Tag Archives: Dimitri Minakakis

UPDATED: The Dillinger Escape Plan Has Booked Two More Reunion Shows Celebrating 25 Years Of “Calculating Infinity”

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UPDATE 3: The Dillinger Escape Plan has now added a third date with all of the bands from the first two shows on one bill! 

 

UPDATE 2: The Dillinger Escape Plan has now added a second date to their 2024 reunion. Direct support will come from The Callous Daoboys and Deadguy.

 

The Dillinger Escape Plan  will celebrate 25 years of their acclaimed 1999 debut album Calculating Infinity with a reunion show on June 21, 2024 in Brooklyn, NY at the legendary Brooklyn Paramount. The band will play the album in its entirety for the first time ever with co-founder and original vocalist Dimitri Minakakis. Backing Minakakis will be founding guitarist Ben Weinman, as well as bassist Liam Wilson and drummer Billy Rymer. Tickets are on sale Friday, December 15 at 10am ET and will be available at the link below. Car Bomb has shared a poster with them and Candy lsited as openers, but not confirmed by PR. 

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The Dillinger Escape Plan Books a Reunion Show Celebrating 25 Years Of “Calculating Infinity”

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UPDATE: The Dillinger Escape Plan will celebrate 25 years of their acclaimed 1999 debut album Calculating Infinity with a reunion show on June 21, 2024 in Brooklyn, NY at the legendary Brooklyn Paramount. The band will play the album in its entirety for the first time ever with co-founder and original vocalist Dimitri Minakakis. Backing Minakakis will be founding guitarist Ben Weinman, as well as bassist Liam Wilson and drummer Billy Rymer. Tickets are on sale Friday, December 15 at 10am ET and will be available at the link below. Car Bomb has shared a poster with them and Candy lsited as openers, but not confirmed by PR. 

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Ringworm – Death Becomes My Voice

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Diminished twin lead guitars fade in above a filthy, distorted bass line. It segues into the intro of the title track, and Death Becomes My Voice (Relapse Records) begins in ill-conceived circumstances. This intro segment is a slow crawl through power chords and crashing cymbals, and completely unrepresentative of the album as a whole. When the main bulk of the title track begins it’s clear that the slow introduction was a calm before a storm, but perhaps an unnecessary breather to kick things off. It may have worked better somewhere in the middle of this unrelenting album as something of a palate cleanser, but more on that later. Continue reading →