King Buzzo – Mary Halvorson: Live At Brighton Music Hall, Allston MA


 

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There are few true iconoclasts in heavy music like King Buzzo. Of course, if you tell him that personally, he scoffs at the notion, perhaps even poo-pooing the weight of his impact in nearly thirty years of exciting fans, confounding critics and the like with his music. Obviously Buzz Osborne is known for his masterworks with the many incarnations of The Melvins (which he will at least acknowledge begins and ends with him). Arriving at the venue early to interview Buzz, he was mellow and cool as hell. Really humble to the last. Also at the venue early was Tim Bugbee, a concert photo and music journalist I look up to very much. It was cool talking shop, chatting with him and his wife all night. Check out Tim’s work.

 

Since I got done with the interview early I headed to grab some grub and a brew or three at my local BBQ spot in the neighborhood. By the time I got back in the venue, it was starting to fill up, although that would take some time. Despite The Melvins popularity and cred, its kind of hard to predict how full the crowd would be for a show like this on a weekday. Sauntering over to the merch table I spotted Brian Walsby selling merch and his own hand drawn wares. For those not in the know from graphic novels, Brian is author of Manchild, has done artwork for The Melvins and Corrosion of Conformity among others, played some drums in a few punk bands and has a cute daughter to take care of these days. Brian is a phenomenal artist, and has a unique POV story telling-style, and has done a fair share of music journalism via his work too. Please check him out and buy his stuff, it’s killer!

 

 

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Showtime was upon us and opener was Boston native Mary Halvorson. Her amazing solo-guitar performance brought out her own fans on this night, including one rabid kid at the front who was basking in her twangy glory. She played it cool, and played a set of interesting covers, mostly Jazz and Americana type track from what I could tell. Using the guitar not just as an instrument, but as an emotional foil for the source material, she is a master. Her between song, self-effacing banter was hysterical. I stood for most of the performance next to her mom, who was totally stoked and entranced as the rest of us were. If you love outside of the box thinking, and great guitar work in general, please do yourself a favor and check Mary out!

 

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After Buzz’s tour manager set up the stage (an incognito Dave from Unsane), Buzzo hit the stage casually with the lights up. Got himself together and ready to play and scanned the audience. Stepping in to his familiar stage walk, a gait akin to how a monster stalks his prey, Buzz started the jam the familiar first notes of ‘Boris”. The crowd immediately picked up on this, let out a whoop, and sang a long. There was even some rigorous headbanging, but no moshing tonight. Lots of bro smiles in the front and confuzzled looking girlfriends. Is Buzz unplugged girlfriend metal? I hope not. Meanwhile the man was up on stage doing his usual thing, just quieter. His playing immaculate, the acoustic holding nothing back as he roamed the stage between verses. I am a massive Alice Cooper fan and so is he, so it was no surprise that ‘The Ballad of Dwight Fry’ was next. He would later joke that we all better have known what that song was, and it seemed like people in the house tonight were fans, and had a clue. Alternating between some Melvins gems from across his career and his new solo album ‘This Machine Kills Artists’ (Ipecac), he constructed a killer set, full of twists and turns.

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About a third of the way through the set Buzz took a break to tell a story and he joked with the audience about which story to tell. When he settled on a “Mike Patton” story, he then had to decide which one to tell, since he apparently has many. What followed next was one of the funniest tales I’ve ever heard. I’d relay it here, but I could never do the delivery justice. You will need to see Buzz on tour and maybe you’ll hear it.

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Settling back into the music newer tracks like ‘Drunken Baby’ and The Melvins ‘Evil New War God’ meshed well, and in general it was just killer to hear this presentation of these songs. During another break, he made jokes about himself, touring, and imitated his wife picking on him pre-tour about the pretentiousness of doing a solo-acoustic tour. Classic. Ending the night with a spirited closing set of Melvins tunes, ‘We Are Doomed‘,

Hooch‘,Revolve‘, Buzz closed it out in rousing fashion. It was a really fun time and an interesting look into the mind of a genius, in a way we never have before.

 

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King Buzzo Set List:

Boris (Melvins cover)

Ballad of Dwight Fry (Alice Cooper cover)

Suicide In Progress (Melvins cover)

Dark Brown Teeth

Rough Democracy

Laid Back Walking

Story break #1

Drunken Baby

Evil New War God (Melvins cover)

The Vulgar Joke

How I Became Offensive

Story break #2

We Are Doomed (Melvins cover)

Hooch (Melvins cover)

Revolve (Melvins cover)

King Buzzo on Facebook

Mary Halvorson on Facebook

 

 


King Buzzo – This Machine Kills Artists


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Enigmatic. Abrasive. Obtuse. Confounding. Musical genius.  A creative juggernaut. There are some compliments that serve as heaps of false praise from the fakery of the music industry machine, and there are some that need to be taken to heart. When the latter is true, you know we are discussing true artists and most conventional thinking can be left at the door. Whom we are discussing is Buzz Osborne, and what we have described is his 30-plus year career making music, mostly with The Melvins. Never short on imagination, the prolific King Buzzo in this guise thrills us all these year later on his new acoustic masterwork and first true solo album, This Machine Kills Artists (Ipecac).

