Logan Mader of Once Human Shares Where Motivation Comes From


once human live

Within a band in modern times, musicians often maintain a larger role than originally expected. Logan Mader discovered this upon forming his latest musical venture Once Human, and aside from being the band’s guitarist and songwriter, he wears many other hats than the ones just mentioned, and explains about where his motivation comes from.

I’ve been juggling my workload, as a freelance producer and writer – you kind of have to multitask a lot. I’m also managing the band Starset. That also takes up a lot of time as well. They’re quite busy. I just make it work. I don’t sleep. I’ve had to shift my schedule around a bit to make some time for Once Human. Even still, I’m producing albums and before we go on tour I’ll be producing this record during the day and then rehearing at night, in between hanging out with my kids a little bit and go to the gym.

I’m managing the band Starset and I can do that from anywhere as long as I have internet connection and a phone. I’m managing Once Human as well. I have a partner and his name is Steve Hutton from Uppercut Management. He and I are partners on the band Starset and Once Human.

Being someone unafraid of new challenges, Mader took on the role of producing the band’s debut music video. He discovered that he thrives on working under pressure and finds a way to turn that into a positive.

It’s a little overwhelming I’ve gotta tell you at some point and I helped produce our music video (‘You Cunt’). I’ve never done that before. I’m taking on a lot of workload and day to day interaction. It’s challenging and there’s a lot of prepping involved. I like the challenge and I usually work good under pressure.

Sometimes I want to run away from it all but I never do. I always chip away and make it happen.

once human you cunt video shoot

He explained what Once Human is all about and his reasons after bowing out of the touring life for the past 12 years and entering the studio world to returning to a world he once was a part of.

Once Human is my rude awakening as an artist for me. It involves little bits of everything that I’ve learned throughout my experiences from the beginning. I’ve been doing music for 20 years and that’s all I’ve done. I’m wearing a lot of hats but not just a guitar player but a producer and manager. It’s a pure passion project that I feel inspired about it as I did when I first started playing in Machine Head. There’s something real here. I’m really excited about this. We’re gonna go with this and the fact that I can do it all, I can do this as well. I don’t have to just be behind the scenes in the studio. I can do this as well because I miss it. I like adrenaline and there’s only one way to get that is to do it.

I’ve tried other things like I do extreme off shore sport fishing. That’s when I have time. That’s a big adrenaline rush to catch a big 100 pound tuna. I get a similar type of rush from that. I play in poker tournaments and I get that adrenaline rush out of that. There’s nothing like playing at Dynamo Open Air Festival in 1995 in front of 110,000 people. Nothing can beat that, but it doesn’t even have to be 110,000 people. It could be 100 people. It could be 500 people. It could be whatever. That’s something I really love and makes life better to experience those things.

Photo Credit: Lauren Cohen

Photo Credit: Lauren Cohen

The band just completed their debut US tour supporting Fear Factory and completed their first ever live shows during this tour. Despite never playing a live show together as a band, Mader understood what he was getting himself into and was up for the challenge.

Well for me it’s fine because I’ve played over 700 shows in my life. For me as an individual, I’m ready to go. I know how to ride the bike. As a manager, I know real talent when I see it. I put together a band that could do this. These are people who are able to do what we need to do. We’re ready to go. Give it a little time. Any new band has to play a couple of shows before that real magical chemistry starts to naturally occur and build. Any band has to go through that, whether we play a local show or a couple of tours. It will develop in a live setting on a live setting over a natural course of time. But I know the foundation of raw talent is here. I’m confident about the fact we haven’t played a show yet and we’ve booked our first tour and we’re going to start touring in roughly a month from now. Especially the way we rehearse – we rehearse as if we’re performing. We’re pretty much rocking out in our practice room, like we would on stage.

I know it’s like the difference of a flight simulator and actually flying a plane. It’s about exactly the same but you can see that the energy and the live and the ability to do it live for real.

We just did our first video for the song ‘You Cunt.’ My singer Lauren [Hart] wrote the video and directed it. We’re really happy with the way it came out. It looks amazing. It’s a great story and narrative, and good acting in it and cool live performance. I think it turned out real good, considering for the budget what most people work with for a music video these days. The budgets are so small you’ve got to be resourceful and creative.

On the subject of touring, he spoke about the possibilities of doing seminars on recording, and already had ideas brewing within his head about the subject.

It’s funny you say that because I’m thinking about starting to think about doing some workshops for production, songwriting, recording, and editing. I’m working with Blasko. He’s producer managing me now. We just started it. He thought it was a cool idea.

once human lauren hart

Lastly, he shared a story about going fishing with Devil You Know (and former Killswitch Engage) vocalist Howard Jones. The two shared a love of sport fishing and ventured out together to fish. Mader explains from there:

I didn’t introduce him to fishing. When I was producing the first Devil You Know album, I looked at his laptop when we were writing lyrics. He had a picture of him holding a big fish. I asked him ‘do you fish?’ He said ‘fuck yeah I fish.’ I was like ‘Me too.’ We bonded on the sport fishing thing.

When we finished the recording I took him out on an overnight fishing trip in Mexican waters on my friend’s boat. It was a fun trip. First thing we know I overrun a 100 pound Blue Fin Tuna, a really good sized tuna. The conditions were bad. We were fighting the fish for over two hours. It wasn’t just me. I was handing it off because I wasn’t able to get it and it was kicking our asses so bad because we had a lighter rig and the fish was too big for the rig so we had to release it or the line would break.

It was kicking our ass for two hours so Howard broke the bad line. We were like ‘here you want to pull on the line for a little while?’ He was like ‘sure OK’ and then grabs the line and then within ten seconds the fish broke off and it got away. We felt bad. We were devastated. It wasn’t his fault. He felt bad about that one.

Later on that day we caught some other fish so it was all good. It was an epic battle and we will never forget that one.

By Rei Nishimoto


Bad Seed Rising On Touring


bad seed rising 2

For a brand new band on the music scene like Bad Seed Rising, they are getting a crash course on the music business and how things work. Despite their young ages (14 to 18 years of age), one area they have been building up experience is in the live arena, where they have landed shows and tours along the way.

Frontwoman Francheska Pastor shared her experiences so far:

I think we’ve done five solid tours now. We went out on a bunch of the Halestorm and Daughtry dates, and then we did a school tour where we went to a bunch of high schools to play there. Most of these are up and down the East Coast. The next one that we did was at this Camplify Tour at this camp. Then we went on tour with Saliva and Pop Evil. Then most recently we were on tour with RED and Adelita’s Way, and we won over the hearts of Adelita’s Way so they brought us on tour with them just a few weeks ago. Adelita’s Way are the greatest dudes ever. They’re awesome to chill with and they’re awesome.

Pastor talked about how one of their tour runs came from a band discovered them off of their song on the Spy movie. Apparently Bad Seed Rising is drawing attention in multiple ways and the movie has become one of the newest ways they have attracted new fans.

Photo Credit: Caithlyn Willard (via Facebook)

Photo Credit: Caithlyn Willard (via Facebook)

We have a show with Issues and Pvris. Pvris is like up and coming and they’re crazy good. We got onto that bill. They’re doing a hometown show in Atlanta, GA and we’re excited to play that. Tyler Carter found out about us through the movie called Spy. He saw the end credits of the movie and found out who we were and he added us to all of his social media and was like ‘oh my god…I love you guys!’

He eventually Facetimed me at 4 am in the morning and convinced me to have the band drive to the East Coast Music Conference Awards and he didn’t have to do a lot of convincing. He just had to tell me if it was possible or not to have the band drive to go there. It was also along the way on our tour with Adelita’s Way. It was awesome. All of the people that I listen to and we listen to in one setting and it’s very overwhelming. There’s so many idols in one area.

Photo Credit: Caitlin Willard (via Facebook)

Photo Credit: Caitlin Willard (via Facebook)

One event Pastor and her band have set their eyes on is the annual Vans Warped Tour, which is an event many touring artists have received their starts over the years. Despite some of the negative press indirectly received over the past year, she was hoping Bad Seed Rising could take part in 2016.

