¡Que Cante Mi Gente! – Cristian Machado of Ill Niño on Latinos in Metal


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In Part I of an interview series with Cristian Machado of Ill Niño, among the many topics discussed with Ghost Cult scribe Aleida La Llave were the common bonds of Latinos in the metal community. One of the things that has always stood out about the band has been how heavy music has been intertwined with Latin culture and influences. Aleida asked Cristian about some of his experiences and how he feels about the state of Latinos in the metal and rock communities now, as opposed to when he first started out in the scene.

“Until I became a musician, a Latino in a metal band, and I got to meet a lot of the other bands that I had looked up to for years, I never realized how many Latinos were actually in those influential bands. The first time I met Tom Araya and Dave Lombardo from Slayer, we spoke Spanish. Fifty percent of Slayer was hanging out with us and speaking to us in Spanish so that was a really cool experience. Also, Robert Trujillo, a Latino who’s now in Metallica. Another hugely influential band, Suicidal Tendencies, and even hardcore bands like Agnostic Front and Roger Miret being a Latino and being able to speak Spanish with him. It depends on what band you’re looking at but there’s so many Latinos in the metal scene. Dino Cazares (Fear Factory), definitely one of the top five most influential guitar players in metal, he’s Latino and we talk in Spanish when we hang out. To me, it’s something that is already embedded in metal. Latinos are everywhere. They’re in a lot of bands that you would never even think that those guys speak Spanish but they do. It’s something that I never really took huge notice of until I started playing culture metal and started meeting people and they would be drawn to us more because we were pushing the culture thing and we came from the same part of the world rhythmically. They’ve always been there, we’re definitely not the first ones. We’re far from inventing anything, we’re just approaching it differently and definitely very focused on culture in metal.”

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ALEIDA LA LLAVE


Puya – Bloodline Theory – Zombie Frogs: Live at the Middle East Upstairs, Cambridge, MA


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I’ve been to some pretty spectacular shows this year, but I don’t think I looked forward to them anywhere near as much as I looked forward to finally seeing my hometown heroes in Puya. I don’t mean to get sentimental, but it’s not every day that my Puerto Rican heritage and love of metal come together.

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The first act to take the stage was a local group known as Zombie Frogs. They played a few instrumental numbers that were saturated in keyboards. I personally have a very low tolerance for that sort of thing but apart from keyboard overkill, the music was pretty good and they have the potential to make some interesting songs.

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Another local band, Bloodline Theory, was up next. Their sound was reminiscent of nu-metal at the turn of the new millennium. Twelve year old me would have loved them and, to be honest, they weren’t half bad. One of the highlights of their set was a cover of Eminem’s ‘Lose Yourself’ simply because of how unexpected it was. However, the true peak of their performance was when the guitarist’s fly went down and our own Keefy got an eyeful of another man’s junk. That’s just one of the hazards that come with the job.

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Headlining band Puya opened their set with fan favorite ‘Ride’ and had the entire room singing along. I was pleasantly surprised with how heavy they are live, even the lighter parts of songs still had a good kick behind them. Vocalist Sergio Curbelo loved showing off his inner salsero and occasionally assisted percussionist Oscar Santiago with a number of different instruments. Ramon Ortiz’s versatile guitar playing shone through all of the Latin, jazz, funk, and metal influences present in the band’s music. That being said, anyone who knows anything about me knows that I love a good bassist so you can bet that I was firmly parked in front of Harold Hopkins Miranda in the front row and he did not disappoint. I had expected a set that focused more on their heavier music but there was a fantastic mix of everything. Puya is a perfect example of Latin metal and Latin fusion done right. It was easy and natural to jump from something like ‘Solo’ to ‘Tirale’ without batting an eyelash. The Latin fusion juggernaut wrapped their performance with an encore of one of their most well-known and well-loved tracks, ‘Oasis’.

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Puya was every bit as incredible as I had hoped they would be. I can cross them off of my bucket list for the time being but I’ll be waiting for them to come back to town. Come to think of it, heading back to the homeland to see one of my favorite bands sounds like a pretty good idea to me. Check out their impressive set list below.

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Puya Set List

Ride

Erizo

Areyto

Ni Antes Ni Despues

Sal Pa’ Fuera

Montate

Remora

Fundamental

Solo

Tirale

Pa’ Ti Pa’ Mi

Numbed

Puya

Oasis

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Zombie Frogs on Facebook

WORDS: ALEIDA LA LLAVE

PHOTOS: ECHOES IN THE WELL


On The Road…..with Puya


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“This is the Puya comin’ straight to ya! This is the Puya comin’ straight to ya!” Puerto Rico based Latin metallers Puya have returned from their dormancy to embark on a brief tour of the USA. They hit a bunch of East Coast dates, landed at Sirius XM studios in New York City and and appeared with Jose Mangin on Liquid Metal, and more. The band is revving up their engines again on their way to participate in the Patria Grande Festival in Cuba this November. Hopefully more tours and new music are on the horizon for the ground-breaking act that combined Latin Jazz, hardcore metal, funk and Nu Metal. Check out our photo set from their recent Boston show at The Middle East Downstairs. A full review is coming soon.

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