Named after the six-tusked, one hundred feet tall, elephant-like creatures created by Tolkein, Swiss Mumakil release their second album for Relapse, the first in four years since Behold The Failure, and prove that although they may not be extending the margins of grind core in the way that Agoraphobic Nosebleed or Pig Destroyer may be in the process of doing, they are making blast beats and flailing guitar their own. Apparently motivated to get together to play in 2004, “…to have fun and play without any stress” there is evidence on this release suggesting the album was shaped with that mantra in mind.
Recorded by the band themselves in Geneva, an image in itself that destroys any idyllic metaphors associated with that location, Flies Will Starve features twenty four tracks, averaging at ninety seconds to two minutes in length, of devastatingly intense, yet clinically precise, grind. Recording the album, it seems, was a lengthy process due to the fact that their original bass player left due to personal reasons, and a recurrent wrist injury, suffered by drummer Seb, who was also eventually replaced. The apocalyptic cover, designed by Remy Cuveillier of Headsplit Design, is the ideal image to set up the listener for the cacophony within. Tracks such as ‘War Therapist’, despite being disturbingly fast, are propelled forward on a torrent of precision percussion and mathematically exact guitar riffs. Devotees of technical showmanship will be astounded by ‘Fucktards Parade’, whilst listeners who enjoy their grind core with a trouncing edge will be happy with ‘Piss Off (Part 2)’, ‘Army Of Freaks’ and ‘Waste By Definition’. That tightness is unrelenting throughout the whole of Flies Will Starve and will be a summer treat for anyone who enjoys being assaulted by technical wizardry and devastating drum blasts in the way that stable mates Blockheads, Brutal Truth and Rotten Sound excel.
A review of online comments for the album suggest similarities with Misery Index but it would be fair to say, however, that Flies Will Starve concentrates more reliably on the overall passionate experience and less on mechanical complexity. There is density in the compositions, but that may not be considered the main focus of the delivery. The production is sterile enough to allow each component to have its own influence whilst allowing an amalgamation of elements to create a visceral whole. Apparently based around themes of mankind’s incessant will to destroy itself, and utilising themes such as war, deception, pain and anger, Flies Will Starve may consider itself the ideal soundtrack for the way many people feel about the world around them today.
8/10
John Toolan