Oh definitely. It’s been a dream of ours to play Warped Tour. We’re terrified because Kevin Lyman…we saw the statement how he wants to an age limit on the people who are playing on the tour. I don’t think it’s going to happen but I just pray to god it’s not going to.

She had also shared her thoughts on the briefly debated (but since squashed) issue about an age limit on the participants on the Warped Tour. Being the members being under 21, she shared her thoughts on the matter.

I think if he were to do that, he’s eliminating the wrong people. Honestly they’re so innocent. We wouldn’t cause trouble like all of these older bands have caused in the past. Warped Tour (2015) was just a complete drama fest and it’s funny because it’s not even the younger people that are initiating these problems.

By Rei Nishimoto


Logan Mader of Once Human Talks Building New Band In 2015


 

once human 2

Logan Mader has faced many challenges over his two decade plus career in music. Whether it was coming up the ranks with a much talked then new bands like Machine Head or Soulfly, or his many studio production projects, he has found his way around each situation and helped shape their sound into what is now heard publicly.

Within his latest project Once Human, he began collaborating with Australian frontwoman Lauren Hart and began creating songs that is now heard on their debut album The Life I Remember.

Photo Credit: Lauren Cohen

Photo Credit: Lauren Cohen

He spoke about the creative process behind the album, and how he managed to write and record songs while he still maintains a busy schedule in the studio at the same time.

It’s happened real fast. We initially had three songs over the course of two months. It was done sporadically. It was in between jobs I was doing. I would get together and write with Lauren. We did actually four songs over a short period of time in May/June 2014, and then I shopped it in the summer time. I got this demo together and put a band together and shopped it to seven record labels. Six of them passed on it and one said yes and they believed in me. They were getting it,” he explained.

once human the life i remember

He bucked the trend of joining the stereotypical supergroup model for collaborating with younger, hungrier musicians who are driven to find success. Considering the circumstances behind maintaining a new band, he likes the potential he is working with in Once Human.

It’s a real brand new band in that respect. These guys are doing it for the first time. There’s something special about that because I got to do that for the first time with my first band Machine Head. It was huge and amazing. That inertia, inspiration, dedication, and willingness to get out there and do it for passion…and passion is first.

I would get a bunch of guys that were more experienced and older. It’s not as easy to hold it together. At that point they have other bands and other responsibilities. They’re just hungry and ready to get in a RV and tour. It feels good. I want that around me. It’s a new experience for me too.

once human logan mader red metal photography

While he is no stranger to shopping various musical projects to recording labels over the years, he quickly learned the realities of getting a new band signed and where he needed to be in order to make it happen. Even a guy as connected as Mader found various roadblocks along the way, and things became tougher than expected.

After a while there was a lot of rejection. I was quite discouraged actually. I did shop it prematurely. Normally a band in 2015 can’t just make a demo and shop it and think you’re going to get a record deal, even if you have history and reputation like I do. It’s not easy to make that happen. Your band has to grind it out for two years and play shows in their local scene and then try to get on some tours and have to have social media numbers and an existing fan base and a story. We had nothing. No announcement of the project and no social media. We had never played a show. We just had the music and my name and this amazing frontwoman on it. So I can’t blame them.

Monte [Conner] wanted to sign it actually. He liked it but his bosses at Nuclear Blast in Germany didn’t want to do it. So he was the first person I got it to. I have a lot of history with Monte as well, and Nuclear Blast is a great label. I’d like to be on that label.

For the rest of the labels, the main thing I got was that it didn’t really fit into any kind of currently trending subgenre of metal. You can’t put your finger on what it is. I think it is pure metal. It’s heavy as fuck. It is whatever it is. It is what we were feeling at the time or feeling right now, like being the guitar player, our collaborative energy as a creative team – it’s our souls. It’s real and we feel it. It’s a passion project. I don’t think anyone’s gonna get rich off of it but I feel really fulfilled creatively about it and I’m happy playing it.

once human

He eventually found a home for Once Human in EAR Music, and Mader talked about their new home.

EAR Music in Germany – it’s Edel Music Group which is a pretty big European label and they have good info structure for distribution and with a team of marketing. The guy who runs it used to work at Roadrunner in Italy when I was signed to Roadrunner in Machine Head many years ago. He took a chance on this thinking and believing something good will come out of this. I think he was right. Once we got the green light for the record deal, then he put the pedal to the metal and started writing the rest of the album. The first five songs on the album were all written after the deal offer came. A few of the songs were…I feel like really were starting to find our groove and our sound, and started to define our own identity more so than on our first couple of songs that we wrote.

By Rei Nishimoto


Metal Revisited – Logan Mader of Once Human


Once Human Band 2015

Logan Mader is a man on a mission when it comes to his music. Best known as the original Machine Head and Medication guitarist, as well as a stint with Soulfly, he has now moved away from his recent day job as producer and engineer, and back on the stage with his latest band Once Human.

They have released their debut album The Life I Remember (out now via EAR Music), and Mader talked about how he was originally introduced to his now vocalist Lauren Hart as a potential production deal. He explained how he got involved in the project.

once human live

It started off as a production deal with Lauren [Hart]. Monte Conner [former Roadrunner Records and current Nuclear Blast Entertainment A & R] referred her to me as a possible production deal with this girl and helping her build a band. I’ve done that before and I’ve had a bit of success. I have a passion for developing new talent and turning it into something real intangible. I got a couple of bands signed and in my production deal process I’ve been doing that. Monte signed one of my bands that I did so I was the first person he thought of when he got Lauren.

I thought it was interesting. I took a meeting with her and she started talking about her musical influences and the kind of music she wants to do, and it was really heavy. She was coming from a black metal background. As a fan of music, it’s like Dimmu [Borgir], older Opeth…Dimmu is her favorite band.

once human live 2

Once Human was chosen as their band moniker based on lyrics about their views on society and their outlook on where it is heading. Add this on top of their already extreme modern metal sound, the band has a message that is quite direct and not sugar coated.

It’s a real reflection of humanity in general, that we were all once human and all got lost. We just lost our way as humans. I could see it everywhere. I see it in the social and economic systems and religion is all broken. It’s all fallen apart. I think it’s all about to break. Something’s got to change. That’s where the name comes from.

Within our lyrical content, lyrics are quite relevant. Observations about the way we live and the way we see things,” he explained.

once human lauren hart

Having credits on a wide array of recordings ranging from Cavalera Conspiracy to Gojira to Five Finger Death Punch, he is far too familiar with the realities of the politics behind creating music. Leaving that aside, he was enamored with the fact that Once Human was real metal and far removed from the commercial accessibilities he was used to working with.

I thought that was refreshing too because it was something that didn’t think about dollar signs or radio or being commercial. It was like real metal. It started to wake up my inner metal guy that had been kind of sleeping for so long. I hadn’t really been playing guitar unless I have to. I’ve been producing and mixing. It felt like it had that original spark that made me start playing music when I was a kid.

once human logan mader

Prior to being involved in Once Human, he was asked to play guitar in a solo project of Ivan Moody of Five Finger Death Punch. While this got him interested, the realities of Moody being busy with his main band made this idea short lived.

Another thing is that recently before that, Ivan Moody from Five Finger Death Punch approached me at the Golden God Awards in 2013. Out of nowhere he said ‘what’s up man! I want to start a side project and I want you to play guitar and be one of my writers.’ I was like…really? You have time for that? He’s like ‘yeah I wanna do it.’,“ he said.

I hadn’t thought about playing for years before that moment, and I thought about it for a couple of days. Then I was like ‘I want to do that.’ I wrote a couple of songs and we were going back and forth through email about the project about some music. But when it came down to actually scheduling the recording to make the demos that we did, he just didn’t have time. He was in the middle of a double album touring cycle and every time he would have a short break, something would come up with his family or logistically it wouldn’t work out. So we got to the point where we’re all like it’s not the right time to do this right now. We both wanted to do it. He probably still wants to do side projects but it’s not realistic with his schedule with Five Finger [Death Punch] because it would always take the back seat to Five Finger.

