Marduk – Frontschwein


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One of the longest serving and reliable bands in black metal, Marduk are a Swedish institution, a machine that just won’t quit. While they may rarely top the bill at festivals and even their most well acclaimed albums will get scant mention in any ‘best of’ list, their bloody single-mindedness and raging intensity has acted as a blueprint for the second wave of BM, and now an entire generation  after they formed, still show no signs of slowing down. Thirteenth full-length release Frontschwein (Century Media) offers few surprises and takes no prisoners.

Named after the grunts of the armed forces during the two world wars who were first over the top and destined to die either in a hail of bullets or shamefully as a deserter, Frontschwein continues Marduk’s obsession with death and armed conflict, long ago discarding the cheesy supernatural themes of early releases. The opening title track begins proceedings in a firestorm of tremolo picking and light speed blasting all competing for attention with the grotesque croaks of frontman Mortuus. Next track ‘The Blond Beast’ employs a catchy, mid-paced riff with just a tinge of post-punk to horrify the purists before normal order is restored on the scorching ‘Afrika.’

The most obvious comparison to previous albums that springs to mind whilst listening to Frontschwein is 1999’s classic Panzer Division Marduk (Osmose), a record of similar aggressive and militaristic traits. Like that hateful half hour, Frontschwein is straightforward, exhilarating black metal utterly devoid of gimmicks, although the occasional change of pace such as on the eerie, marching riffs of ‘Wartheland’ and the mournful dirge of ‘Nebelwerfer’ ensures that proceedings don’t stagnate. However, it’s the raging triumphalism of the eight minute plus ‘Doomsday Elite’ that shows Marduk at the peak of their powers with Morgan’s searing guitar licks threatening to scorch all and sundry.

Just as we are constantly reminded that war is hell and must never be forgotten, Marduk’s veteran status demands respect and their continued quality output proves that they still have plenty more gas in the tank.

 

7.5/10

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JAMES CONWAY


Sabaton – Heroes


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Over the top (in both senses of the term) and once more into the breach, Sabaton unleash their seventh war-themed opus Heroes (Nuclear Blast), another slab of bombastic power metal.

After the unbridled success of 2012’s Carolus Rex, Sabaton find themselves in a new position, feeling the pressure of following up a massive album, not only their career-best but a genuine genre-classic, and with an all new lineup; only band leaders vocalist Joachim Brodén and bassist Pär Sundström remain. When faced with following up truly great albums, many bands choose to tinker with their approach (think Slayer on South Of Heaven). Sabaton have puffed up their chests and roared “More of the same!”

Fans of the Swedish machine will not be disappointed. Choosing to focus on different heroes of war scenarios, each song has its own tale to tell. ‘Soldier of 3 Armies’, a standout, pounding, pacy track tells of Lauri Törni, soldier of the Finnish army, the SS and the US army; ‘No Bullets Fly’ recounts the Charlie Brown/Franz Stigler incident to a soundtrack that kicks off with a classic Judas Priest riff before strafing into a huge chorus enhanced by Peter Tägtgren’sslick, dynamic production; ‘Resist And Bite’ calls to mind AC/DC’s ‘Thunderstruck’ while celebrating Belgian resistance to overwhelming odds; ‘The Ballad Of Bull’ is epic and choral, reminiscent of Manowar’s ‘Crown And The Ring’, honouring Leslie “Bull” Allen who single-handedly saved 12 wounded comrades; ‘To Hell And Back’, with a distracting and odd Wild-Western whistle, fetes Audie Murphy; while ‘Inmate 4859’ is a fitting epic in the vein of ‘The Caroleans Prayer’, paying tribute to Witold Pilecki, who volunteered to be imprisoned at Auschwitz as part of an undercover mission.

Such stories are fittingly backed by the trademark Sabaton sound; powerful, everything louder than everything else with lashings of Ride-of-The-Valkryian drama, all topped by Brodén’s distinctive gruff melodies. While Heroes doesn’t quite live up Carolus Rex or The Art Of War, it is still definitely and defiantly Sabaton and will delight those who have already joined the army.

8/10

 

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STEVE TOVEY