Originally envisioned as a one man project, and brought to life by a team of who’s who names in black metal, (Nocturno Culto, Steinar Gundersen, Cyrus, Sarke, Asgeir Mickelson, Anders Hunstad) Sarke formed in 2009. After a series of increasingly impressive album, the band has delivered their magnum opus in Aruagint (Metal Blade/Indie Recordings). Ghost Cult scribe Caitlin Smith caught up with mastermind Thomas Bergli, a.k.a.Sarke himself, to discuss the new album, the evolution of the group into a full band and much more.
You’ve got a very different sound. Can you take us through some of the inspirations on the album?
We do our own thing always. That’s why its difficult to compare us to other bands. I am inspired by a lot of bands from black,death,speed and doom metal to rock. I am also inspired by paintings and dark lyrics.
What is the meaning behind the name Aruagint?
Aruagint is a self-made word and for me it means a pathway, door, gate into a darker place.
Are there any lyrical themes running through this album?
No, its a different story to each text. In the lyrics we deal with dark fantasy, horror, crazy people and fiction.
The cover art is really minimalistic, but at the same time haunting. Can you tell us a little about it?
All covers we have are very basic. Pure and raw. I like the new cover and layout. Asgeir deals with all the layout and he found a creative soul that has done the drawing for this album.
Did you have a set idea musically for this album or is it something that evolved naturally between all the band members?
We all make the songs by ourselves. For this new album, I did eight and Asgeir one. Asgeir has been in total control over his own songs. My idea was to go back to the first album again, but also to keep the best from the second album. Try to keep the Sarke style, but also to evolve and be better in everything.
You say that Aruagint is recorded in an ‘old fashioned way.’ Can you tell us a little about this?
We use a lot of old guitars, amps, boxes from the 70s and even the 60s. We don’t copy riffs or use trigger on the drums and stuff like that. I want the sound and feeling like you are at a Sarke rehearsal. For me if things are to perfect it can be a bit boring. Maybe hard for some people to understand that, but that’s the way I feel.
Sarke also started out as a one-man project. Why did you decide to bring other members in on the project? We have had two albums and you have started playing live shows since then. What made you change your mind?
My first idea was just to record a solo album. The album did well and both people and the record company was asking for live shows. I agreed and had to put a live line-up together. After some shows the record company wanted me to release a new album. I didn’t want a new solo album, so I used my live line-up to be a band, so we could record the new album as a band. That also worked out good, so now we have a third album out.
So many members of the band have been in pioneering bands previously, and you have obviously tried to create something different with this album. Some people say that the metal scene has never been more stagnant. What is your opinion on this?
I always have my own vision how I want the music to sound. I never try to copy the sound of other bands. With Sarke we always do our own thing and own sound. It’s not many bands that sounds like Sarke. I don’t know if the scene has stagnated or not, I don’t follow the scene that much to have an opinion.
Caitlin Smith