There I was with my guitar in my hands, standing alone, a little bit disappointed but I ended up that I could play again. I wanted to play again so it’s almost like I had blue balls. I was ready to go but no…just stop. Then Lauren came along…and I don’t have it any more!,” said Mader, with a chuckle.

Photo Credit: Keysie Raffucci

Photo Credit: Keysie Raffucci

Once he began collaborating with Hart, they began writing together and seeing how their chemistry meshed. He discovered early on that the magic sparked and this band would be something special.

The first song on our album “Time of the Disease” – that’s the first song we wrote together. By the time we were in the middle of the second song, I decided that the music was something I was really passionate about and I didn’t want to just build a band for someone else and set it free. I saw more out of it and I wanted to be part of it.

The band arranged to take a different path and we were still being experimental about what our sound is. The freedom was always there. We’re not worried about making radio songs. We’re not worried about sounding like anyone else. Just be passionate and be expressive and be the musicians that we are and feel it.

once human the life i remember

Unlike many meetings where the artist comes in with rough versions of songs, Mader said all of the songs heard on the album were written together. Taking her ideas and combining it with his musical ideas, they created sounds that eventually shaped Once Human into what it now known as The Life I Remember.

None of it. We wrote all of this together – 50/50,” he explained. “It was all from scratch. It’s the result of our creative chemistries combined. It’s not like she came in with a demo and I came in with songs that I had written before. We started from the ground up.

She’s really into orchestral music and she plays piano and guitar. She’s gone through most of her life hearing symphonies in her head – like all the time and she never had a way to let it out. When you hear the orchestral arrangements in the compositions from the intro of the album “Trail of Tears,” that’s something she’s had in her head for years. Working with me, we were able to lay it down and record it.

That’s where some of the orchestral elements within our music and certainly it’s been done before and in black metal a lot, as well as a lot of different kinds of music. I was excited to not have boundaries about what kind of additional production we can add into our metal to make it cooler, cinematic, darker, and epic. I’ve had some experience doing orchestral elements within visual media music. I worked on Metal Gear: Rising the video game. I did music for that. I’ve done a bunch of movie trailers where I do organizing orchestral elements with rock and with metal. I scored a couple of movies.

Over the years after my Machine Head and Soulfly days, part of my studio and creative development was about working with different mediums like orchestral elements and electronica and industrial and metal. Using those elements in Once Human came naturally and it felt right.

once human video

Aside from Mader and Hart, Once Human features bassist Damien Rainaud and drummer Ralph Alexander, who played on the record. Since the record, the band did some lineup shuffling, which Mader had praises for all of the people who took part on the album and are incoming for the tour.

They were not involved in the writing. Damien Rainaud wrote one riff. He was around since he was in the project, but all of the writing was handled by Lauren and I. Damien wrote some stuff, submitted it and a lot of it was pretty cool but didn’t make it except for this one. He did have this one awesome riff on ‘Ground Zero.’

Ralph is this drummer I know from around LA, and one of my favorite drummers. He played on the record but we announced that he’s not going to be available for touring. I have a new drummer now. He’s on board to do this now. He’s performing in our music video and he’s going to be on our tour. His name is Dillon Trollope and he’s amazing. He’s a sick drummer and he gets off.

I also added another guitar player. I wanted to have two guitar players. We didn’t need another guitar player when we were writing the album. I did want some sick six string solos so I hired Bill Hudson to do them. He’s a great guitar player and I’ve worked with him on some projects. He’s really talented and he’s a sick shredder guy. He did some solos. I did half of the guitar solos and Bill does half of them on our album. If you read the credits, you’ll see which ones he did. But he’s one of those guys who’s in 20 different bands and he can’t commit to one because he goes on whatever band’s tour will pay him. That’s his sole source of income is playing guitar. He couldn’t commit to a baby band like ours because he doesn’t have an income at the moment. We’re just waiting to go out there and develop.

I got a guitar player who’s in the band now and his name is Skyler Howren. He went to MI on a scholarship. He got the Synster Gates Scholarship through Musicians Institute and he finished that. He was looking for a band to play in so he auditioned and played all of Bill Hudson’s solos and he’s killing it. He’s really good.

Mader thought with the new members the lineup is set for now, and looks forward to what is to come for the band.

I think the lineup is really solid. The lineup won’t change but you never know what happens in the future. As far as the creative force, it’s Lauren and I, and that’s the foundation of it. That’s the part that probably won’t change.

Damien is a good friend of mine and he’s happy to be playing in this band. He moved here from France to try to get in a band and also to work in my studio. He’s an engineer and my assistant. He’s a pretty good engineer and works on a lot of stuff. He worked on the new Fear Factory album. He just mixed a live DVD for Dragonforce. He’s working with 9Electric. He’s starting to get some good jobs as a mixer.

By Rei Nishimoto


Bill Ward Speaks About Accountable Beasts and Drumming


bill ward pic

Veteran drummer Bill Ward has been a man on a mission when it comes to creating music. Best known for his time in Black Sabbath, his iconic playing style has become a part of many musicians and fans’ lives over the years, and has helped shape the way future generations of players look at how they play.

He has released his long awaited solo album Accountable Beasts, his first solo album since his 1997 album When The Bough Breaks. While “Straws” was originally released as a single for charity in 2002, the rest of Accountable Beasts was written over a period of years until its recent release.

Our record that’s out right now Accountable Beasts, we actually started work on that about six years ago and then as it is in my life, when I make a record, it’s kind of off and on and we wait for production funds and then we move forward a little bit. Then we have some other things came up when I went away to try to work with Black Sabbath for a while and that didn’t work out. So there have been different things going on,“ he explained.

Spending time to write music is something Ward does regularly and he has been constantly working on his own music, whether it were his solo material or with other people. He shared how his working process towards writing music, and his mind frame towards different themes he incorporates into his songs.

bill ward accountable beasts

Normally I write every day. It’s just a process. I’ll sit down at the keyboards and I’ll see if anything’s going on inside. Sometimes we don’t get anything, sometimes we get something. So it’s normal for me to touch the keyboards every day. Sometimes I don’t but most of the time I do. I’ve been doing that for years and years and years. Way back in the days of Black Sabbath, after we would finish recording something, I’d go back home and I would get on my keyboards and write things and do things and write riffs and all kinds of things. That’s been going on for a long time.

bill ward ward one along the way

The music that’s come out – the first record came out in ’87 I think (1990’s Ward One: Along The Way). Four or five years after I got sober, we put the first record out. It seemed to be the most natural thing to do. I definitely like to stretch my wings. I definitely like to create. There are a lot of things I like to indulge in. I still like my hard music. I still like things that will fight some things. Sometimes I’ll write politically and sometimes I’ll write things that are very controversial. I’m ok doing that. I say things if I think it needed to be said or if I feel strongly about something. It’s something I have to do. It’s a natural development for me to be a vice as well as being a pessimist.

bill ward when the bough breaks

He admitted that the writing and recording process behind Accountable Beasts took much longer than expected, due to various factors. But he also learned to adapt towards newer recording and mixing techniques that has appeared in recent times.

[With] Accountable Beasts, we started I think about six or seven years ago. It might have longer than that actually. We had some stops and starts. One of the biggest things that slowed the whole process down was the fact that we first recorded Accountable Beasts, we were still using tape. So we had to blast everything to digital, and then when we got to digital, we were still working off of loud speakers in the studio. By the time we actually finished making Accountable Beasts, we advanced so much sonically that I did the final nine months on earbuds! Just like the same ones you would listen on your iPhone. I actually did a mix on earbuds. So what you’re hearing went to my ears first on a set of $20 earbuds. Can you believe that? It didn’t kill me. I was screaming blue murder!

