to wonder if he was tricked into thinking he was contributing to a session for his own band considering how much SS take from Strid’s crew.

 

Even more unpalatable is semi-ballad ‘So Addicted’, a dull as ditch-water slice of radio metal which begs to be accepted when a good clean headshot would put this lame duck out of its misery.

 

Failing miserably to recapture the aggression of their earlier works Sonic Syndicate is a cynical album full of weak, saccharine radio-rock which they attempt to bolster with generic Metalcore breakdowns and harsh vocals and is a deeply unsatisfying listening experience which will quickly be forgotten.

 

3.0/10.0

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ROSS BAKER

 


Endast – Thrive


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For me, Montreal Canada’s Endast came out of nowhere. With their third release Thrive, it’s clear they know what they’re doing. With the assistance of Bjorn Strid of Soilwork and Jon Howard of Threat Signal co-producing, this is a sonic powerhouse of Canadian metal.

 

Bassist Ryan Miller’s tone is infectious all throughout this recording. He shines heavily on the first of two instrumentals ‘Letting Go’ and ‘No Fate But What We Make’. The guitar team of Pepe Poliguin and Chris Arsenian deliver the most haunted instrumentals I’ve heard in a while. Its just nice and creepy, it’s perfect. You can hear them feed off each other on ‘Suck It Up’ and ‘Your Best Stories Are Victories’.

 

James Arsenian’s blue-collar lyrics are very relatable and he’s easily understood. He has a more hardcore style approach to his vocals that fits great with the music. Bjorn also lends his pipes to the groove filled ‘Oceans of Regrets’. Drummer Steve Harlall does a masterful job on this album. No overplaying here, he just has this nice little moments of drummy goodness sprinkled over songs like ‘Brotherhood’ and ‘Breath the Bullet In’.

I don’t know whats in the water in Canada but keep on drinking it! They don’t really sound like anyone. They are their own animal that deserves to be heard.

 

7/10

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OMAR CORDY