Handshake Inc Presenting Two Short Films At Examining Darkness On May 7th


examining darkness

London, ON based Handshake Inc co-owner and independent film and video director David Hall is completing two short films which will be debuting in New York City at The Made in the New York Media Gallery as part of Examining Darkness on May 7, 2015, and the works specifically constructed to be projected on the gallery’s 360 degree projector and screen setup. Go here for more information.

Curated by Thomas D. Rotenberg, a writer, video artist, and curator based in Brooklyn. His films have played at festivals across the country and he previously curated Standard Model Catastrophes, Josh Graham‘s career retrospective that was on display at the Made in NY Media Center by IFP throughout December of 2014.

Participating Artists & Work:

David Hall: Mother Satan, Don’t Turn Out The Light (2015), The Puberty Of Big John Christ (2015)

Alex Schaefer: Damages (2014-2015)

Polynoid: 458nm (2006), Mem (2009), Loom (2010)

Susi Sie: Black (2011), Float (2011), Emergence (2012), Silk (2013), Soundscapes (2013), Cymatics (2013), Echoes (2015)

There will be a special, one-time-only performance by composer Mick Barr, playing his scores to David Hall’s two films, during the opening reception on May 7th at 7:30pm.

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Today Is The Day and Lazer/Wulf Announce North American Tour


today is the day lazur wulf tour

Today Is The Day have announced an upcoming North American tour for April and May with Lazer/Wulf. This is their first shows since their nearly fatal van accident last November. They have also completed two new music videos for “Heathen” and “Animal Mother” from their tenth full length album Animal Mother, which was released in October via Southern Lord. The video for “Heathen” has been commissioned to Marcos Morales and Neil Barrett of Novel Concept TV (Primitive Man, etc.), and the visual depiction of the title track, “Animal Mother,” to David Hall of Handshake Inc. (Brutal Truth, Lae, Maryland Deathfest: The Movie), who also directed the band’s intense “Masada” video. View them below.

The current Today Is The Day lineup is completed by bassist Trevor Thomas, drummer Douglas Andrae, and founding guitarist/vocalist, Steve Austin.

Apr 24: Space – Portland, ME
Apr 25: Cambridge Elks Lodge – Boston, MA
Apr 26: Coco 66 – Brooklyn, NY (= no Lazer/Wulf)
Apr 27: Kung Fu Necktie – Philadelphia, PA
Apr 28: Cafe 611 – Frederick, MD
Apr 29: Strange Matter – Richmond, VA
May 01: Hideaway – Johnson City, TN
May 02: New Mountain – Asheville, NC
May 03: Siberia – New Orleans, LA (= no Lazer/Wulf)
May 05: Fitzgeralds – Houston, TX (= no Lazer/Wulf)
May 06: Lost Well – Austin, TX (= no Lazer/Wulf)
May 07: Doublewide – Dallas, TX
May 08: Sister – Albuquerque, NM
May 09: Pub Rock – Tempe, AZ
May 10: Complex – Los Angeles, CA
May 11: Opera House – Oakland, CA
May 12: Dantes – Portland, OR
May 13: El Corazon – Seattle, WA
May 14: Rickshaw – Vancouver, BC
May 15: The Pin – Spokane, WA
May 18: Larimer Lounge – Denver, CO
May 19: Record Bar – Kansas City, MO
May 20: Nether Bar – Minneapolis, MN
May 21: Double Door – Chicago, IL
May 22: Outpost – Kent, OH
May 23: The Shop – Pittsburgh, PA
May 24: Bug Jar – Rochester, NY

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Haapoja / Dephosphorus – Collaboration LP


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Split albums are an excellent tool for bands to come together and unleash an onslaught of material which you may not necessarily have been familiar with beforehand – and with Collaboration LP (Handshake Inc., 7 Degrees Records, and Nerve Altarboth) Haapoja and Dephosphorus have not missed the trick at all. Whether intentional or not, these collaborative records encourage a certain level of competition as well – who goes harder than the other? The competitive edge has allowed both bands to absolutely raise their game – in this case it is Finland vs. Greece.

A really interesting element to this split LP is the fact that on both of the respective opening tracks the bands traded front men – and oddly enough both the opening tracks of each section are the better tracks.

The first portion of the album then comes from the Finnish maniacs in Haapoja, who shoot out of the blocks with a phenomenal level of aggression and calculated speed. Opening track ‘We See With Teeth’ builds and builds with this brilliantly executed Thrash style. In fact the pace never really lets up in their half of the album as they race through four tracks in just over ten minutes. The band mesh different influences together, sounding a bit like early Kvelertak – and as you reach the conclusion of their half you’ll find yourself thinking that Dephosphorus will seriously need to deliver something special after a breathless ten minutes, and to be fair to them they absolutely do.

Dephosphorus explode in to the track ‘Aika’ boasting the same level of aggression but with an added element of groove. Away from the first track, the vocals on their side of the LP sound like desperate cries, similar to the power and aggression delivered by the likes of Frank Carter in the early days of Gallows. The two bands on this record do sound similar, but where Haapoja deliver solely a smash mouth flurry of aggression, Dephosphorus smash that same style together with some slower, heavier moments which accentuates the groove.

One thing is for sure, with both bands you’re left salivating for more. This will almost certainly be an album which will sit under the radar, but give it a go – you will not be disappointed. Both bands deliver their music with such passion you cannot help but be taken in by its infectious nature as the quality of the output encourages repeat listens. Yeah the production is a bit shaky at times, but it gives the whole Collaboration LP that added bit of character, it is a raw and snarling beast.

 

7.5/10

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TOM DONNO