There’s so much new stuff now sonically that we had to keep up with everything. So we actually brought about a lot of changes, and we have to do that with some of our other earlier stuff, which we haven’t yet released, but we have multiple other songs that are recorded. We’re going to have to do the same process and eventually come through an earbud mix, which I’m not really looking forward to, but we’ll do it. It’s something that you have to do now. As far as I’m concerned, if you want to get the sound so it sounds as you can get it so please can listen to it on earbuds.

Photo Credit: Christopher Wagner

Photo Credit: Christopher Wagner

One aspect on Accountable Beasts that gets little attention is Ward’s vocal abilities shine through, aside from his drumming. While he is better known for his drumming, singing came natural to him as he was no stranger to getting on the microphone and singing away these songs he had written.

I love singing. I started in the school choir…or the church choir when I was a child, so I’ve been singing all the way through my life. So it’s something that comes naturally to me. I just enjoy writing and I enjoy being a songwriter and I enjoy singing. I wanted to be in a band where I could not only play a little bit of drums but also where I could play some keyboards and definitely sing. I’d like to be in a band like that. So I created BWB (Bill Ward Band) so I could also get into the songs I have written. It’s really helped and actually for a long time.

Photo Credit: Christopher Wagner (via Facebook)

Photo Credit: Christopher Wagner (via Facebook)

While Accountable Beasts is still a relatively new release and the public is getting better acquainted with it, Ward is moving ahead to release more music. Despite not revealing the band moniker, he spoke about a rock trio he is working on with guitarist Joe Amodea and bassist Nick Diltz (also of All Hail The Yeti).

I also have a trio – a rock trio. I formed a rock trio in 2013. I got the idea in 2012. I can’t tell you the name of it and I apologize profusely because just yesterday we finished this record. I’m playing drums. I do minute vocals. I do backing vocals, but I’ve got two great singers in the band – bass guitar and lead guitar. We’ve got a powerful trio. I have a life as a drummer. I need to exist as a drummer in a band. So I created the trio so I can go ahead and play wherever I can in the world and still perform as a drummer.

I just don’t roll over because somebody said I couldn’t play any more. I couldn’t believe some of the statements about me – ‘Bill can’t play any more’ or whatever. That’s simply not the truth. That’s just what somebody said but in my life or my reality I haven’t stopped playing. I continue to play, so I formed a trio. You’ll probably be hearing about that relatively soon.

Photo Credit: Christopher Wagner (via Facebook)

Photo Credit: Christopher Wagner (via Facebook)

While on the subject of new music by Ward, he also revealed that he has another solo album completed. Prior to this release, he was working on another album titled Beyond Aston, which he put aside after working on it for an extended period of time. Once he released his current album, he returned to completing what he began with what is now the forthcoming album.

At the same time today, I spoke to my producer who’s working on an album called Beyond Aston and that’s a BWB (Bill Ward Band) album. That’s 13 songs on that album, and we’re in the final mixes of that. We haven’t done the earbud mix yet. We are getting everything finalized on what we call a pre-earbuds. When it’s time for the earbuds, I listen to the mixes and go in about once a week to listen to all of the mixes as they are coming together. I make my finite notes.

We have another album by BWB. It’s all been recorded. Everything’s done. We have a couple more overdubs to do but we’re actually mixing the album as I speak to you.

Photo Credit: Christopher Wagner (via Facebook)

Photo Credit: Christopher Wagner (via Facebook)

He briefly explained the background story behind Beyond Aston and how it was pushed aside in favor of Accountable Beasts.

This is a record that got put on the shelf to make way for Accountable Beasts. I was working on Beyond Aston and I just shelved it. I can’t do any more. Then we decided to pull it off the shelf and finish it. We added some new songs in there and it totally kicks ass. It’s a great record,” he said, proudly of his latest outing.

black sabbath

While Ward is filling up his time with lots of different musical ventures going on all at once, he said it will never replace what he did with Black Sabbath. He admits that filling a missing void once filled by his former band is not an easy task.

There’s a huge hole. To be honest, there’s a huge hole in me…in my gut where the band lived. Of course everything’s changed now.

I miss them. I miss the idea of playing ‘War Pigs.’ I miss the idea of playing ‘Into The Void,’ ‘Masters of Reality’…man, I’m going to miss those until the day I die. I’m going to miss playing those songs. But in the meantime, I have a life to live. I have to listen to the musician in me. I need to give it all and continue playing.

Dave Lombardo, Bill Ward and Charlie Benante from the Bonzo Bash 2015

Dave Lombardo, Bill Ward and Charlie Benante from the Bonzo Bash 2015

As for touring with Bill Ward Band, he said there are currently discussions toward lining up dates. While he was also doing his art showings, he clarified that those do not interfere with live show dates.

The art gallery, we do them once in a while. We’ve been talking about going to London and Paris for the art thing, which would be great. All of those things could be worked out. If I have to tour with the trio, if I’m fortunate enough to do it, then all of these things could be worked out. We can go in and out with these things. Same as BWB being on the road – I can work in and out of working with the trio and BWB as well. It’s all workable stuff. They’re flexible and doable but we’re in the stage where we’ve at least presented Accountable Beasts coming out on iTunes. I think we’re coming out on streaming soon and onto other sites. We’re going to be adding more social media. So we’re doing that.

We’re also talking to promoters and starting to play around with ideas so we’re looking to see what we can do, as far as going out and touring. The same applies for the trio. We’re doing private listenings for the trio and we’re talking to again, promoters. We’re talking to other musicians. We have a lot of other musicians listening to the trio and seeing what they think and getting other ideas on getting out on the road. We wouldn’t make any announcements until we have everything firm. I really hope we could tour.

bill ward

Lastly on a separate subject, Ward shared his overall thoughts on how sonically music recordings are heading and his experiences dealing with the digital world. He encountered this during the mixing of his solo albums and had a lot to say on this subject.

We’re running into problems with the sound and the way the music is put together these days and the way it sounds sonically. I talk to a lot of my buds – the musicians, engineers, producers, and fans – people who listen to music. Everyone’s got a whack around the hedge.

I’m looking at how we can work better sonically, from bringing better productions. They’re really valuable bunch of people in my life including my own who is really smart with the different things that could be done with what would records sound better. We give all kinds of production things or to help with doing mastering to help bring about the best sound before compression happens in the digital world. That’s something that’s now become a part of my life. I’m looking at that and I’m taking a big interest in it. I’m looking and talking to other people about it, and basically I’m going to take some action on it. I’m not sure what that action would be, but it’s definitely something new that’s come up out of sheer frustration. I write the stuff and play the stuff and I’m part of the production of it and I go all the way to mastering with it. I birth these babies! Then the outcome after is quite a letdown when I listen to it go through the compression of digital sites.

First I got really upset with the sound and I’m surrendering slowly but surely, but at the same time I’m taking great interest in how can we economically really do better in this market and bring better sounding music to the people that listen to it? So that is something that’s new in my life. It’s something that’s [for the] last two and a half years I’m look at that now at a bigger picture.

He also shared his thoughts on the future drummers in music and educating them in both the way that they perform as well as understanding their roles within music.

On a different subject, I’d like to take more participation in spending time with more drum students. There are some things we may be doing but can try to better the drum students or the future drum students of tomorrow, in terms of what things to look out for, what things to be aware of and so on and so forth.

There are a lot of drummers that do things like that to bring further knowledge to education to the students. My heart goes to the students, especially in this day and age. There’s been a shift and a change in the way that people make music, and I’m afraid the bass players and the drummers are kind of getting a bit of a kick in the ass. Hang on a minute. No no no…let’s re-check this. I’m looking at this as well. I’ve been pretty outspoken about that as well. I’m using the slogan drumming equals publicity, which it does because drumming is art and drumming is part of the music that we listen to. So I’m an advocate of that. I’m standing up for that. There’s things like that that’s going on.