 

Although it may seem odd for a guy on the surface who has built a career on obnoxiously loud, often experimental, over-driven guitar work, like everything in Buzz’s story; the truth has a way of sneaking up on you. At the heart of this idea is this: a great written song will work in any musical guise, and Buzz has always been a master at song craft. These unpretentious songs are not little ditty’s to be harmonized around the campfire like ‘Kumbaya’. They are as menacing, uncomfortable, and interesting as anything in The Melvins catalog. From the lead track ‘Dark Brown Teeth’ through out the final notes, Buzz takes the listener on a journey through his mind. A scary place sometimes, true, but weirdly comforting too. Tracks like ‘Rough Democracy’, ‘Drunken Baby’ and ‘New River’ are flawlessly played. These songs are not lacking for riffs either, with a lot of baddass licks on display. When Buzz does add his backing tracks, he takes the kind of care cleverness you have come to expect from him.

 

Then let’s talk about vocals. Coming off as rough and ethereal as ever, this presentation adds a sorrowful deepness, with a triumphant delivery that will over-power you. The wistfulness of some of the lyrics like on ‘Drunken Baby’, ‘The Vulgar Joke’, ‘How I Became Offensive’, and ‘Useless King of The Punks’ may have various meanings to Buzz, but they stirred my soul listening to them.

 

There have been some similar albums like this one of quality lately, but This Machine Kills Artists has raised the bar. As he has done at every stop in his career, Buzz will continue to inspire, frighten, and change.

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9.0/10

King Buzzo on Facebook

 

KEITH (KEEFY) CHACHKES


Buzz Osborne Goes Unplugged- Stream ‘Dark Brown Teeth’


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Buzz Osborne, the enigmatic front man of The Melvins and legendary upsetter of the norm continues to excite and explore new ground with his first acoustic album- This Machine Kills Artists (Ipecac). As a fixture in the underground avant-garde music scene for 30 years, his resume is filled with classic albums and critical acclaim. Buzz is following his muse wherever it takes him these days after spending a lifetime crafting heavy and experimental music, and it was time for a change. Due out on June 3rd, Buzz explores the softer side of his spirit with no electric guitars or effects, and just good old six-string skills and his wry lyrical story-telling. We have heard the entire album and it promises to be something beyond just a “for fans” release. Check out this stream of ‘Dark Brown Teeth’ and look out for Buzz on his solo acoustic tour soon.

Tour dates:

05/17 Pomona, CA – Scion Rock Fest
06/10 San Diego, CA – The Casbah
06/11 Echo Park, CA – The Echo
06/12 Santa Ana, CA – The Observatory
06/13 Fresno, CA – Strummer’s
06/14 Sacramento, CA – Assembly
06/15 San Francisco, CA – Great American Music Hall
06/17 Eugene, OR – Wow Hall
06/18 Portland, OR – Hawthorne Theatre
06/20 Seattle, WA – Neumo’s
06/21 Bellingham, WA – The Shakedown
06/22 Spokane, WA – The Hop
06/23 Missoula, MT – The Palace
06/24 Billings, MT – The Railyard
06/26 Fargo, ND – The Aquarium
06/27 Minneapolis, MN – Grumpy’s
06/28 Milwaukee, WI – Shank Hall
06/30 Grand Rapids, MI – The Pyramid Scheme
07/01 Columbus, OH – A&R Music Bar
07/02 Detroit, MI – Small’s
07/03 Cleveland, OH – The Grog Shop
07/05 Syracuse, NY – The Westcott Theater
07/06 South Burlington, VT – Higher Ground
07/07 Portland, ME – Portland City Music Hall
07/09 Dover, NH – Dover Brickhouse
07/10 Allston, MA – Brighton Music Hall
07/11 Pawtucket, RI – The Met
07/12 Hamden, CT – The Ballroom at The Outerspace
07/13 New York, NY – Santos Party House
07/14 Brooklyn, NY – The Wick
07/15 Philadelphia, PA – Underground Arts
07/17 Baltimore, MD – Ottobar
07/18 Charlottesville, VA – The Southern
07/19 Charlotte, NC – Visulite Theater
07/20 Carrboro, NC – Cat’s Cradle
07/22 Atlanta, GA – The Basement
07/23 Birmingham, AL – The Bottle Tree
07/25 New Orleans, LA – One Eyed Jack’s
07/26 Houston, TX – Warehouse Live
07/27 Austin, TX – Red 7
07/28 Sam Antonio, TX – Limelight
07/30 Tucson, AZ – Club Congress
07/31 Pioneertown, CA – Pappy and Harriet’s 

 

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Buzz Osborne on Facebook