Say the words ‘black/thrash’ and the images are instant; bullet belts, leather, re-heated Venom riffs and a slightly worrying pre-occupation with witches, necrophilia, the devil and his merry pals. Greece’s Satan’s Wrath is no exception. They heartily embrace all the clichés of this dirty genre and probably view musical progression like an invitation to a Christian poetry reading. However, they are blessed (by Satan, naturally) with a fiendish musical talent and with third album Die Evil (Metal Blade) have pretty much recorded an unofficial soundtrack to Hammer Horror classic The Devil Rides Out if it were ever to be re-made with Fenriz as the director.
Led by former Electric Wizard bassist Tas Danazoglou, a man with more facial tattoos than Britain has Lib Dem MP’s, Satan’s Wrath, as previously mentioned, deal in serrated blackened thrash riffs that race along like bats out of hell, gruff, barked vocals aided by a liberal dose of reverb, and the belief that metal became irrelevant when more than a dozen people became aware of Bulldozer’s existence. However, they have cast their yellow eyes a few years further back than the mid 80s as demonstrated by the strong NWOBHM influence captured throughout Die Evil, ensuring things don’t get too one dimensional. This is best demonstrated on ‘Coffinlust’, which shamelessly recycles the riff to ‘Two Minutes to Midnight’. Of course, it’s catchier than the common cold.
Whether it’s the frequent over-the-top guitar solos that erupt like grasping hands from a shallow grave, the rampant, galloping riffs on the likes of ‘Raised on Sabbaths’ and ‘Satanic War’ that defy you not to headbang and claw the air like a 14 year old kid who’s just discovered Slayer, or the goofy, trashy horror vibes that just don’t stop being old, Satan’s Wrath may be a one trick pony, but they’re one that gives one hell of a kick. Forget progress, just stick on Die Evil and submit to Satan. It’s the only way.
8.0/10
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JAMES CONWAY