By Rei Nishimoto


Bloodsuckers Arise – Hyde and K-A-Z of VAMPS


vamps

Japanese pop culture has made its presence felt over time and now the musical side is slowly attracting fans across the globe. For the rock outfit known as VAMPS, they have quickly built a loyal following within their home country while also attracting curious fans internationally as well.

They released their third album (and their first release via Spinefarm Records) in 2014 titled Bloodsuckers, and supported SIXX: AM on a US tour, which included an appearance at Rock On The Range in Columbus, OH. They had previously headlined US tours in 2009 and 2010, and invited SIXX: AM to perform on their Vamp Park Fest in Tokyo in February 2015. The band will be doing their first ever live dates in South America, as well as shows in Los Angeles, CA at the Roxy (October 5th) and in San Francisco, CA at Slims (October 7th), and supporting Apocalyptica’s UK tour in November.

vamps mexico 2015

vamps los angeles 2015vamps san francisco 2015

Vocalist and guitarist Hyde talked about sharing a stage with an iconic figure such as Nikki Sixx and how much of an inspiration he was on him as a musician.

It was really hard to believe that we are on the same stage as Nikki Sixx. The reason why is because that was the first opportunity for me to pick up the guitar because of Motley Crue and that was the biggest surprise. I was so excited.

vamps with sixx am live

So how different is it to support a band like SIXX:AM versus previous headlining runs? “The biggest difference is it’s not our own show. This is SIXX AM’s shows and of course SIXX AM is the main act and we get pressure for that too. At the same time, we get a great chance to expose ourselves to different fans,” Hyde said.

vamps bloodsuckers

Unlike past releases, Bloodsuckers was released simultaneously across the globe, and followed by live dates supporting the album. Hyde explained that the way they had promoted their past records in Japan was taken into consideration when they were making this one.

What the biggest difference is this time we released the album and did the live show at the same time internationally. In Japan, we have been doing the record release and the follow up tour is a normal thing, but this is the first try for international releases and the tour together.

vamps live 2015 2

The band worked with producer Josh Wilbur (Lamb of God, Hatebreed) on Bloodsuckers, and while they had previously recorded their previous albums in English, lead guitarist K-A-Z said it helped push the band’s overall performance.

Every time we do a recording, we always try to bring us up to a higher level. This time is no different. This time we tried to achieve some quality of the sound and the music. We always try to step up to the next level.

The challenge of recording songs in English despite it not being their native language is often a challenge, but Hyde admitted that the recording process was not as strenuous as in the past.

Yes it is all the time. But time wise, we would be spending the time to record one song sometimes the whole day in the past. It got shorter and shorter,” he said.

vamps come on south american bloodsuckers

Hyde explained the back story around Bloodsuckers and how the title pays homage to their diehard fanbase who have supported the band over the years. He explained how the name came together.

Actually when we call the fans in Japan, we call them by the area or the city, like ‘Hello Osaka’ or ‘Hello Nagoya,’ but sometimes I made a mistake about the location and also it’s not that cool. Then I was thinking what is a nicer way to call the fans. I’ve been looking in the dictionary what the meaning of vampires and I found a really cool nickname ‘Bloodsuckers.’ So that’s where it comes from.

vamps live 2015

The album opens with a melodic yet anthemic tune titled “Zero,” which took them into creating a sound somewhat different than their previous material. Both Hyde and K-A-Z both explained how this song came together and what it means overall to VAMPS.

Lyric wise, zero means start and also means the end. Also lyric wise, this is yourself. I like to express and also describe a little sexier music wise,” said Hyde.

Music wise I tried what we’ve never tried as VAMPS before. Also this is the song that’s catchy and even hearing it for the first time you can really understand it easily. That’s kind of a new thing,” added K-A-Z.

apocalyptica vamps uk tour 2015vamps japan live 2015-2016

Lastly, VAMPS is often mentioned as part of the J-Rock movement, a subgenre tagged onto artists from Japan and fans have often been attracted to. K-A-Z was unsure how to explain this phenomenon they were lumped into, but still shared his thoughts on the matter.

We don’t even know what J-Rock is! It’s very hard to describe what J-Rock is because even when it’s called J-Rock, there are so many different elements of the music and again the styles of the band. Some bands are very heavy and some bands are poppy and some bands are very visual oriented. Even if we’re here, whatever you call it, we still don’t know and it’s hard to express or explain what J-Rock is. It’s probably what the international people put that on J-Rock. It’s easier for them to describe.

By Rei Nishimoto


Youth Gone Wild – Francheska Pastor of Bad Seed Rising


bad seed rising

Bad Seed Rising vocalist Francheska Pastor is excited to talk about her band and the big things happening for them. They became Roadrunner Records’ youngest signing in the history of the company, but that hardly fazed her when they were writing their latest EP titled A Place Called Home.

Personally for all of us really, we don’t get stressed out about that kind of shit. We just think its’ friggin awesome and we get to start playing and start our careers so young. It’s really more of a blessing than a curse than anything like that. Then again it has its downside. We don’t get stressed out from it but people do like to not take us seriously because of our age so it’s kind of hard. We have to win over their respect and their idea of us so people can take us seriously as a band,” she said, confident in her abilities, despite being mature beyond her 18 years in this world.

Photo Credit: Caitlin Willard (via Facebook)

Photo Credit: Caitlin Willard (via Facebook)

The Bad Seed Rising story began in 2012 when the members all met each other while in a performing arts school. Despite their young age, they quickly found a common love of music and began writing music together. They released an ep Charm City in 2013, which was produced by Scott Stevens.

We all came together through this performance based music school called Let There Be Rock School here in Frederick [Maryland], and what you do there is take private lessons. You can also join a band and maybe just do covers. We just got along with each other really well. We wanted to make our own original band. We formed the band and they called me and said ‘do you want to be part of this band?’ I was like yeah,” she recalled.

The first thing we did a bunch of covers. We played Pantera, Judas Priest…I think Judas Priest is one of the first covers we did together, which was cool because we just actually opened up for them. Not directly but through a festival and it’s was friggin awesome!

Mason Gainer of Bad Seed Rising

Mason Gainer of Bad Seed Rising

She admitted that ‘Breakin The Law’ was the Judas Priest cover, and recalled her voice changing over the time she was in the band.

Interesting enough, girls do go through that puberty thing where your voice drops. I did used to have a very high voice. I remember listening to Charm City, which we did that at Dave Grohl’s studio, 606 Studios. [That one] wasn’t released on Roadrunner or anything like that. My voice was so high pitched!,” she said, remembering the early days.

Louey Peraza of Bad Seed Rising

Louey Peraza of Bad Seed Rising

Much like Pastor, the rest of Bad Seed Rising is young in age but musically beyond their years. So far, she is the sole member to have graduated high school and is in the midst of searching for a university to attend.

I just turned 18 [on] August 1st. I’m the oldest in the band. Following that Louey [Peraza, bass] just turned 17 [on] August 14th. Mason [Gainer, guitars] is turning 15. Aiden [Marceron, drums] is 13. Not only that, he is, in my opinion one of the best drummers I have ever worked with and he is like my brother. He is amazing. If you watch him live – go to a show, go to the side of the stage and just watch him. He is phenomenal. He will blow your mind – the rest of the boys too. Of course I’m not trying to downplay them or anything like that.

Photo Credit: Caithlyn Willard (via Facebook)

Photo Credit: Caithlyn Willard (via Facebook)

In fact, Pastor shared what they had learned so far about the music business within the short time they have been working within in. Unlike many somewhat jaded musicians, their fresh outlook on their careers and their youthful energy has opened their eyes to new things each time they encounter it.

