The early-to-mid 1990s was a wild time for heavy music. With the Seattle bands like Pearl Jam and Nirvana blowing up and killing off a lot of hair metal bands, and Metallica and Pantera dominating, and death and black metal gaining steam and mainstream success, other kinds of rock bands struggled to cut through. King’s X already had four albums out by the time Dogman (Atlantic) landed in shops. Their heavy rock flirted with metal, but really they have always bucked trends and classifications. Interpreting their influences and their bare lyrics full of religious symbolism and metaphors have earned them a legion of fans and lengthy career worthy of respect. Continue reading →