Covering various subgenres, it’s New Music Friday: The Rock and Metal Releases for 10-11-24
Who has the best cover this week?Continue reading
Covering various subgenres, it’s New Music Friday: The Rock and Metal Releases for 10-11-24
Who has the best cover this week?Continue reading
Covering various subgenres, it’s New Music Friday: The Rock and Metal Releases for 10-11-24
Who has the best cover this week?Continue reading
A wet and inhospitable Saturday sees occult Swedes In Solitude roll into town bringing with them the scent of incense and apocalyptic Gothic post punk act Beastmilk in tow. Kvost’s deep rich speaking voice gives way to a powerful howl. The “Superstition” wins over the few early arrivals which tear themselves away from the bar.
Before the vespertine delights of Scandinavia are opened to us we get a change of pace in the form of Daniel Bay. Stepping into the breach for punk Obnoxious Youth, Bay delivers heart felt gothic rock which has more appeal than just his Lost Boys chic torn jeans and frizzy hair.
The charismatic Mat McNerney leads the newly expanded Beastmilk, including recent recruit Linnea Olsson (formerly of The Oath) through a masterful performance. The man known to many as ‘Kvohst’ is a leviathan master of ceremonies, introducing each song with a quick witted remark before unleashing his distinctive croon. Olsson oozes charisma with the extra fire power having added a new depth to the band’s sound. The raunchy ‘Void Mother’ and a stunning ‘Nuclear Winter’ inspire manic dancing at the front of the stage with many punters as keen to see the apocalyptic rockers as the headline act.
Lilies adorn the stage and the smell of incense fills the air as In Solitude begin their energetic set. Pelle Ahman possesses the air Nick Cave back in his days in The Birthday Party. Throughout tonight’s ten song set the quartet combine a youthful vigour with impressive stagecraft and dynamite songs. ‘Death Knows Where’ and ‘Lavender’ are soaring paeans to ‘Lucifer’ funelled through classic rock and blues with a visceral punk aesthetic.
Witnessing In Solitude perform, you can instantly recognise the chemistry the members have built from beginning life in their tender years. The maturity and atmosphere in songs like the all-consuming ‘He Comes’ has the audience in rapture. Still only in their early twenties, if the momentum they have built on latest album Sister (Metal Blade) is any indication, they will be a force for many years to come.
WORDS ROSS BAKER
PHOTOS BY LUKE DENHAM PHOTOGRAPHY