“Being a signed artist, I’ve learned that you get more help so you’re not stranded and when you don’t know what you’re not doing. It’s a lot easier when you’re a signed artist. I’m very grateful to be signed and having this opportunity. They will teach you everything you need to know. They flew us out to New York and LA, and they had us take social media classes. We learned what to do. This interview is to prep you…it’s not like they told me what to say but if I want to say something they told me how to say it right,” she said.

bad seed rising a place called home

A Place Called Home is six hard rocking songs that capture the various emotions of Pastor and the band. While each of the songs shares her various life experiences, she left the songs open ended for listeners to tie in their own interpretations on each tune.

It’s all pretty much about my personal experiences. Sometimes I guess when I talk about people I take it as if I’m talking to someone. I wouldn’t say who. I don’t want to be too descriptive because then it takes it away. Sometimes it’s better to be a little bit vague so people can relate to your song. Granted, people won’t probably be the same exact thing in relation to what I have, not just romantic relationships but standard relationships and all of that,” she said.

Photo Credit: Caitlin Willard (via Facebook)

Photo Credit: Caitlin Willard (via Facebook)

One of their harder driving songs is “ADHD,” which could easily be one relatable to many people. The song itself is somewhat self explanatory, but Pastor shares her emotional whirlwind dealing with the pressures of being a young female in modern times.

I have mad ADHD and ADD, but it’s also talking about all of my mental struggles in general and all of the societal pressures people put on me as to progress myself as who I am and be someone that I’m not. I have a lot to take in and am a very extreme person. It’s hard to take me all at once, especially to know me. It just talks about ‘I’m not going to listen to you’ and ‘because you’re so confused’. The societal pressures of being a woman – I went all over the place but that’s what ADHD and ADD is about.

I always forget what my songs completely talk about because there’s so much thought that goes into the song. It also talks about drugs and medicine that I used to take like Ritalin, Aderol and all of that kind of stuff. I don’t take it any more. I might be taking it for school but I wouldn’t do it in the way I used to. I built a dependency on it and it wasn’t fun,” she said.

Francheska Pastor of Bad Seed Rising attends 20th Century Fox at Caesars Palace during CinemaCon in  Las Vegas, NV.

Francheska Pastor of Bad Seed Rising attends 20th Century Fox at Caesars Palace during CinemaCon in Las Vegas, NV.

They had a song “Spy” included in the featured film of the same name as part of the closing credits of the movie. She shared how they were chosen to be in the film.

Paul Feig, the director was doing production for it. When you do production and when you finish the movie, what you have to do is watch the movie and listen to the music and you figure out what music fits here and here. Then he was like ‘let’s see what fits in the end credits.’ Then he was about to leave the production room and walked by his desk for…I don’t remember why he walked by it. He told me about this in Las Vegas.

bad seed rising spy post screening party 2

Our song was playing on the radio and he was like ‘oh my gosh! Where was this band? I’ve gotta figure this out!’ He did a bunch of searches and found out who we were. Then looked us up, got a hold of our management and then told us he wanted us to be in the movie. He plugged us in and then flew us out to Las Vegas to play for the movie premiere.

Despite the excitement behind all of this, they did not get to meet Melissa McCarthy, the star of the film at the premiere screening. “That was real depressing. I wanted to meet Melissa McCarthy because she is literally my spirit.

Lastly, Bad Seed Rising is currently in the midst of writing for their first full length release. Pastor gave an update on the progress.

Actually at this very moment we are working on creating our EP into a full length. I actually jumped into the car and we’re going to the rehearsal place and go write some music. Then we’re going to fly out to LA in a couple of weeks to record it and send it to the label. Hopefully they will approve it and then put out a full length.

We wrote the songs in December, and it’s hard because from December to August, it’s such a big gap. We’re very young and I’m 18 years old and I’m learning a lot of things, especially in this day and age. Right now is a very prime time for me because I’m in all of these things. I’m becoming more self-aware so I understand life a little bit more than I did six months ago. But I do know that I was full of teenage angst, a lot of ‘you hate me’ and pushing other people’s buttons because they’ve been pushing mine. But now I still want to write something about that so we can work together, but I want it to be about pushing positive messages out there.

I have a song about understanding who you are and what you’re really worth. Everyone is worth everything a lot. Life is valuable. People get so worked up over the smallest little things and it talks about you need to understand how little you are in this universe. You also have to understand how important you are to yourself and the people around you.

By Rei Nishimoto


Bill Ward Talks About His LA Art Gallery Opening


bill ward

Within the world of veteran drummer Bill Ward, his life has taken a whirlwind of twists and turns in his life. Aside from his vast musical ventures he is involved in, he recently unveiled a different project he took part in, involving light based photography and his drumming.

Bill Ward explains art piece at LA Gallery showing. Photo Credit: Rei Nishimoto

Bill Ward explains art piece at LA Gallery showing. Photo Credit: Rei Nishimoto

He unveiled a number of his pieces he created with multimedia art company Scene Four, and captured a different side of his drumming by bringing out a visual side to his playing. He explains how the project came together.

First of all, there’s a company called Scene Four and they’re based in Los Angeles. They were doing special camera and special things with percussionists and slash drummers. They have done things with some other artists and they were developing different ways of producing visual effects from drummers playing drums. I was invited through my publicist Liese Rugo. She said ‘look…there’s this company called Scene Four and they’re interested in having you come along and see if you’re interested in trying to play a drum kit in the dark with lots of different lights and lots of different lighted drum sticks.

Avi Dosaj of Scene Four with Bill Ward signing an art piece.

Avi Dosaj of Scene Four with Bill Ward signing an art piece.

I was encouraged by other people very close to me that said ‘look…go ahead and try it and see what develops.’ So I went in with something of an ‘I didn’t quite know what to expect’ kind of point of view. The first thing that happened when I arrived at the actual session [was] we did one session first which was like an interview and we went through the ideas of how we would perform it. I like the guys, Cory [Danziger] and Ravi [Dosaj] and the guys in Scene Four, and I like them a lot. I became interested in what they were doing. I said ‘let’s go ahead and we’ll do this.’ “

A couple of weeks later we actually shot in a very big dark room. Pitch dark actually. We had multi cameras…I don’t really know…maybe six or seven cameras at all angles [and] different lighting effects and they said play. They said just go ahead and play.”

Bill Ward's Proof of Dignity art piece

Bill Ward’s Proof of Dignity art piece

Ward talked about the process going into creating the visuals, which includes multiple cameras shooting him playing drums, and capturing various angles of his playing. What made the images special was the outcome from the reactions of what he was playing that made each art piece unique, and his frame of mind at the time of creating each piece.

There was no soundtrack. I didn’t play to any music or anything. I played for about an hour and 40 minutes of rudiments, and they captured all of that. After about ten minutes of playing, they kept changing the fix out. I realized that they kept changing the fix out and the brushes, they had different colors attached to the sticks. So I noticed when I play towards my floor tom toms, in the arcs that I normally play, I noticed the different colors I was producing.

Bill Ward's Cloven's Apparition's Ascent

Bill Ward’s Cloven’s Apparition’s Ascent

Then I played on high hats, there was a different effect from [high hats]. The high hats are more of a notation rather than a circular motion. So when I started getting into this, I started to realize what I could do here. I started to play multiple bass drum notes. I started playing really fast. I was in good shape at the time. I put in a lot of myself into the drums!

Also what’s really strange about it [was] when we looked at the end result of the sessions – I often play jazz interludes. I’m playing for an hour and 40 minutes flat. It’s a pretty good level of energy. I needed to take a couple of minutes out so I play jazz interludes and that’s when I was pacing myself getting my breath. Honestly I didn’t know how long the session would last. I had guys stop in and changing cameras. Those guys were working their asses off! I’ll give total credit to them for their work that they did.

Bill Ward's Hello, I don't think we've met (yet). Photo Credit: Rei Nishimoto

Bill Ward’s Hello, I don’t think we’ve met (yet). Photo Credit: Rei Nishimoto

Ward discovered the differences in imagery within what he plays, and each visual distinctly shows up how different each one looks. He explains this plus how he named each art piece after seeing the outcome.

