Before we proceed with this review of Weeping Choir (Relapse), the latest in a long series of attempts at deafness by Full of Hell, I’d like to make a statement: more saxophones in metal. Buried in the cacophony of notes that is the latter half of ‘Ygramul the Many’ is what I perceive to be sax fighting its way through the mix and I am all in for those wonderful sounds. Between Rivers of Nihil masterfully incorporating it into last year’s Where Owls Know My Name and now this, I need more sax in my life. Continue reading →