I kind of put jazz into it. When you look at the pictures you can see what was jazz and what was rock. It is really quite amazing. You can see what was angry and when I would develop and doing triplets or some of the hard, aggressive things. You can see the anger that comes out. It’s more stark, and it looks completely different. To me, when I look at it…oh my god! Is this kid angry or what?

The best part about this entire thing for me was after we looked at the pictures that we’ve done after the sessions, Cory and Ravi suggested that I’d title them. That’s another thing for me to do. I love writing and titling it. So I came up with titles for each picture. What I did was I wrote an entire paragraph, two paragraphs, three paragraphs to what those titles meant to me. So what we had was lyrical or verbiage content that was also involved in the actual picture. It didn’t become just a picture or a piece of art. It became more than that. It became an emotion or emotions and it had depth and it had other dimensions to it, other than the dimensions of the cameras and the camera work that they did. It became a lot more than that. It’s involved into a very nice project to talk about.

Photo Credit: Rei Nishimoto

Photo Credit: Rei Nishimoto

He admitted that playing anything resembling music from Black Sabbath or his other works was not what he worked around, and stuck to simpler drumming patterns he plays when he is not playing for any specific artist.

They were basic rudiments, which I would do if I were practicing. If I were playing with Black Sabbath, a lot of the riffs that I would play through some of the older songs, I was playing some of those things. The basic things that I would play on drums, the things I was inventing. It was actually writing music while I was playing as well and jamming or writing parts as I was going along. There were probably things that I was also practicing from things that I had written with BWB (Bill Ward Band), with my own bands. I think it was a collection of everything that was coming out of me. They’re just grooves and stuff you’re time tested and things that come out,” he said.

Dave Lombardo, Bill Ward and Charlie Benante from the Bonzo Bash 2015

Dave Lombardo, Bill Ward and Charlie Benante from the Bonzo Bash 2015

He admitted that prior to committing towards doing this, he was familiar with some of the other people who also participated with Scene Four. Ward also discovered the cross section of interested parties who viewed his work, and it transcended music and Black Sabbath fans who followed what he did.

I knew a couple of the guys. I was a little skeptic. Of course Dave Lombardo, he did his performance after I did mine. We did our first workshop, or our first art exhibit, I think it was in the spring of 2014 in Annapolis in Washington, DC. So we’ve already had one showing. It was a phenomenal show. It was great.

What’s great about it is all of the community that shows up to look at the art, and the community a lot of them are a cross section of interested parties for art and a cross section of music lovers, Sabbath fans, Ward fans and whatever it would be or metal fans period. So we had this huge cross section of people and it was very intimate structure. I like to be as vulnerable as I can for everybody so I can be strictly honest.

It’s taken off and some other artists that have also done this with Scene Four. I missed Dave’s show. I wanted to go but I didn’t see it. I could only imagine as a drummer I’ve seen him very often. The last time I saw Dave play was three or four weeks ago! I know what he is capable of so I can only imagine his artwork. He’s probably brilliant.

Bill Ward's Pain Art Piece. Photo Credit: Rei Nishimoto

Bill Ward’s Pain Art Piece. Photo Credit: Rei Nishimoto

Lastly, he shared some of the pieces he created and talked about what each piece meant to him. He shared how specific moments in his life at the time factored into how he played each piece and the outcomes even shocked him at times.

There’s one picture, it’s called ‘Grief’ and it scared the heck out of me. If I had to, ‘Grief’ captures the pain that I was feeling at that time in 2012-2013. I was going through a very painful period of my life. A tremendous loss…there had been some problems with Black Sabbath and I was feeling that. I really loved the band and there were some disagreements and there were some things that didn’t fall into place.

It’s quite strange actually because we were back at the workshop…back at the art shop and I was trying some of the pictures and the canvases…I felt something behind my back and I didn’t know what it was. The guys hadn’t told me about ‘Grief.’ They hadn’t told me about this picture. They just stood it up behind me. I could feel its presence in my back. I turned around and looked at it. I took two steps back and went ‘oh my god! What the fuck is that?’ They went ‘you created that Bill…’ I named it immediately and called it ‘Grief.’ That’s so profound. It’s such a profound piece of work, but it capsulizes how really the essence of really where I was most of the time at that point in 2012-2013. I was in a very heartbreaking and enduring place in my life. I was grieving. That capsulizes it very well. I’m actually still afraid of that picture. I haven’t fully embraced it.

There are some other ones that I really like. This was during a jazz episode and we have this one thing called ‘Making Flowers From My Heart,’ which I really like. I like solidarity. I can see what I was doing there. There’s a lot of movement on the cymbals, and I was probably doing a lot of crescendo work at that point.

bill ward la art show

There’s another one that I…this was kind of a reminder for myself because as a drummer, I did feel some ostracized at the time when I was making these pictures. So in terms of validating myself, drummers, and drum students, there is a track in doing a jazz interlude I wrote called ‘We Focus Because Of Air.’ That has become a very, very popular picture. That has become a favorite, especially with drummers. I’ve given it to some of my friends in the drum industry. It’s a very powerful, poignant…it’s at the point of a significant historic time in music so to me, it’s very poignant.

By Rei Nishimoto


Roger Miret of Agnostic Front on Touring Cuba


Photo Credit: Silvy Maatman (via Facebook)

Photo Credit: Silvy Maatman (via Facebook)

New York hardcore godfathers Agnostic Front have taken their sound around the globe and spread their music around to a wide variety of audiences. While many have experienced their music and lifestyle, there is one specific country that has set on frontman Roger Miret’s mind – his motherland of Cuba.

He shared his thoughts on the matter:

Absolutely! I was born in Cuba and I just became a citizen in 2006. There is a band called Arrabio and we’ve played a bunch of shows with them in Canada. They’re a Cuban band who plays in Canada. Two years ago I got them to play the Black N Blue Bowl in New York, which was pretty amazing. A hardcore band from Cuba to come to New York City to perform and then go back – that’s unheard of. It’s a shame they didn’t get the publicity they should have gotten or nobody would have cared unfortunately.

They had invited us to go to Cuba. We did all of the paperwork and I sent it into the Department of Treasury. That’s where we had sent all of it to, about two years ago. We were supposed to play a special show in the city that was 500 years old. We were looking forward to it but we sent in our paperwork eight months prior to the show and fast forward four months after the show, I got an email – I still have it saved…and it said ‘we’re reviewing your request here but your date has passed. So there’s no need to move forward with this.’ That was it.

You had eight months to do this and four months afterwards…how many people do you think are trying to go to Cuba? So I left that alone, but it’s a dream of mine to go to Cuba, where I was born to perform and play, and from what I understand, we have a lot of fans out there who know I’m Cuban born. It will be amazing. Hopefully we can make that happen.

Roger Miret of Agnostic Front. Photo Credit: Todd Huber (via Facebook)

Roger Miret of Agnostic Front. Photo Credit: Todd Huber (via Facebook)

Miret shared his thoughts on the changing tides on the US-Cuba relations, and where things could shift towards following bettering diplomatic relations between the two countries, and how that impacts him personally.

I see all of the relations going on right now, opening the gates, which is really cool, but I hope it works not just for the Cuban people [and] it’s not just a political gain on both sides – the Cuban government or the American government. I predict there will be a McDonalds in Cuba pretty soon – give it a year. I hope it works for the people. I see there’s a lot of anger in America, especially Miami, where a lot of the Cubans who left Cuba like my whole family, just because they didn’t believe in the government’s regime and Castro – whatever that’s cool. They had to leave. I left. My family left…whatever.

The mother’s side is all still there. My father’s side is the one to come to America. But now the crazy thing is they all want to claim their property, all of their stuff back. It’s making it harder. All I have to say to that is I understand but what about the people living in the houses that you left and abandoned to come to America in search of liberty and justice and freedom. Do you think it is right to throw them out into the street? So that’s what my big question is. People need to be humanitarians first. Everybody’s so greedy. It’s always about materialistic stuff. Let’s think about the people and let’s hope that it’s a good thing for the people.

I read an article a year ago in Time Magazine or LIFE that the Cuban population is dying off because there was no hope and people don’t want to have children. There’s nothing worth it for them to have children. Funny thing is eight months later the gates are opening up. So it’s giving the people hope. Let’s see if it works out.

By Rei Nishimoto


Back On The Road – Andy LaRocque of King Diamond


King Diamond. Photo Credit: Kevin Estrada

King Diamond. Photo Credit: Kevin Estrada

King Diamond’s appearance on this past summer’s Rockstar Energy Drink Mayhem Festival became the talk of the summer as metalheads were eager to catch his elaborate show on a larger stage. This follows his 2014 North American tour, which also marked his return to the touring scene following his time off due to various health issues that plagued him for a few years.

This marks King Diamond’s first appearance on a US touring festival that took the band across the country. While the band has played various European summer festivals, they have found subtle differences with the US ones. They had just completed the first night in San Diego, CA and are about to perform at Devore, CA on the second night of the tour.

Exactly it’s a quite different thing actually in the USA, I must say. It’s great. It’s just different in all ways I guess,” said guitarist Andy LaRocque.

Last night was really good. San Diego – first opening night was really good,” said guitarist Mike Wead.

We had a good time. Even the places are a little different from Europe. It’s a different atmosphere. Everything looks different of course. Different organization – it’s great,” added LaRocque.

Andy LaRocque of King Diamond. Photo Credit: Kevin Estrada

Andy LaRocque of King Diamond. Photo Credit: Kevin Estrada

They spoke about the big differences between the Euro festivals versus the ones in the US.

No rattlesnakes in Europe!,” said LaRocque.

The weather is different. It’s hotter here. Like Andy said, the organization behind it is a bit different. It’s still a festival and if you’ve done a few or a lot of them, you’ll feel familiar with the system pretty quick. It takes a couple of days and then you’ll understand how everything works,” said Wead.

The big difference with this festival is that it’s the same bands tour around the US, compared to festivals in Europe where there are different lineups on every festival. I don’t think there are touring festivals in Europe,” added LaRocque.

We used to have Sonicsphere but I think they went belly up. So we don’t have it,” concluded Wead.

Mike Wead of King Diamond. Photo Credit: Kevin Estrada

Mike Wead of King Diamond. Photo Credit: Kevin Estrada

Having an hour long set time during the tour, LaRocque explained how they picked what made up their set list. While fans each have their favorites, the band managed to select the core tunes that highlighted the main points in their history.

We try to make a good blend of theatrical stuff that fits on the stage and also what the audience wants, and the different time eras too. So I think what we have now is a good mix of that, which I think works really well. The first show was last night and I think everything was in a really good flow. [It was] very intense. We covered up everything. It’s really hard to fit in everything in one hour of course but this works.

Pontus Egberg of King Diamond. Photo Credit: Kevin Estrada

Pontus Egberg of King Diamond. Photo Credit: Kevin Estrada

They took part on a line that featured Slayer, Hellyeah and Devil Wears Prada on the main stage, and a side stage consisting of Whitechapel, Feed Her To The Sharks, Thy Art Is Murder, Jungle Rot, Sworn In and many others. While much of their audience traditionally older, they have found a growing number of younger fans showing interest in their music and live set. LaRocque shared his theories behind this.

Well you could speculate it. There’s been a lot of hyping on the internet, of course, since he got with his health. I don’t know really to be honest why it happened. There were still a lot of things going on in the background, even though we were not playing. Since we came back, we are now able to play bigger places and reach out to a bigger audience. It seems like our fan base is bigger than ever. One of the reasons is we never have been into having internet sites like Facebook, which we created during that period of his illness. That made it grow also.

Photo Credit: Hillarie Jason

Photo Credit: Hillarie Jason

While King Diamond took his extensive time off of the road, the rest of his band kept busy with other things. Aside from the band, each member have their own respective projects they work on to keep busy in the meantime.

I have a studio and produce bands. I’ve had the studio for over 20 years. I’ve been doing that in theory itself, when we’re not doing anything with Diamond – not touring, not recording an album. I’ve also had different projects with different musicians,” said LaRocque.

Same with me – studio stuff, loads of session work as a guitar player, and doing records with other bands,” said Wead.

I only joined the band [in 2014]. I’ve been doing totally different stuff. I’ve been playing with different bands for as long as I can remember, but last summer I hooked up with these guys and it’s been a sweet ride ever since,” added bassist Pontus Egberg, who happens to be the newest member of the band. He joined the band in 2014.

King Diamond. Photo Credit: Kevin Estrada

King Diamond. Photo Credit: Kevin Estrada

During the downtime, LaRocque admitted that he did come up with rough ideas for new songs but was mainly waiting for King Diamond to recover physically before proceeding.

We really didn’t do anything with Diamond at all. We just talked often – me, King, the guys in the band and management. I actually honestly wrote a few songs in the meantime. It’s still waiting there to go back there to listen, see if any of it could be used for the next album. I’ve got four, five or six songs. It’s nothing focused or serious, but it might be useful.

We’re just waiting for King to come back and took it from there. As soon as he was good enough health wise, we started to do festivals. It started out in Europe and it turned out great. We only did two festivals the first summer back in 2012. It turned out really good. Everyone was like ‘wow! Cool that you guys are back.’ The next summer we did some more festivals, and that was last summer. Then we got the chance to do this. We also did a US tour in October and November (2014). So this is the first festival tour here in the US for us. I’m happy we could do it. As long as he’s fine with everything, with his health and stuff, we will continue.

King Diamond, photo©Kevin Estrada / kevinestrada.com

King Diamond, photo©Kevin Estrada / kevinestrada.com

In terms of a timeline towards their long awaited new record, LaRocque clarified where the band stood on this.

We have a few song ideas but nothing worked out yet. We were supposed to start working on new material this summer, but then this festival came in between, which we are very happy for. Once we get a break, we’re going to start working on it. It will probably be early 2016 that we start working on the new material. That’s the plan.

Approaching the songwriting process, they had spoken about some of the changes including have various options on where to record. Despite this, the writing process stayed somewhat similar to past records.

It’s mostly King and me who writes the stuff. So what he does is sitting down with now his computer. He used to have this old tape machine type of thing to record. He programs the drum machine and then he sends it to me. I listen to it and we bounce things back and forth. That’s what we usually do.

But for the next album, we’re probably gonna record the drums in a studio in Dallas since the drummer Matt [Thompson] is from Dallas, and King lives there. That’s the most convenient thing to find a studio there to track the drums and come over to track the guitars as well so King could attend the process. Maybe the bass too – I don’t know. We’ll see. Pontus has got his own home recording studio too so he could record that.

I usually record my leads by myself anyways. Andy is the same. He’s more focused. I don’t mind doing it in the privacy of my own studio,” said Wead.

Now, King has his own studio so he could do his vocals there. Then we decided him coming over to Sonic Train Studios, which is the name of my studio in Varberg. We’re going to mix and master the album right there,” added LaRocque.

Photo Credit: Hillarie Jason

Photo Credit: Hillarie Jason

He gave a preview of their forthcoming album: “I mean it’s going to be the King Diamond stuff…that’s for sure. But when it comes to lyrics and stuff, I don’t really know what he has in mind yet. He told us he has some ideas but nothing I want to talk about right now.

In terms of King Diamond’s health, LaRocque had praises on this subject for him. “He’s better than ever, I would say. He has to take care of himself but when it comes to his physical things, it’s like wow…he’s doing so much better. Eating healthier and all of that stuff….quit smoking, difference in performance.

What about King’s love of coffee? He claimed in past interviews that coffee and cigarettes, which he has since quit smoking, were the secret to his voice. “Not that much any more. He’s like…cleaned up!,” LaRocque said with a laugh.

I don’t know if that’s a good secret or not. I think now he realized that maybe it wasn’t such a good idea.

By Rei Nishimoto